IS JOSEPH CAMPBELL AN ANTI-SEMITE?

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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 5:23 pm

brekin » Sun Jun 23, 2013 4:15 pm wrote:seemslikeadream your defense of Campbell is that some famous people and the public liked him?
Google Henry Ford and list all his admirers, monuments, and accolades he got and see if that changes his views.
There is the possibility that Campbell was or was not a anti-semite but saying how much Jackie O and George Lucas
liked him doesn't really move the ball in either direction does it?


who wants to hang out with an anti-semite? :lol2:

There is the possibility that Campbell was or was not a anti-semite


Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 5:29 pm

should have known Tori Amos, friend of Campbell and Hauschka.... :shock:

Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby solace » Sun Jun 23, 2013 5:33 pm

The moon's a good place to put all the Jews? Seems pretty cut and dried to me.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby brekin » Sun Jun 23, 2013 5:35 pm

Now seemslikeadream you've done real good so far in lower case so why don't we see if we can remain there for awhile?

Bill Moyers, CIA "Liberal" (and Nazi Joseph Campbell)
By Alex Constantine
Wednesday, June 10, 2009
http://constantineinstitute.blogspot.co ... ed-tv.html

The Power of the Bill Moyers Myth - Who will Tell Amy Goodman?

On PBS, Moyers promotes the work of the late fascist eugenicist Joseph Campbell, a vicious anti-Semite who has proposed relocating Jewish people to the moon. Moyers seems to have no problem with that, though - as long as his audience doesn't know and he continues to reap his share of Campbell's book profits UNDER THE TABLE, a massive perk that he has publicly denied ...

Bill Moyers is the most visible "liberal" in the national media, and Amy Goodman's icon of progressive journalism. The Schumann Foundation, chaired by Moyers for years, has been busily shaping the mass-market progressive press. Television Quarterly, a journal of The National Academy of Television Arts and Sciences, ranks Moyers among the ten journalists who have most influenced television news. He has won more than 30 Emmys, a George Peabody award, a Ralph Lowell medal and the American Bar Association's Silver Gavel. His documentaries have paid off handsomely in network fund drives. Several of his books have been best-sellers. The avuncular Moyers, a former Baptist minister from Marshall, Texas, has been an Arthur Morse Fellow at the Aspen Institute for Humanistic Studies and a trustee of the Rockefeller Foundation's International Social Research Institute.

But Moyers does not exactly fit the traditional liberal profile. Morley Safer of 60 Minutes fame recalls that, as President Lyndon Johnson's press secretary, Moyers was responsible for the FBI's bugging of Martin Luther King, Jr., and the leaking of transcripts to the media. Moyers denied the bugging and leaking allegations in a letter to The New Republic in 1991, but did allow that he leaked "information" only to "officials involved in national security." This much was confirmed by a Senate Intelligence Committee staff report released in 1976: "Moyers expressly approved the circulation within the Executive Branch of a secret FBI report on King."
Moyers was also the instigator of a disgraceful episode at the White House, one that anticipated Nixon's "dirty tricks." His pissing match with Safer began in August, 1965, when CBS News reported that U.S. Marines had torched a village in Vietnam. The story was followed by public indignation and it fed the rising opposition to Johnson's escalation policy. CBS president Frank Stanton was called on the carpet for the exposé at a private meeting with LBJ and his Kennedy-coifed aide. LBJ told Stanton that Moyers had a damaging file on Safer compiled from the records of the FBI, CIA and Royal Canadian Mounted Police. The extortion "file" was an idle threat - it didn't exist. Unless Safer "cleaned up his act," the administration would "go public" with the CBS reporter's "communist ties." Safer scoffed at the accusation and held his job at CBS. Today, Moyers waves off the episode as "a bluff."

McGeorge Bundy

Public television's premiere "liberal" is as practiced at the art of deception as he is blackmail. In October, 1977, Carl Bernstein of Watergate fame reported in Rolling Stone that Bill Moyers ran a "super-secret" CIA task force mustered to study the feasibility of short-waving propaganda to the People's Republic of China. The project was overseen by the CIA's Cord Meyer, McGeorge Bundy, a national security advisor to Johnson, USIA director John Marks and Moyers.

