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JackRiddler » Wed Dec 23, 2015 4:15 pm wrote:Moderately funny, thanks!
Luther Blissett » Wed Dec 23, 2015 10:49 pm wrote:I would watch a Bergman Star Wars. I would try to make a Bergman Star Wars.
The militarism of Star Wars?
I mean the use of the hero story (lifted straight from Joseph Campbell) to glorify the transformation from a youth to a warrior. To become his best self, Luke must lose his family and old rooted life, and be introduced into a secret, powerful, magic order. Everything that was past on sleepy Tattooine was illusion, and is completely lost to him. He is reborn into a struggle of supernatural good and evil. That is the truth of the galaxy, and it is good. The pain of the family's death doesn't last long in the movie, any more than Princess Leia is upset about the loss of her whole planet with billions of inhabitants for more than a few scenes. It's all worth it, the losses are bearable. Luke's transformation is the emotional core of the story.
The plot and its ideological trappings are less important. The empire with its stormtroopers is more like a real army than the Rebel Alliance, but no real army recruits volunteers by telling them they will be interchangeable stormtroopers. In fact, military recruitment promises the opposite of military reality: be all you can be, army of one, test yourself, realize your inner hero, be something special as against the cookie-cutter world of the normals, fight for freedom against tyranny. In the end we'll confirm your heroism by pinning a medal on you in a glorious ceremony, with the staging lifted straight from Leni Riefenstahl's film of the Nuremberg party rallies. Never mind that in reality you're one of the empire's soldiers; the message conveyed is the opposite.
Star Wars arrived at the perfect time for this message and was aimed at the 12-year-olds of 1977 (such as myself), a transitional generation in a transitional time. After the 1960s and early 1970s, Vietnam and the end of the draft due to popular disgust with militarism, the offer of Star Wars (just look at that title) was that things could be simple again. There could once again be good and evil, and "we" were the good. This was one of the first and the most successful of wide-release blockbuster movies. Another key one at the time was Rocky I-II: a White American underdog who believes in himself almost upsets and then actually defeats an avatar for Muhammad Ali! These two films (among others at the time, but leading the pack) bespeak an ideological turn. I'm not saying the CIA wrote the scripts; they didn't have to, it was in the air, and Lucas was the lucky one who (wittingly or not) managed to hit the zeitgeist best with a juvenile pulp story he had not been able to sell for many years, at a time when the zeitgeist was more critical.
It was also the beginning of the end for Hollywood's true golden age. The biggest movies since then have not been made for adults, or as explorations of difficult themes, but either to pander totally to the teenage demographic or as spectacular escapes from the ambiguities of adult life.
Karmamatterz » Sun Dec 27, 2015 12:11 am wrote:It was lame.
Not even worthy of the science fiction genre,
Karmamatterz » Sun Dec 27, 2015 7:11 am wrote:It was lame.
Not even worthy of the science fiction genre, just a rehashed trite action adventure. Washed up plot and actors. Princes Leia looked and sounded like she just got out of a long stint in rehab. The story pretty much the same.
Darth Vader: Don't be too proud of this technological terror you've constructed. The ability to destroy a planet is insignificant next to the power of the Force.
A short, provocative work examining the concept of The Force as presented in George Lucas’ Star Wars movies as it is incorporated in Theosophy, occultism and esoteric Nazism. Extensive references. Very bizarre. A must-have for any conspiracy theorist’s occult library.
Excitement for the next installment of the Star Wars saga may in fact be just as great – if not even greater – in China. Just last month the country saw 500 Imperial Stormtroopers march along its iconic Great Wall in a major marketing stunt for the film’s release.
Much of this excitement stems from the fact that China only recently allowed for the films to be screened in public theaters. Much of this has to do with the fact that the Chinese don’t like seeing their own films pulverized at the box office, and as such they delay certain major releases in order to give their native films a fighting chance; we think Star Wars: The Force Awakens definitely qualifies as a major enough release to warrant that decision. Many Chinese citizens had already seen the Star Wars film in their homes through bootlegged versions of the film, but 2015 saw the saga come to the Chinese silver screen for the first time, and everyone knows that Star Wars is a film series that must be seen on the big screen in order to be fully appreciated.
The force has awakened…in China. Almost four decades after the original Star Wars film, written and directed by George Lucas debuted, our friends in the East are finally screening all six franchise intallments for the public in theaters.
ORGONE ENERGY:
Primordial Cosmic Energy; universally present and demonstrable visually, thermically, electroscopically and by means of Geiger-Mueller counters. In the living organism: Bioenergy, Life Energy. Discovered by Wilhelm Reich between 1936 and 1940.
Reich's comments on such a life energy remind the modern reader of "the Force" from George Lucas's Star Wars movies, i.e., a natural force one can learn to handle and use, but not in a mechanistic way-- only where an intact organism, by trusting and relying on its own feelings, can master and manipulate this energy. Given the popularity of Reich's writings during the 1960s and 1970s, one can only wonder whether Lucas was inspired by Reich's orgone energy.
Karmamatterz » Mon Dec 28, 2015 1:25 pm wrote:"Hm, are you looking to make enemies on this board?"
I do not come to this board to either make enemies or friends.
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