Insurgent Cowboys and Alien Air Cavalry

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Insurgent Cowboys and Alien Air Cavalry

Postby DrVolin » Fri Aug 05, 2011 7:50 pm

Insurgent Cowboys and Alien Air Cavalry

To get the film review out of the way first, Cowboys and Aliens is a bad film. A very bad film. But it bears discussion. Lots of it. In terms of Western conventions, the aliens here play the role of a blind, amoral, cavalry-like force, a Lovecraftian deux ex machina that knocks the plot onto a new trajectory whenever something inevitably bad is about to happen to the protagonists. Their goal is not to rescue, but they inevitably do. Their timing is involuntary, but flawlessly close to the utlimate second of life for the heroes. The film feels like a catalog of classic, in the sense of cliché, Western endings strung together. The lynchmob is about to make a bad day worse for the heroes, but fortunately, the alien air cav blindly intervene at the last possible moment. The local boss is about to make a bad day worse for the heroes, but fortunately, the alien air cav blindly intervene at the last possible moment. The wild Indians are about to... well, you can probably guess the rest.

But the film is not notable so much for what it does to the conventions of the Western as for what it says about the psyche of Westerners in this early 21st Century. Like all oppressors before them, in their nightmares Westerners cast themselves as the oppressed, the dissapeared, the tortured, the insurgents. They imagine recourse to the tactics of the oppressed, the suicide bomb, the canyon ambush, the infiltration. They imagine local gangsters, including the pastor, for a while putting differences aside in the face of a common threat, to uphold their end of the feudal contract, protecting the sheep who desperately and happily turn to them for support and leadership in their darkest hour. They imagine the oppressor literally destroyed by the very thing he sought to despoil.

In the best tradition of imperial propaganda, this darkly introspective vision is made suitable for colonial audiences by the intervention of a magical outsider, a messenger from a greater civilization, without whose help the locals would be condemned to a twilight existence as mere fodder for someone else's plan.
all these dreams are swept aside
By bloody hands of the hypnotized
Who carry the cross of homicide
And history bears the scars of our civil wars

--Guns and Roses
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Re: Insurgent Cowboys and Alien Air Cavalry

Postby Nordic » Fri Aug 05, 2011 8:07 pm

I haven't seen the movie, but the commercials and the trailers. And as I said in my one and only blog post here thus far:


Every time I see one of those commercials for "Cowboys and Aliens" I realize -- this is how a lot of the Afghanis and Pakistanis must feel.

Living in the desert, out in the middle of nowhere, being bombed by these flying robotic futuristic craft -- and wondering WHY?

Most of them, almost all of them, don't even know about 9/11.

And yes, we're the Bad Guys. We're the aliens. We're the senseless unfeeling murderers.


(Before anybody goes all HMW on this, this movie has been in development for something like 20 years)
"He who wounds the ecosphere literally wounds God" -- Philip K. Dick
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Re: Insurgent Cowboys and Alien Air Cavalry

Postby operator kos » Fri Aug 05, 2011 9:39 pm

for the lulz...

http://www.huffingtonpost.com/2011/08/01/truth-about-aliens-et_n_915601.html?ir=Books

E.T. Researchers Say 'Cowboys & Aliens' Distorts Truth About Aliens In Wild West

Just like "Cowboys & Aliens" was not the first western movie ever made, UFO encounters did not begin with the alleged Roswell UFO crash in 1947.

In fact, there were hundreds of reported sightings of UFOs and extraterrestrials between 1840 and 1900, according to Noe Torres, a librarian in South Texas, and John LeMay, a historical archivist in Roswell, N.M.

The two have documented 14 of those sightings in a new book, "The Real Cowboys & Aliens: UFO Encounters of the Old West," which Torres published via his own company, Roswell Books, which specializes in paranormal literature.

The book analyzes UFO reports that took place in America between 1840 and 1900, the period when "Cowboys & Aliens" is set, and contrary to what the characters played by Harrison Ford and Daniel Craig think of the creatures -- they call them "demons" -- LeMay said the idea that Earth could be visited by people from other planets wasn't an alien concept.

He points to an alleged UFO crash that occurred near Aurora, Texas, in 1897.

"The newspaper report in the Dallas Morning News didn't call them 'aliens' but they did call them 'Martians,' mainly because, at the time, that was thought to be the planet most likely to be inhabitable," LeMay said.