He certainly wore hawk feathers when taped in the White House by LBJ: "Mr. President, I would like to suggest that you really keep pressure on Bundy and Rusk and McCone and others to press forward on what we can do about Cuba - about subversion, espionage and intelligence. Now there are two reasons for this: One, I think we've got to do it. It's necessary. Cuba has got to be dealt with..."
"Moyers regards himself as the "catalyst' of the Johnson administration," Current Biography (1966 edition) reported, "and Johnson has described him as my vice-president in charge of anything.'" Vice President Moyers became Hoover's pipeline to Johnson in 1964, after Walter Jenkins, his predecessor, was busted for "disorderly conduct" in a Beltway men's room.
Moyers dropped from the sinking Johnson administration in 1967 to become publisher of Newsday in Long Island, then owned by millionaire Harry Guggenheim. Two years passed and Guggenheim confided to Moyers his intent in selling the newspaper. In an attempt to save his job, Moyers tried to interest CIA director William Casey, Chase Manhattan Bank, the New York Times and Time-Life in buying it. He moved on to PBS the same year – after Guggenheim reneged on bequeathing him his fortune, as promised – and joined the board of the Rockefeller Foundation where he remained for 17 years. In 1980, Moyers produced The World of David Rockefeller, an unabashed PR whitewash.

In 1976, CBS forgave his White House antics and drafted Moyers to the news division. Employees of the network recall him as "brilliant" ... also "duplicitous," "calculating," "cunning." Gordon Van Sauter, a right-wing CBS executive, recollects "a truly reprehensible human being." The multi-faceted news analyst dropped CBS two years later for PBS.
In 1981, he bugged out once again when his contract at Bill Moyers' Journal expired and returned to CBS News. He passed through the revolving door, from corporate compromise to public pabulum, for years. "Everybody calls me Hamlet," he explains of his own seeming indecisiveness, "but I call it brilliance."

Say what you will of Bill Moyers, his Muckrake Lite approach (fascism in government? No mention of the obvious ...) has actually served the public interest on occasion. His October, 1973 "Essay on Watergate," delivered on a program funded by the Ford Foundation, was a dirge that warmed the republic to Nixon's impending political collapse. His documentaries, What Can We Do About Violence?, Minimum Wages, and The Secret Government (it didn't tell the half the story) served the commonweal in their fashion.
But it is the larceny in his heart that TV Guide does not probe. Nowhere was his dark side more apparent than in his series of highly-publicized interviews with famed mythologist Joseph Campbell, author of The Hero with a Thousand Faces (1949). A book based on the series was an immediate best-seller. Ruppert Murdoch's New York Post found it "provocative and inspirational." Truth to tell, The Power of Myth was an inspirational but deceitful promotion of a Nazi occultist and a vicious anti-Semite with ties to the American neo-Nazi underground. Promotion of the book was a display of greed that would put a blush on the face of a fugitive financier.

After the series aired, the September 28, 1989 number of New York Review of Books published an article by Brendan Gill, a long-time friend of Campbell's at Sarah Lawrence College in Bronxville, New York. Gill reports that in December 1941, three days after the bombing of Pearl Harbor, Campbell delivered a talk discouraging students from supporting American entrance into the war with Nazi Germany. Campbell soiled German author Thomas Mann, an exile in the States who had "lost altitude" as a writer by criticizing the Nazi Party. Mann, in a letter to Campbell, responded that he found this rebuke "strange," and pointed out that his books were "forbidden in Germany and in all countries that Germany rules, and whoever reads them or even should sell them, and whoever would so much as praise my name publicly would be put into a concentration camp and his teeth would be bashed in and his kidneys split in two. You teach that we must not get upset about that ... once again, this is strange."
Not necessarily, considering Campbell's acute and unswerving anti-Semitism. Ms Carol Wallace recalled in a letter to NYRB: "In the early 1970s, I worked with Joe Campbell on his Mythic Image at Princeton University Press. It was amazing to me that this man of cosmic vision could harbor such mean-spirited and seemingly unexamined biases against much of humankind. In addition to anti-Semitism, I remember in particular his vexation over blacks' being admitted to Sarah Lawrence."

