guruilla » Fri Jan 01, 2016 4:12 pm wrote:During his visit to the Sicilian temple, Kinsey registered no ethical, moral, or humane objection to the practices and paintings of satanic sex magic evident at Crowley’s “Unnatural Abbey.”
The images covering the walls garishly depict children and adults in real-life, ritual sado-sexual ceremonies. (
KINSEY: Crimes & Consequences(PDF), by Judith Reisman, citing Bill Landis,
Anger, The Unauthorized Biography of Kenneth Anger, Harper Collins, New York, 1995.)
Nothing much showing up on google images. May be untrue...
Crowley likely did murder a man in India and also practiced child abuse and neglect of his own children and other children at Cefalu.
I know of no instances of ritual murder or ritual sex magic with children. I expect there were instances of sex magick with individuals that were adolescents and who would now be considered under-aged and illegal sexual partners as he was a consumer of prostitutes.
There are roles for adolescents of both sexes in the Gnostic Mass as designed by Crowley.
IMHO there is much unsavory about Crowley. Crowley made a practice of using people emotionally, materially, and physically. Crowley was into S and M as well as a heroin addiction that owned him until his death. His philosophy was libertine but also racist and rightwing; Crowley was a man of the colonial British Empire.
Crowley was an attention whore and wallowed in his reputation as the "Evilest Man in the World". Betty May was the partner of a man named Loveday that died in Italy. This event and her tales were what set off the infamous trial in England. Betty May likely exaggerated events. I have never read her book.
With rare exceptions IMHO, his poetry sucks. Exceptions are Aha! and Ode to Pan. He climbed mountains, played chess, wrote novels, painted, used illegal drugs, and was an irregular Freemason (not accepted by the Grand Lodge of England). He had some (not as much as he thought) originality in the practice of ceremonial magic and mysticism. He impacted a variety of present day systems (wicca, Rosicrucian, ceremonial magic, tarot, astrology, and so on). Crowley did not consider himself a Satanist but was more than willing to be called a Satanist by the public.
I am glad that Crowley existed. He was a multiple talented and a genius with a huge body of work. Still to me Crowley was an unsavory character and not a good role model, just a highly flawed and self-centered man who lived a life of interest because of his talents, opportunities, and ambitions.
Crowley was a British agent. The fact is documented in this book published in 2014. The Amazon description leaves out that Churton had previously unavailable records from British archives regarding Crowley's service as an agent of the Crown while in Weimar Germany.
http://www.amazon.com/Aleister-Crowley- ... many+AgentAleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic Hardcover – June 26, 2014
by Tobias Churton
A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power
• Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders
• Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley
• Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition
Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city.
Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II.
Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
The link below tries to debunk the exaggerated evil rumors about Crowley in one place. More than religious fundies still like to make Crowley more depraved than his wildest reputation.
http://saff.nfshost.com/crowley.htmCrowley Bollocks - The Once-and-for-all Antidote To The Lying, Cheating, Wicked and Pathetic Accusations of Human Sacrifice, Murder and Criminal Activity Which The Fundies Want To Pin on an Innocent Man
PS. I am not saying one should put Crowley on a pedestal nor use him as a role model. I don't and would not recommend that path to others.