Unlike today, where sightings of spacecraft or aliens are discounted by a skeptical mainstream media, Torres said major newspapers and magazines of the day, such as the Dallas Morning News, Kansas City Star and the San Francisco Call reported these sightings at face value.

Even the venerable New York Times found an 1873 sighting of a flying serpent UFO fit to print.

What the authors found most interesting was how the eyewitnesses described what they saw.

"This was an era before airplanes were invented and balloon travel had just started," Torres said. "So the terms used to describe what was seen is very interesting. You'll get descriptions of flying serpents, metallic balloons and one person even described a spaceship as a 'huge bale of cotton on fire.'"

Although that terminology sounds quaint to modern sensibilities, LeMay thinks those descriptions make them, in some ways, more valid than contemporary reports.

"They are more credible because they didn't have any knowledge of airplanes or satellites," he said, adding that his favorite description of an alien spaceship was from an underwater UFO found in a Washington lake.

"The witnesses described it as a mechanical caterpillar," he said.

Another thing the authors discovered was the willingness of journalists to report the sightings and refrain from making the witnesses seem like wackos.

"The papers were more inclined to cover these sightings without trying to make the witnesses sound crazy," Torres said. "Of course, many of the descriptions tended to use religious or spiritual descriptions and the journalists of that era were more open to that."

The most compelling case of that time in America, according to Torres, is the Aurora incident of 1897, when a craft reportedly piloted by a humanoid alien crashed, killing its pilot in the process.

"Newspaper descriptions of the case -- which was reported nationally -- made the point to mention that eyewitnesses could tell the pilot 'was not of this world.'" Torres said. "Along with the pilot, they found a strange script featuring unknown hieroglyphics."

Another case of interest to Torres was the sighting of some Bigfoot-like aliens by Native Americans in northern California.

"The Native Americans called them 'crazy bears' and they reportedly came to Earth in 'small moons that descended to Earth,'" Torres said. "They were apparently friendly and furry."

In fact, that sort of neighborly spirit is what sets apart the E.T. encounters of the mid-to-late 1880s with modern-day sightings.

"There were no abductions reported, but there was one case when the E.T.s supposedly tried to coerce humans into a ship, but the humans said no," Torres said.

Torres hasn't seen "Cowboys & Aliens," but believes the truth is always more interesting than fiction. However, he admits that the stories in his book "aren't as dramatic as laser beams or abductions."

LeMay has seen the film, and while its depiction of aliens battling cowboys has little to do with the E.T. reports of that time, he accepts that Hollywood tends to take liberties with the historical record -- even when aliens aren't involved.

"It could have been better," he said. "It was solid filmmaking, but I don't need to see it again a lot of times."

However, at least one UFO researcher thinks the film's so-called "inaccuracies" could have a devastating impact on future Earth-E.T. relations.

Alfred Webre is a researcher in Vancouver, B.C., who specializes in "exopolitics," a term used to describe the political implications surrounding an extraterrestrial presence on Earth.

He said the film is a $163 million travesty that inaccurately depicts how aliens and humans really interacted during the 1870s.

"There is no evidence of harmful alien abductions during that period," Webre griped to HuffPost Weird News. "That didn't start until 1934 when the U.S. government, on FDR's watch, signed a treaty with the Orion Gray aliens. Then there was a parallel treaty made with the Third Reich in 1941."

"Also, the movie shows the aliens looking for gold. The only aliens interested in gold are the Anunnaki, an alien race from the Sirius system that appeared in ancient Sumeria," he added.

That's a bold and outrageous statement, but nothing new for Webre, who once told this reporter that a relative of President Franklin D. Roosevelt
who once told this reporter that President Dwight D. Eisenhower's great-granddaughter was invited to visit a secret U.S. base on Mars and that the U.S. government may have used an earthquake machine to cause the 2010 Haiti earthquake in order to destabilize the country long enough to take over its valuable natural resources.

Still, Webre insists that the way "Cowboys & Aliens" mixes and mashes alleged alien info is not only inaccurate, but it sends a bad message to any E.T.s who might be considering making contact.

