crikkett wrote:Wombaticus Rex wrote:yathrib wrote:Is there some kind of law or custom now that demands that major pop stars have to troll the conspiratainment/NWO/fundie freaks at least once a year?
None. I think it's just a testament to how much of our human symbolic heritage has been branded as pagan/satanic by 2000 years of hysterically paranoid Christianity. A stage designer can't wander more than a few feet from the sterilized comfort zone without stepping on something Vigilant Citizen can write a whole post on.
A
Reichsadler emerging from the shadows of 'world peace' is nowhere near anyone's sterilized comfort zone.
slomo wrote:I would also argue that a poorly-executed creaky Baphomet is nowhere near anyone's sterilized comfort zone. I don't carry the same baggage about it as Fundies (OMG the Devil!) but it does actually mean something in occult circles. Madonna seems to be signaling a spiritual inversion, a conscious willingness to seek materiality over all else. This is hardly a surprise coming from the Material Girl.
Or she's playing with it for entertainment purposes. Or she barely knows what she's invoking, she just likes the costumes and symbols.
If you view it as a theater, why can't you interpret the end of the piece as the demise of "Baphomet" and her values? With a flash and some smoke she disappears down into a hell of sorts and World Peace breaks out because she's gone.
The bird doesn't have to be a Reichsadler.

Weirdly, many people didn't even recognize it staring them in the face.
Well, there are also people who think Eastwood's declaration of renewed nationalist aggressivity (more significant than Madonna, by the way) was actually an endorsement of Obama Socialism. But we're here in the reality-based community, no?
However, in this case it seems a higher order intelligence may be speaking through her: at the moment of triumphant celebration of spiritual inversion, the fixation and subjugation of the entire world under the watchful eye of the corporate surveillance state, Madonna's precarious lack of grace seems instead to signal that it's all about to come down. Our civilization is not the crowning jewel of the cosmos after all - it is a laughingstock and an obscenity.
If true, then it might as well be said explicitly. I think the rest of the Superbowl as High Holiday of Consumerism and American Jingo is by nowsignal enough, no?
The commercials in the two spots that would have been watched the most - right after coin flip and and first up at half-time - both suggested big war coming. The Dictator trailer showed Saddam, Gaddafi and Kim Jong Il, and asked, who's next? And then Eastwood told the world they should expect to hear "the roar of our engines." And even as suggestive as these are, they reading is not compulsory; they're using the ambient ideological vocabulary. They represent guesses at what chords should be struck to resonate emotionally with the Superbowl audience, for the purpose of selling a movie and some cars, respectively.
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We meet at the borders of our being, we dream something of each others reality. - Harvey of R.I.
To Justice my maker from on high did incline:
I am by virtue of its might divine,
The highest Wisdom and the first Love.
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