82_28 wrote:nathan28 wrote:Bruce Dazzling wrote:nathan28 wrote:Out of curiosity, do those of you who see a 2001 "syncromysticicity" or WTF you call them realize that the Millennium Hilton was designed to resemble the 2001 monolith *intentionally*?
You all kinda false-flag KWH'd the KWH.
Yes, I realize that, Nathan. I work in the stone building attached to the Millennium Hilton, and I've given its location a great deal of thought, again, due to the transformative nature of the monolith in Kubrick's film. I'm not saying that it can't be a coincidence that it overlooks the location of the most transformative event of the past 70 or so years. I am saying that if it is a coincidence, then it's quite a magnificent one.
It's not a coincidence. It's quite literally intentional. It was intended to resemble the monolith and it was intended to be situated among the most powerful office blocks on earth. Let's just say the deck was stacked in favor of any "most transformative" events taking place in the neighborhood.
Nathan, way to take all the magic out of a perfectly beautiful synch, by making it even more synchie. Now I want to know more about this building, when it was conceived, when it was designed, when it was built and couple that with the timeline of Arthur C Clarke and Kubrick's conception, design and release of their respective hands in the 2001+ saga. You do realize were it not for some of the time and mind bending shit a lot of people give leeway to around here, it would just be you and maxtheknife sending invisible comments into the ether about prosaic explanations for what the rest of the world thinks is stupid right?
The '"syncromysticicity" or WTF you call them' happens to be one of the benefits of this place. I for one find any angle as to understanding evil in and of this existence well worth the time pondering. Everybody who has contributed to the various angles as to the "syncromysticicity" of anything, anytime and anywhere has my kudos and support. I think many people come here for this, as I for one, do. We do not come here to be berated for taking an unconventional, yet benign tact at understanding current or historical events.
That said. . .
So you're saying that the building was designed to look exactly like the monolith of 2001 and this was intentional? OK. Explain why this is. I am interested in why a building was built to look exactly like a movie tie-in which precipitates so many other anomalies in other facets of modern life. I once had an idea in the mid nineties to build a Vegas resort/casino that looked like a crashed Star Wars star destroyer. Is this kinda the same thing?
82: there's a stunning and hypnotic 8 minute documentary about 9/11 and Kubrick's 2001. It stars Jake Kotze, but is really professionally done and leaves a very unsettling mood.
But pretty much into goes into the deep occult and Kubrickian symbolism in the structures of 9/11(including the Pentagon)
The documentary short is called "Synchronicity"
The High Priestess card. The Jakim and Boaz illustration in Albert Pike's "Morals and Dogma". the Solomon Temple pillar motif in Masonry. The Pentagon on the cover of the Necromonican(with a small wedge missing) The Sephiroth Kabbalist tree of life. Aleister Crowley's obsession with "11", "77", "93" and "175". People have lamented on the number "9 11" and the theme of the twin towers being woven into our subconscious over the years via movies, media and advertising since the 60's. However, it's clear that through the centuries that in an esoteric/occult way the themes of 9/11 have been woven in our narrative.
On the morning of 9/11, it was Saturn in Gemini and Pluto in Saggitarius

+

There can be no doubt that 9/11 was the highest form of a black magick working or ritual. Whoever(or whatever) was behind 9/11 was most likely tapping into the same dark mysteries and complex systems Crowley had inadvertently tapped into.
11:
"Firstly", 11 is the number of Magick in itself. It is therefore suitable to all types of operation.
"Secondly", it is the sacred number par excellence of the new Aeon. As it is written in the Book of the Law:
"...11, as all their numbers who are of us."1
"My number is 11, as all their numbers who are of us. The Five Pointed Star, with a Circle in the Middle, & the circle is Red. My colour is black to the blind, but the blue & gold are seen of the seeing. Also I have a secret glory for them that love me. " [Liber Al I:60]
77:
The sublime and supreme septenary in its mature magical manifestation through matter...written in Hebrew Ayin Zayin (OZ)...Capricornus, the Devil of the Tarot; which is the picture of the Goat of the Sabbath on an altar.2
77 also represents half of the formulation of sexual magic in both the O.T.O. and the Kabbalah.3 It is also the 77 infernal names of the Devil in The Satanic Bible by Anton LaVey.4
93:
The cabalistic gematria5 values of the Greek words Thelema (Will), Agape (Love) and, Aiwass6 in Crowley's magical system equate to the number 93.
"The matter is of extreme importance; because Aiwass in dictating The Book of the Law repeatedly makes use of correspondences in Greek, such as Thelema, Will, 93 --- Agape, Love, 93. 718 = Stele 666, and so on...Thus his own name spelt in Hebrew has the value 93."7
175:
Liber 175 in Crowley's magical system is a ritual used to invoke any deity by adoration.
"There are three main methods of invoking any deity:
The first method consists of devotion to that deity... being mainly mystical in character, they may not be dealt with in this place, especially as a perfect instruction exists in Liber 175.
The second method is the straightforward ceremonial invocation...
The third method is the dramatic, perhaps the most attractive of all; certainly it is so to the artist temperament, for it appeals to his imagination through his aesthetic sense."8
9/11 is beyond the scope of some Muslims in a cave or suit-and-tie spooks in the military industrial complex.
I personally feel Kubrick *knew* a lot about whats really going on...you see the deep state/peer behind the curtain peek on Dr Strangelove, 2001, The Shining, Full Metal Jacket, Clocwork Orange...
and Eyes Wide Shut. This brilliant post seems to think Eyes Wide Shut is about POST 9/11 Manhattan, a kind of "sequel" to 2001. Relating Eyes Wide Shut as the end feast of the 9/11 death ritual,
and the richly woven symbolism contained
http://wrongwaywizard.blogspot.com/2008 ... izard.html