"When the astronauts landed on the moon," Gill recalled, "Joe made the repellent jest to a member of my family, who was a student of his at the time, that the moon would be a good place to put the Jews..."
A correspondent, Carol Luther of San Anselmo, California, wrote Gill to say that she once "attended a lecture in which Campbell recounted what he called a popular Indian fable (a favorite of Campbell's in old age), the gist of which was that we are not all mere mild grass-eating goats but, instead, are blood-thirsty, carnivorous tigers, who do well to prey upon whatever lower species of animal makes up our natural diet." Incited, Luther "rose shaking from my chair and shouted, 'What about the six million [Jews] who were gassed during World War II?'" In response, Campbell simply shrugged and spat, "That's your problem."

Joseph Campbell not only shrugged off the Holocaust – he was a major force in the racial eugenics movement until his death in 1987. For many years he sat on the editorial board of Mankind Quarterly, the notorious "race journal" subsidized by the notorious Pioneer Fund. The Quarterly's founder, Robert Gayre, held that African-Americans are "worthless." The Quarterly was long published by Roger Pearson, an official of the pro-fascist Northern League, an organization that included among its ranks a number of veterans of Himmler's SS. Other prominent academics who contributed to the journal: Henry Garrett of the White Citizens Council, Ottmar von Verschuer, Josef Mengele's mentor, and Corrado Gini, an Italian biologist under Mussolini, author of The Scientific Basis of Fascism.
But here he was on the "public" airwaves, discussing Buddha and the Burmese Snake Goddess and following his bliss with an obsequious, doe-eyed Bill Moyers.

Even the Campbell approach to myth recalled Nazi Germany – handed down from Carl Jung, a CIA recruit, former editor of the ranking psychiatric journal of the National Socialist Party, whose books, translated in the United States with funding from Edith Rockefeller, reek of proto-Nazi occultism.
The Power of Myth still reaps a windfall in donations to the network and its affiliates. A book based on the series was co-authored and edited with Jacqueline Kennedy Onassis by a consultant to the series, Betty-Sue Flowers, a former English professor at the University of Texas and director of the LBJ Library. John Trimble, a UT English professor who has known her for 30 years, calls Flowers "the female Bill Moyers." Like the original, she is comfortable in the boardroom and knows her way around Washington. The Austin American Statesman observed on April 7, 2002 that Flowers travels "in the world of multinational corporations – and once spent a couple of weeks in the Pentagon as a special advisor to the secretary of the Navy. "


The "female Bill Moyers" sits on the boards of Breckenridge Petroleum Co. Also the Arlington Institute, a research center in Virginia with blue-chip corporate and federal clients, a distinction Flowers shares with former CIA director James Woolsey, Gerald Ford appointee George H. Kuper, and Colin Crook, former chief technologist at Citicorp. The institute was founded in 1989 by John Peterson, formerly an official of the Institute for National Security Studies, the office of the Secretary of Defense, and the National Security Council.
Like Joseph Campbell, Ms. Flowers is enrolled in the Jung school of comparative religion. Besides The Power of Myth, she edited Synchronicity: The Inner Path of Leadership (1996), a Jungian romp for corporate executives by tin-horn visionary Joseph Jaworski, son of the Watergate prosecutor appointed by then Attorney General Robert Bork, Leon Jaworski.

Fascination with Nazis is apparently imprinted on the Jaworski phenotype. A repugnant hallmark of Leon Jaworski's career was his release of Nazis to the American intelligence services as a Nuremberg war crimes trial prosecutor.
He also worked with the Red Cross International Rescue Division to relocate SS officers around the world. In exchange, he was made chairman of Houston's Red Cross chapter in 1954. Other blots on the old man's résumé include his legal work for the Warren Commission. Despite a career of collaboration with fascists, he was endowed with every honor the legal profession has to offer. He was "very close" friend of George H.W. Bush, and supported his fellow Houstonian in his 1980 bid for president.

