Steven CIA Spielberg's JFK confuse-a-tainment movie.

[Hugh Manatee Wins]

He had to do it. And it's called 'Eagle Eye,' a movie about two brothers and two murders.

Steven Spielberg's movies all have CIA subtexts.
He's been making US government movie propaganda just like his career model, Walt Disney.

Hollywood became the US government's tool for war propaganda during WWII when the Office of War Information's Bureau of Motion Pictures had reviewed 1652 scripts as of August, 1945.

Disney made nothing but propaganda for the USG during WWII.

This Hollywood psychological operations (psy-op) system continued covertly during the new permanent state of 'Cold' War making movies and television designed to promote national security goals. Disney made films promoting heroic warrior culture with strong father-figures, action-adventure male role models, and weak female anti-heroes all meant to assist military recruiting. Entertainment versions of new weapons technologies were used to soften public reaction to prevent horrifying American youth into becoming decidedly anti-war as they had after the industrial slaughter of of World War I.

Eventually, the CIA's failures, blown covert operations, and other government scandals necessitated the making of entertaining decoy movies meant to minimize the effect of their potential exposure which could reduce a young citizen's respect for authority and, with it, their 'national will' and thus interfere with potential military recruiting.
The Pentagon's technical term for this is counterpropaganda.

Disney, as a covert division of the US government, still does all this and Spielberg does, too, not to mention many others in the movie and television industry.

So Steven Spielberg makes propaganda and counterpropaganda movies that serve political purposes like promoting military recruiting attitudes by:
- linking the occult, home, and violence to instill fear in children (Poltergeist)
- telling a post-Vietnam allegory about containing Communism (Gremlins)
- promoting military recruiting to boys and their fathers (Inner Space, Hook)
- promoting global warfare memes (War of the Worlds)

...or hiding real CIA scandals and covert USG operations like:
- the CIA murder of JFK (Used Cars)
- CIA disinformation programs hyping UFOs and mischaracterizing the views of Jacques Vallee who wrote about military-intelligence involvement(Close Encounters)
- CIA mind control experiments using drugs and hypnosis on adults and children under cover of 'alien abductions' plus the intentional destruction of US military authentification codes of the left-behind Vietnam War POWs who can no longer "phone home"(ET)
- CIA/FBI agent Jim Jones' Jonestown massacre and murder of Congressman Ryan plus US-backed Nazis like Klaus Barbie in Bolivia (Indiana Jones, Jurassic Park)
- the let-it-happen-on-purpose of Pearl Harbor where the broken Japanese Purple Code was suppressed to guarantee their first strike on the US (1941, The Color Purple)
- kidnapping and torture called 'extraordinary rendition' and surveillance (The Terminal)

So I wondered what role Spielberg would have in countering the 11/22/08 45th anniversary of the murder of President John Kennedy by a web of CIA agents and their criminal assets with help from high level Washington officials and local Dallas Police.

Here it is- 'Eagle Eye,' a movie about a murdered brother and another political assassination afterwards. Some of the JFK/RFK narrative components are shuffled and reversed to create confusion about guilt and innocence, the 'moral shellgame' tactic of mirroring and muddying real history or...confuse-a-tainment, a form of psychological operations in the same family as militainment, infotainment, and disinfotainment.

Even the title suggests what the mythical sniper (patsy Oswald) high up on the 6th floor of the Texas School Book Depository Building would have had to have to shoot through the tree blocking any shot at JFK's limo,...an "eagle eye."
Classic propaganda device, turning a cliched phrase into a hook to hang a cover story from.

The clever use of memorable keywords and phrases is instrumental to manufacturing decoy counterpropaganda, a story meant to cover up another story.
Often words, like names, from 'hostile stories' are simply used in 'benign fictional stories' to condition our brains to bias towards the benign use of the word.

It sounds like this wouldn't really work but it does, especially on children or anyone else who doesn't know history but watches TV and movies. That is, most Americans.

