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MacCruiskeen wrote:Yeah, well, obviously, Simulist.
MacCruiskeen wrote:Now now, Simulist, you're one of my favourite posters, but I did go out of my way to make it clear that I think misogyny is a bad thing. Hence my tetchiness.
MacCruiskeen wrote:Disliking Lady Gaga is misogynistic in the same way as disliking Margaret Thatcher is misogynistic, i.e. not at all, or at the very least (and most certainly) not necessarily.
(Exactly what are you supposed to feel towards someone who goes out of her way to give your eyes and especially your ears, and therefore your soul, a really terrible time? Profound affection and respect?)
compared2what? wrote:
As I said, it's specifically Vigilant Citizen's response to her (and to popular culture in general) that I find profoundly reactionary, misogynist and homophobic. And racist, too, sometimes.
SHORTER VERSION: Sure, honey. Hate her. Go for it.
close enough for you to put words in my mouth? maybe in your eyes but not in mine.Project Willow wrote:crikkett wrote:Hey, I didn't call you an asshole. Whether you felt like one after I commented on your rhetoric is another matter.Project Willow wrote:Thinking and saying so doesn't make it okay for crikkett (or anyone) to call me an asshole.
It was close enough,
and you were wrong, demonstrably so,
rebutted directly by the content you conveniently excised out of my earlier post and now once over again since you've read the post you quote above.
My meaning and intent are absolutely crystal clear in both instances.
You're just being jerk, and that needs to stop.
MacCruiskeen wrote:Yeah, well, obviously, Simulist.
In my dreams, I see Kathleen Ferrier, Kate Bush, Bessie Smith, Maria Callas and Nina Simone sitting in a pub discussing the Gaga phenomenon, and, specifically, how she "empowers" women. There's a lot of laughter in that dream, and a fair bit of foul language.
But there you go. I'm a male fantasist.
By DAVE MARSH
FEBRUARY 8, 1979
There's no Jazz on Queen's new record, in case fans of either were worried about the defilement of an icon. Queen hasn't the imagination to play jazz — Queen hasn't the imagination, for that matter, to play rock & roll. Jazz is just more of the same dull pastiche that's dominated all of this British supergroup's work: tight guitar/bass/drums heavy-metal clichés, light-classical pianistics, four-part harmonies that make the Four Freshmen sound funky and Freddie Mercury's throat-scratching lead vocals.
Anyway, it shouldn't be surprising that Queen calls its album "jazz." The guiding principle of these arrogant brats seems to be that anything Freddie & Company want, Freddie & Company get. What's most disconcerting about their arrogance is that it's so unfounded: Led Zeppelin may be as ruthless as medieval aristocrats, but at least Jimmy Page has an original electronic approach that earns his band some of its elitist notions. The only thing Queen does better than anyone else is express contempt.
Take the LP's opening song, "Mustapha." It begins with a parody of a muezzin's shriek and dissolves into an approximation of Arabic music. This is part of Queen's grand design. Freddie Mercury is worldly and sophisticated, a man who knows what the muezzin sounds like. More to the point, you don't. What trips the group up, as usual, is the music. "Mustapha" is merely a clumsy and pretentious rewrite of "Hernando's Hideaway," which has about as much to do with Middle Eastern culture as street-corner souvlaki.
But it's easy to ascribe too much ambition to Queen. "Fat Bottomed Girls" isn't sexist — it regards women not as sex objects but as objects, period (the way the band regards people in general). When Mercury chants, in "Let Me Entertain You," about selling his body and his willingness to use any device to thrill an audience, he isn't talking about a sacrifice for his art. He's just confessing his shamelessness, mostly because he's too much of a boor to feel stupid about it.
Whatever its claims, Queen isn't here just to entertain. This group has come to make it clear exactly who is superior and who is inferior. Its anthem, "We Will Rock You," is a marching order: you will not rock us, we will rock you. Indeed, Queen may be the first truly fascist rock band. The whole thing makes me wonder why anyone would indulge these creeps and their polluting ideas.
Thanks, Pierre. Here's the link to the article you've quoted just above.Pierre d'Achoppement wrote:quoted for possible relevance, the rolling stones review of the jazz album by queen:
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