"The constant act of being true to oneself – authentic in thought, work and deed – is what carves the path in front of you, a path you can't predict," Flowers says. Who could predict that the bubbly former beauty pageant contestant, feminist, poet and Jungian from Austin would make a splash promoting the work of a Nazi mystic for PBS, and pouring on a lubricious New Age veneer?
Perdido magazine had it in a review of Synchronicity: "Jaworski begins by telling the story of his father, Leon Jaworski, a nationally prominent litigator, and his role as special prosecutor during the Watergate scandal. 'The Colonel,' as Jaworski called his father, related the dimensions of the conspiracy to his son one day, before the details of the Watergate tapes became public. Watergate marked a significant revelation in Joe Jaworski's life, the realization that a crisis in leadership existed in this country. With an immensely personal style, Jaworski examines the experiences of his life that seemed to transcend the moment, that were guided by some unseen hand." In 1990, Jasworski was hired by Royal Dutch/Shell Oil in London to direct a multinational panel on future "global scenarios."
Jung defined synchronicity as "a meaningful coincidence of two or more events, where something other than the probability of chance is involved."

Synchronicity

Every turn in this story leaves chance begging for something to do. The main beneficiary in the pimping of Joseph Campbell was the Corporation for Public Broadcasting (CPB) when presided over by Robert Coonrod. Coonrod was executive VP and chief operating officer of Voice of America for five years. In 1992 ,VOA director Richard Carlson moved to CPB and Coonrod followed. When Carlson set sail in April, 1997 to run King World Public Television, Coonrod was promoted to head up CPB.

Under President George W. Bush, the CPB was overseen for one year by CEO Kathleen Cox. Executive vice president and CEO Ken Ferree succeeded her as interim president in April 2005. Jeff Chester, executive director of the Center for Digital Democracy, told Media Week that Cox’s departure was integral to a plan to bring public television and radio into line with right-wing policies. "The ideologically driven majority on the board is pursuing a zealous campaign to promote conservative/GOP-approved public broadcasting programming,” Chester said. Ferree, who hailed from Michael Powell's FCC, joined the CPB one month before his the promotion was announced. At the FCC, Ferree served as chief of the media division, where he paved the way for greater corporate control of the airwaves.
Posted by Alex Constantine at 9:55 PM
If I knew all mysteries and all knowledge, and have not charity, I am nothing. St. Paul
I hang onto my prejudices, they are the testicles of my mind. Eric Hoffer
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 5:37 pm

bullshit alert
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 5:44 pm

Alex Constantine = Jackie O :lol: :lol: :lol: :lol: :lol: :lol: :lol:


Steven Spielberg...anti-semite phone's for you...brekin calling
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 5:48 pm

The Power of Myth
by Dwight Longenecker
One of the most influential forces in American cinema of the second half of the twentieth century is a man who was not a film maker at all. The self styled ‘mythologist’ Joseph Campbell, became a mentor for the new breed of film makers of the 1970s. John Boorman and Francis Copolla have acknowledged their debt to his work. His influences are seen in the work of Steven Spielberg, and most especially in the films of George Lucas, the creator of Star Wars. Lucas was actually friends with Campbell, and admits that Campbell’s writings helped him structure his famous inter galactic fantasy saga.