Just ask someone what the name "Mulder" means to them.
They're far more likely to mention
-the fictional FBI agent chasing UFOs
NOT
-the South African military buying a US newspaper to do pro-apartheid propaganda.

Just ask someone what the color "Purple" means to them.
They're far more likely to mention
-the movie with Oprah Winfrey
NOT
-the most dangerous secret of World War II.

Just a hunch. But do test this radical hypothesis to be sure.

This is why in the two years leading up to the 2008 anniversaries of the USG murdering President John F. Kennedy, Senator Robert F. Kennedy, and Reverend Martin Luther King there were many movies that pre-conditioned audiences to accept the USG's cover stories again this year, each movie dealing with a few major limbs of the suppressed narrative bodies.

Finding old movies and books with useful components to remake is a common tactic.
The timing of the movie release to the youth audience achieves the desired psy-ops effect of reinforcing lies while covering up truths.

Examples:

>Last year's movie, 'The Shooter,' provided the image-conditioning for movie-going youth of an "ex-Marine" (just like Oswald!) sniper making many miraculous long-distance head-shots to prepare American youth to accept this year's renewal of the Oswald-dunnit cover story. Hey, this shooter really had an...eagle eye.

>'The Lake House' utilizes the device of time-travel as a plot device to create tension over pre-knowledge of a man's death in "Daley Plaza" and efforts to prevent it.
This is a mystical mirror of the real history of a woman named Rose Cheramie who was thrown out of a moving car by men on the way to Dealey Plaza planning to murder JFK.
Daley Plaza/Dealey Plaza...cute.

Cheramie ended up in a hospital warning the staff what was about to happen to JFK but she was ignored. After JFK's murder the FBI were alerted and a few years later she was killed on the highway in a manner mirroring how she had ended up in the hospital in the first place.
This damning information ended up in the records of the House Select Committee on Assassinations and is extremely problematic for the Warren Commission cover-up promoting no conspiracy except by a "lone gunman."

Rose Cheramie was also mirrored in the 11/21/68 (one day before Dealey Plaza anniversary) episode of television's 'Hawaii Five-O' about a woman thrown out of a moving car.

Another movie called 'Running Against Time' (1990, just before Oliver Stone's 'JFK') mirrored the same Rose Cheramie history with the mystical time-travel device, a narrative device that was used by Rod Serling to cover-up the truth of Pearl Harbor in his story, 'The Purple Testament.'
Rod Serling's title was used for the same reason Spielberg surprised everyone by grabbing Alice Walker's novel, 'The Color Purple' - the US has broken the Japanese Purple Code and knew Pearl Harbor was going to be attacked but let it happen for strategic reasons.

Some guy named Captain Kirk got fired for wanting to warn Pearl Harbor but I doubt you've heard of him.
Oh, you have? Really? Where? What a coincidence!
But I'm sure you've never heard of the disaster of Operation Vulcan.

>'The Shooter' has already been given as an example of a Lee Harvey Oswald mirror. Even the lead character has "Lee" in his name, 'Bob Lee Swagger.'
The book was written by a Washington Post (CIA paper) columnist right after Oliver Stone reopened this national wound with his movie 'JFK.'

>'The Departed' was an absurdly complicated (shell game morality of confuse-a-tainment) movie about police-mobster corruption and double-agent informants, much like the case of mobster-friend-of-Dallas-police Jack Ruby who conveniently murdered the CIA's double-agent-made-patsy, Oswald. The movie climaxes with shootings from the top of a building, of course.

There are so many....Back to Spielberg's 2008 fog around the murder of JFK.

Spielberg's 'Eagle Eye' Plot:
There are two brothers. Twins. The "successful" one dies. Like JFK.
Researchers have turned up evidence that there were two young men working for CIA who looked very much alike, two Lee Harvey Oswalds. And one was used to patsy-up the other. (See John Armstrong's work. 'Oswald's body was exhumed in 1981 and the dental records didn't match what was found.)
Spielberg's other brother has combined characteristics of both RFK and the CIA's patsy, Lee Harvey Oswald. There is a potential political assassination and the remaining brother becomes a suspect. What a mess of mirrors and composite mirrors of suppressed history.

