by Stephen Morgan » Mon Mar 12, 2012 6:55 pm
The Veteran, because I was just watching it. Unusually high level of awareness about parapolitical issues, having both the spook and the drug dealer tell the soldier he was fighting for the drug trade in Afghanistan. Would've been better with an American style happy ending, rebuilding the character from the point where he's at his lowest, about to be decapitated by the spooks. In stead ends badly. Unlike, say, Shooter or Shoot 'em Up. But English films are more likely to have unhappy endings, like My Brother Tom. Best film ever of course is The Wrath of Khan, although I prefered Robin Curtis to Kirsty Alley. 12.01 with Helen Slater also good. Captives with 'Tim Roth and Julia Ormond. I was just watching a Liam Neeson film, they're all pretty much the same, so those're top of my head. Unknown, a sort of less-awful Bourne Identity. The Constant Gardener was sad, and The Importance of Being Earnest made me ponder the improbability of a film where the happy ending is "we can get married because we're cousins, not unrelated after all".
Those who dream by night in the dusty recesses of their minds wake in the day to find that all was vanity; but the dreamers of the day are dangerous men, for they may act their dream with open eyes, and make it possible. -- Lawrence of Arabia