"Films like this send out the signal that aliens are our enemies and that we're trigger happy," Webre said.
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Re: Insurgent Cowboys and Alien Air Cavalry

Postby battleshipkropotkin » Fri Aug 05, 2011 10:20 pm

http://www.imdb.com/title/tt0090675/

Plot Summary for
The Aurora Encounter (1986)

A tiny alien lands in the small town Aurora in Texas in the times of the Wild West. He flies around in his spaceship and checks out everything. While the kids are fascinated, their parents are rather sceptic and afraid. Ms. Peabels, teacher and new owner of the local paper, smells a good story and brings the alien into the headlines. When the governor hears of the rumors he sends a ranger to take action.
___________________
Also, C&A isn't exactly a movie adaptation of a comic book, er, graphic novel. It's a movie adaptation of a concept poster, with a graphic novel, er, comic book created in the meantime to hype the movie:

http://www.bleedingcool.com/2010/11/20/the-great-cowboys-aliens-scam-has-unexpected-result/

http://captionbox.net/loosepages/?p=222

http://splashpage.mtv.com/2011/07/29/cowboys-aliens-the-journey-to-the-big-screen/

(for kidz?!?)
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Re: Insurgent Cowboys and Alien Air Cavalry

Postby 8bitagent » Sat Aug 06, 2011 5:17 am

It is curious seeing UFO and alien reports in 19th and early 20th century anytown usa newspapers reported at face value. I have seen that.

But weren't a lot of these sightings reported as "phantom airships" or they also have the 40's-50's era saucers back then too?
"Do you know who I am? I am the arm, and I sound like this..."-man from another place, twin peaks fire walk with me
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Re: Insurgent Cowboys and Alien Air Cavalry

Postby elfismiles » Sat Aug 06, 2011 10:08 am

At the end of our interview of Mark Pilkington about his MIRAGE MEN book he quoted AH Khayal in Pakistan’s The Nation, from The Independent, 6 April 2010 ...

When the Reapers come
Posted on June 8, 2010 by Mark

The following extract from an article about unmanned drones in Pakistan and Afghanistan is a perfect illustration of the ways that technology and folklore can become entwined, and of the psychological power wielded by those with the technological advantage.

The masses are piteously ignorant. They just don’t know that the drones are not material creatures. Actually, they are spiritual beings. They don’t need earthly runways for taking off… They live in outer space, beyond the international boundaries of Afghanistan and Pakistan. When they feel hungry, they swoop down and kill innocent Afghani women and children. They eat the corpses and fly back to their spacial residences for a siesta. When they again feel hungry, they again swoop down and kill another lot of innocent women and children. Having devoured the dead bodies, they fly back to their bedrooms in space. It has been going on and on like this for years.

http://miragemen.wordpress.com/2010/06/ ... pers-come/


Nordic wrote:I haven't seen the movie, but the commercials and the trailers. And as I said in my one and only blog post here thus far:


Every time I see one of those commercials for "Cowboys and Aliens" I realize -- this is how a lot of the Afghanis and Pakistanis must feel.

Living in the desert, out in the middle of nowhere, being bombed by these flying robotic futuristic craft -- and wondering WHY?

Most of them, almost all of them, don't even know about 9/11.

And yes, we're the Bad Guys. We're the aliens. We're the senseless unfeeling murderers.


(Before anybody goes all HMW on this, this movie has been in development for something like 20 years)
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Re: Insurgent Cowboys and Alien Air Cavalry

Postby elfismiles » Sat Aug 06, 2011 10:36 am

ImageImageI've never taken Aurora seriously. But I do consider the American (and similar European) airship flaps very much a part of ufological history.

The Mufon STAR TEAM lead field investigator I met recently (Fletcher Gray) suggested the body in the story looked alien and child like from burning up and shrinking into the fetal position and that it was likely the body of the pilot/inventor of whatever airship had crashed.

But just like with the other UFO flaps / eras, there seem to be far too many reports for it to be a lone mad scientist flying contraption inventor.

One good book on the Texas flap is The Great Texas Airship Mystery. Another interesting "alternate" take is this awesome art book: THE SECRETS OF DELLSCHAU - The Sonora Aero Club & the Airships of the 1800s, A True Story by Dennis Crenshaw in collaboration with P.G. Navarro.

The FringeWare store in Austin (and its print publication FringeWare Review) fixated on Aurora for a time, with dark fiction writer and former head of the Temple of Set Don Webb and the FringeWare folks cooperating to replace the stolen/missing gravestone for the poor abandoned alien:

- FringeWare Benefit Honors UFO / Aurora Marker Project
- Aurora's Harbinger: A Fable for the Fin de Siecle by Jeff Gorvetzian
- Cowboy Hats of the Gods: UFO Millenial Cults in Texas by Doc Hambone
- Donn Webb's (former Temple of Set High Priest) support of the Aurora Marker Project
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