What Steven CIA Spielberg is trying to evoke subliminally in 'Eagle Eye' is the cover story put forth by the CIA and its shills that Robert Kennedy was overseeing efforts to kill Castro but they backfired and the Bad Bearded Commie got JFK first.
TOTAL DISINFORMATION.

Oh, and now Spielberg adds the bogus War on Terror to the mix, too.
Some contemporary propaganda to go with the historical anniversary counterpropanda.

But that's...Steven CIA Spielberg and That's...confuse-a-tainment!

http://en.wikipedia.org/wiki/Eagle_Eye

Eagle Eye is an upcoming political thriller film starring Shia LaBeouf and Michelle Monaghan.
.....
Written by-
Steven Spielberg (idea)
Dan McDermott (original)
Hillary Seitz (rewrite)
.....
Premise

A young slacker (Shia LaBeouf) returns home after the mysterious death of his successful twin brother. He and a single mother (Michelle Monaghan) find out that they have been framed as terrorists, and they are coerced into becoming members of a cell tasked to assassinate a politician. Son and mother must find a way to escape the cell and extricate themselves.[3]

Cast

* Shia LaBeouf as a young slacker who is framed as a terrorist[3]
* Michelle Monaghan as a single mother who is also framed as a terrorist[4]
* Billy Bob Thorton as the patriotic leader of a homeland security team tracking down the cell[5]
* Rosario Dawson as a government agent who is tracking down the terrorist cell[6]
* Anthony Mackie as a hot-shot soldier[7]
* Ethan Embry as Toby Grant[2][8]
* Michael Chiklis as the United States Secretary of Defense[9]

Production

Screenwriter Dan McDermott wrote the original script for Eagle Eye based on an original idea by Steven Spielberg. The studio DreamWorks then bought McDermott's script and set up the project to potentially be directed by Spielberg. When the director became busy with Indiana Jones and the Kingdom of the Crystal Skull, he dropped out of the project. Director D.J. Caruso, who directed the 1996 TV series High Incident under Spielberg's executive production, replaced the director in helming Eagle Eye.

[Penguin]

Hugh: About the Departed...Its actually not an American script. Its adapted from a Hong Kong movie Infernal Affairs. The American version (including the rooftop scenes) is almost identical in all major respects to the original. Only the ending is "happier" in the US version - the bad guy does NOT get killed in the original, but only his wife finds out that hes the mole. And he has to live with his wife knowing it.

I thought the original was better, and its plot was a lil more convoluted - but the adaptation was better than usual. But in US version, of course, the cops were in the end portrayed as more moral - the bad guy got shot extralegally.

[Hugh Manatee Wins]

Hugh: About the Departed...Its actually not an American script. Its adapted from a Hong Kong movie Infernal Affairs. The American version (including the rooftop scenes) is almost identical in all major respects to the original. Only the ending is "happier" in the US version - the bad guy does NOT get killed in the original, but only his wife finds out that hes the mole. And he has to live with his wife knowing it.

I thought the original was better, and its plot was a lil more convoluted - but the adaptation was better than usual. But in US version, of course, the cops were in the end portrayed as more moral - the bad guy got shot extralegally.

Great, thanks for the background on 'The Departed.'
'The Lake House' was also a remake, of a Korean film.

Perfect for plausible deniability. Pre-fab psy-ops.

That's why I posted-

Finding old movies and books with useful components to remake
is a common tactic.

Like Spielberg freaking people out in 1985 by using Alice Walker's 'The Color Purple' not realizing this was just for the value of the Pearl Harbor/Purple Code keyword hijacking and Walker's perfect audience since black Americans were the anchor of the economic draft until very recently....Also part of why Oprah Magazine is seen every day at the supermarket since that is her big movie identity.