In his seminal work, The Hero with a Thousand Faces, Campbell outlined the essential structure at the heart of all the world’s great stories. Having studied James Joyce’s Finnegan’s Wake, Campbell borrowed the term ‘monomyth’ and expanded the concept to illustrate how the structure of the hero’s quest undergirds the world’s myths, legends and folk tales. The ‘monomyth’ is very simple: in Campbell’s words, “The hero ventures forth from a world of common day into a region of supernatural wonder: fabulous forces are there encountered, and a decisive victory is won. The hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”

Campbell broke this basic structure down into twenty or so stages. He believed that the hero’s quest is not only the root structure of all great stories, but it was so because the hero’s quest is the basic structure for life’s adventure. He thought the quest-based story structure was universal because it represented not only the dynamic of the human life cycle, but also the more important cycle of inner development and spiritual growth. The adventure was not only to be an outward quest, but an inner one. In fact, Campbell taught, it is the inner growth of the hero that is most important to the telling of the tale. Campbell said, “it is the business of mythology proper, and of the fairy tale, to reveal the specific dangers and techniques of the dark interior way…the passage of the hero may be over ground incidentally; fundamentally it is inward.”

By the 1970’s film makers were at a crossing point. Like most art forms, film had grown organically according to the demands of the marketplace. At first there was no particular theory, and creative writers and directors developed a visual method for story telling by trial and error. The successful film directors and screenwriters had an instinct for a good story, but there was very little to help writers analyse what made a story work. Christopher Vogler was working for the Disney studios when he came across Campbell’s work. He wrote a little booklet to guide story editors, and from that work came his now classic guide to screenwriting, The Writer’s Journey. Vogler acknowledges his debt to Campbell and believes that Campbell’s work has provided a basic template for all screenwriters.

As a result, most mainstream Hollywood films now follow the structure of the hero’s myth at least in part. Early in the film the audience is introduced to the Hero’s ‘Ordinary World’. The hero then experiences some sort of ‘Call to Adventure’. He refuses the call, meets a mentor and then embarks on the adventure. The outward journey goes through several other stages before the predicted resolution as the hero claims the prize and then returns with the great boon for the redemption and good of his old world, and the people in it.

If the formula is followed slavishly the result is an exciting, but predictable blockbuster. The same stock characters show up. The plot follows the same turning points, and even the ‘twists’ in the plot turn out to be predictable. This is not always a bad thing. Very often an audience enjoys an adventure film because there is an element of predictability about it. The expected form becomes a language of its own and the audience knows what to expect and enjoys the result just as much as a reader looks forward to their favourite mystery writer’s annual offering.

While this hero’s quest provides a template which is sometimes formulaic, the good screenwriter is always able to use the structure to surprise the audience, genuinely turn the plot and carry the audience into a new understanding of reality. At the same time, the good screenwriter and director are aware of the deeper aspects of good story-telling, and they use the emotional turning points of the plot to engage their audience in moral choices and spiritually positive decisions.

Joseph Campbell was a great believer in the power of myth, and believed that the mysterious language, symbols and plot lines in mythic literature connected humanity with the deep movements of the human psyche within the collective unconscious.

Brought up as a Catholic in New York City, Campbell was entranced by the beauty and mystical quality of Catholic worship. He was also fascinated by the folktales and culture of Native Americans. As he grew older, Campbell drifted from the Catholic faith. He was dismayed by the results of the second Vatican Council, believing that the Church had sold her patrimony. He relished the mystery of the ancient Mass with its rich symbolism and multi layered rituals and meaning. He thought the Catholic Church had got rid of the only thing it was good at to turn her liturgy into a string of banal greeting card sentiments, and her clergy into social workers. Campbell’s own end point was a mish mash of New Age beliefs. Basically syncretistic and agnostic, he relied heavily on the work of Carl Jung, and believed that salvation lay within psychology and self help.

Joseph Campbell’s work has been picked up by all the usual New Age suspects. With its mix of shallow mysticism, depth psychology and self help, it offers an intriguing matrix with which to view the world. However, withoug genuine faith, mysticism and the work of grace, Campbell’s thought (like all New Age prognostications and therapies) remains an interesting theory.

Nevertheless, although in his public expression Joseph Campbell left the Catholic faith, it can be argued that the Catholic faith didn’t leave him. The Catholic religion was Campbell’s first (and arguably) deepest inspiration and it provided the initial driving force for his search for truth within the stories of mankind. Since Campbell has been so influential in the popular culture of our time, it is worth remembering that while he cannot be called a ‘Catholic thinker’, the roots of his thought and his search for truth are locked deep within his Catholic boyhood, and his basic insights can help illuminate our understanding of stories, film and literature.