Why? Mnemonic (memory) pre-biasing and misdirection is common.

Philip Zelikow his very own bad 9/11 Omission Panel-self wrote up for the Council on Foreign Relations his eye-rolling 'anti-conspiracy theory' dismissive review of Robert B. Stinnet's best-ever 1999 documentation book exposing the LIHOP (Let It Happen On Purpose) of Pearl Harbor...which was accomplished by shielding the command at Pearl Harbor from the information about the sneak attack found in the broken Japanese 'Purple Code.'

Jim Lehrer, that PBS Mockingbird operator, pre-empted Stinnet's 1999 book expose on Pearl Harbor with a competing "purple" keyword hijacking the year before in a CIA-themed thriller novel called...
'Purple Dots.'



So Spielberg is only one of many CIA assets but one of the most visible and therefore most effective.

[orz]

Perfect for plausible deniability. Pre-fab psy-ops.

Revisiting this wonderful example of simultaneous cake ownership and consumption.

[MinM]

Jerry Shaw (Shia LaBeouf) returns home after the mysterious death of his successful twin brother. He and a single mother, Rachel Holloman (Michelle Monaghan), find out that they have been framed as terrorists, and they are threatened into becoming members of a cell tasked to assassinate a politician...

Everybody has a BlackBerry or an iPhone on their belt, and we think we're constantly being tracked. It's less science fiction than when Steven (Spielberg) conceived it."[10] Caruso wanted to bring a gritty, 1970s-era sensibility to the film. Accordingly, a key chase scene in a high-tech package-processing hub on conveyor belts was shot without the use of computer-generated imagery. "It was like Chutes and Ladders for adults. It was pretty dangerous, and a lot of fun.[10] While filming the scene, Monaghan suffered a welt after a cable brushed her neck and Caruso hit his head on a protruding bolt, requiring stitches...
http://en.wikipedia.org/wiki/Eagle_Eye

Reelz Channel: Eagle Eye Closer Look
http://www.reelzchannel.com/trailer-cli ... loser-look

http://www.oilempire.us/jfk.html

[Joe Hillshoist]

Everybody has a BlackBerry or an iPhone on their belt, and we think we're constantly being tracked.

Speak for yerself cancer hips

[KeenInsight]

I went and saw Eagle Eye in theatres. What a waste of money that was.

Seriously, an A.I., of all things, reads up on the Declaration of Independence instead of being hellbent on destroying all human life (I.E., Terminator, Matrix, etc.).

I wanted the Robot thing to win.

When the government deprives, or seeks to deprive, the People of their basic human rights and due process of law, the People have the right to declare their independence of that government.

"Whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government."

However, do so, in this new AmeriKa, means you are, by 'legal' definition, a Terrorist.

[MinM]

[MinM]

Rod Serling's title was used for the same reason Spielberg surprised everyone by grabbing Alice Walker's novel, 'The Color Purple' - the US has broken the Japanese Purple Code and knew Pearl Harbor was going to be attacked but let it happen for strategic reasons...

The Twitter Zone
By MAUREEN DOWD
Published: July 5, 2011

I knew I should have been out eating charred meat or watching a bad Michael Bay movie.

But I couldn’t help myself. Every July Fourth weekend, I get sucked into the spooky little dimension of “The Twilight Zone.” As the annual Syfy marathon proves, Rod Serling’s hypnotic show is as relevant as ever.

If Anthony Weiner had watched it, he might have been more aware of how swiftly, and chillingly, our technology can turn on us. Prosecutors and reporters, dumbfounded by dramatic reversals in the cases of tabloid villains D.S.K. and Casey Anthony, might do well to keep in mind Serling’s postmodern mantra: Nothing is what it seems.

Agnes Moorehead may seem to be a lonely farmwoman under attack by scary little robots, but after she kills them and takes an ax to their spaceship, it turns out that she’s the scary Amazon alien and the little men were U.S. astronauts from Earth.

Ensorcelled once more by that inimitable, smoke-filled Serling voice, which is reassuring and unnerving at once, I wondered how the ingenious TV writer would have used social media and search engines in his plots. Given the way Serling treated time travel, space odysseys, robots and aliens, the 21st-century technology giants would probably have been ominous in one narrative and benign in another. (Just like in life.)

No doubt some characters would have been saved and others destroyed by Twitter, Facebook and Google.

“When you look at ‘Twilight Zone’ episodes, everything is ambivalent,” said Serling’s friend Doug Brode, who, along with Serling’s widow, Carol, wrote “Rod Serling and ‘The Twilight Zone:’ The 50th Anniversary Tribute,” published in 2009. “Rod had an open mind to the good, the bad and the in-between of technology. He was a guarded optimist until the Kennedy assassination. After that, his work reflected his sense of hopelessness.”

He said that Serling’s father, a middle-class grocer, lost his business in the Depression, so Rod had an early lesson in reversals. Serling also had a devastating experience while serving in World War II. During a lull at the Battle of Leyte Gulf in the Pacific, he was standing with his arm around a good friend and they were having their picture taken. At that moment, an Air Force plane dropped a box of extra ammunition that landed on Serling’s friend and flattened him so fatally that he couldn’t even be seen under the box.

“Many ‘Zone’ episodes are about that split-second of fate where somebody arbitrarily gets spared or, absurdly, does not,” Brode said.

Serling himself lived a reversal, going from a trailer park after the war and 40 rejection slips in a row to having a big Hollywood house and a pool. But he grew disdainful of Babylon’s corrupting materialism and moved back to a cottage on Cayuga Lake in upstate New York. Serling fought furiously against censorship and ads, asking how you could write meaningful drama when it was interrupted every 15 minutes by “12 dancing rabbits with toilet paper?”

In one “Twilight Zone,” an inept screenwriter conjures up Shakespeare to help him. The Bard produces a dazzling screenplay but then storms out when the sponsor demands a lot of revisions.

Did Serling, who had a searing sense of social and racial justice, believe in God?

“Not Charlton Heston sitting on a cloud with the Ten Commandments, but absolutely, as a force in the universe, he did,” Brode said. “Nearly 35 years ago, George Lucas told me that the whole concept of the Force comes from Rod Serling.”

It’s impossible not to watch a stretch of the endlessly inventive Serling and not notice how many of his plots have been ripped off for movies, and how ahead of his time he was. In a popular new Samsung ad, a young woman jumps up from the lunch table and begins screaming because the tarantula screensaver on her colleague’s 4G phone is so lifelike; another guy at the table takes off his shoe and smashes it.

There’s a “Twilight Zone” episode where a Western gunfighter time travels forward and goes into a bar, where he sees a TV with a cowboy coming toward him. Thinking it’s real, he pulls out his pistol and shoots the screen.

Looking at this summer’s lame crop of movies and previews you can appreciate Serling’s upbraiding of the entertainment industry for “our mediocrity, our imitativeness, our commercialism and, all too frequently, our deadening and deadly lack of creativity and courage.”

“The Twilight Zone” was never gangbusters in the ratings, and Serling — who smoked on screen — died at 50 from the ravages of six packs a day. He felt like a sellout and failure. He had sold syndication rights for his show to CBS for a few million, thinking he had not written anything of lasting value.

Sadly, he gave himself a trick ending. He died never realizing how influential he would be.

“Everything today is Rod Serling,” said Brode. “Everything.”

A version of this op-ed appeared in print on July 6, 2011, on page A21 of the New York edition with the headline: The Twitter Zone.

http://www.nytimes.com/2011/07/06/opini ... emc=tha212

More on Rod Serling...

viewtopic.php?p=270327#p270327