How very deep that faith was within Campbell is proved by the story I heard when conducting a seminar on preaching in Vermont. I mentioned Campbell’s work in the context of structuring stories for use in homilies. A participant on the course was a deacon who was, for many years, a professor of phenomenology and religious psychology. He had met Campbell several times and was a student of the religious philosopher Mircea Eleade. The deacon told me that on his deathbed Joseph Campbell was received back into communion with the Catholic faith.

The essence of Campbell’s work is his analysis of the structure of stories. The hero launches out from his ordinary world to gain a great treasure, but he always returns. If it is true that Campbell returned to the Catholic faith, then his own life went through a similar cycle. He went away from the church, and returned, bringing with him a new understanding of the ‘mono myth’ and how it works within the human heart. Perhaps he came ‘home to Rome’ with a fresh way to appreciate not only the world’s great stories, but also the great Judeo-Christian story which culminates in the greatest story ever told—the story of Christ’s own heroic descent to this world to win the prize of mankind’s salvation. As C.S.Lewis observed, “This was a myth that really happened.” By showing us how myth works Campbell unlocks another dimension of our own redemption.
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 5:58 pm

Jackie brekin caught you ....how anti-semitic of you to edit Joseph Campbell's The Power of Myth.
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby brekin » Sun Jun 23, 2013 6:17 pm

I'm basically done for today.
What I find interesting is I've spent the last week and a half:

1. Trying to convince people that giant lizards masquerading as humans don't really rule the world and dehumanizing people as actual reptiles can be harmful.
2. Joseph Campbell may be a anti-Semite based on the anti-Semitic remarks, nazi sympathies and mythic world view he is documented as having made and had.

Ironically the two have a lot in common. All I can say at this point is those that both believe in 1. while not seeing the possibility of 2. may want to ask themselves how
they've gotten to the point that 1. is easier to believe for them then 2? Is the possibility of 1 really easier to believe than 2? I've read a lot of crazy shit on this forum but
this may take the cake. (Well, truth be told not really.)
If I knew all mysteries and all knowledge, and have not charity, I am nothing. St. Paul
I hang onto my prejudices, they are the testicles of my mind. Eric Hoffer
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby jingofever » Sun Jun 23, 2013 6:21 pm

Watto, from The Phantom Menace.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 6:27 pm

omg there is one under every rock! if you look very very very closely but maybe he's anti-Arab who's to say....I know let's ask brekin .....for that definitive answer..... Jew or Arab which on is it brekin? I need to know


brekin I'll make it easy for you looky here and don't be coy....I know about Icke and Campbell now name a few more.....I need names..... you're the authority on anti-semites around here please guidance on all those looming behind and under....I NEED NAMES....I'm sure there are dozens and dozens under there somewhere

Image

HEY EVERYONE......... LIBERAL = ANTI-SEMITE NOW....WATCH WHAT YOU SAY YOU NASTY LIBERALS


Joseph Campbell Foundation is secretly behind stormfront :tongout

let's play a game......find the nazis at the Foundation
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The Joseph Campbell Foundation is a US not-for-profit organization dedicated to preserve, protect and perpetuate the work of influential American mythologist Joseph Campbell (1904–1987). It fosters academic and popular discussion in the fields of comparative mythology and religion, psychology and culture through its publishing program, events, local groups (Mythological RoundTable groups) and its internet presence.

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The Joseph Campbell Foundation is a US not-for-profit organization dedicated to preserve, protect and perpetuate the work of influential American mythologist Joseph Campbell (1904–1987). It fosters academic and popular discussion in the fields of comparative mythology and religion, psychology and culture through its publishing program, events, local groups (Mythological RoundTable groups) and its internet presence. The foundation was created in 1991 by Campbell's widow, choreographer Jean Erdman, and by his longtime editor Robert Walter, who continues to this day as the foundation's president. Among the initiatives undertaken by the JCF are: The Collected Works of Joseph Campbell, a series of books and recordings (both previously released and posthumous) that pulls together Campbell's myriad-minded work the Erdman Campbell Award the Mythological RoundTable groups, a global network of local groups that explore the subjects of comparative mythology, psychology, religion and culture the collection of Campbell's personal library and papers housed at the OPUS Archives and Research Center (see below).
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Joseph Campbell--On Becoming an Adult

Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 6:51 pm

damn you Lego...you've been outed

Image

who's next? Telly

Image
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
User avatar
seemslikeadream
 
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Joined: Wed Apr 27, 2005 11:28 pm
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby brekin » Sun Jun 23, 2013 7:16 pm

seemslikeadream wrote:

let's play a game......find the nazis at the Foundation


fwiw someone googling that foundation and those living people (who probably have no idea what the hell we are talking about) are now associated with nazism.
You may want to tone down you rabid counter argument hyperbole at least with the living non-famous. I think George Lucas can handle it but those working at a
non-profit may not want the strange attention. (Even if they are hidden in a hasty copy and paste code salad). Perhaps you don't have to be so noisy in your defense
of your Campbell crush?

Image

seemslikeadream wrote:

omg there is one under every rock! if you look very very very closely but maybe he's anti-Arab who's to say....I know let's ask brekin .....for that definitive answer..... Jew or Arab which on is it brekin? I need to know


Now your just being silly.

Image
If I knew all mysteries and all knowledge, and have not charity, I am nothing. St. Paul
I hang onto my prejudices, they are the testicles of my mind. Eric Hoffer
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby justdrew » Sun Jun 23, 2013 7:39 pm

An author/scholar's personal peccadillo's are irrelevant. None of these tale-tellers make any attack on the body of work.

like it or not fascist/authoritarianism/in-tribe-preference is an inherent component of human nature, and can be found all across the spectrum, shall we burn all the old books because we don't like something about the author?

None of the people making allegations do anything to state how those POSSIBLE personal details effect the content of his work.

Hero worship and the 'great men' theory of history might be an issue though, and the clinging to old myth too, could be impediments to social progress.

Yet I consider Campbell to have not held these ideas about myth up as ways to live, but just to describe their structure through history.




The biolerplate "hero's journey" could very well have negative social consequences after decades of standardization and recapitulation.


I would like to know if there might be some parallels and/or connections with: Julius Evola
it seems Campbell might have been sympathetic to the Traditionalist view.
By 1964 there were 1.5 million mobile phone users in the US
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Re: IS JOSEPH CAMPBELL AN ANTI-SEMITE?

Postby seemslikeadream » Sun Jun 23, 2013 7:54 pm

well maybe they need to know what brekin is saying about Campbell.....since he's DEAD and can't defend himself


this is rich brekin attempts to label/destroy Campbell an anti-semite and but I'M supposed to tone it down?

brekin » Sun Jun 23, 2013 6:16 pm wrote:seemslikeadream wrote:

let's play a game......find the nazis at the Foundation


fwiw someone googling that foundation and those living people (who probably have no idea what the hell we are talking about) are now associated with nazism.
You may want to tone down you rabid counter argument hyperbole at least with the living non-famous. I think George Lucas can handle it but those working at a
non-profit may not want the strange attention. (Even if they are hidden in a hasty copy and paste code salad). Perhaps you don't have to be so noisy in your defense
of your Campbell crush?

Image

seemslikeadream wrote:

omg there is one under every rock! if you look very very very closely but maybe he's anti-Arab who's to say....I know let's ask brekin .....for that definitive answer..... Jew or Arab which on is it brekin? I need to know


Now your just being silly.

Image
Last edited by seemslikeadream on Sun Jun 23, 2013 8:03 pm, edited 1 time in total.
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
User avatar
seemslikeadream
 
Posts: 32090
Joined: Wed Apr 27, 2005 11:28 pm
Location: into the black
Blog: View Blog (83)

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