by stillrobertpaulsen » Mon Feb 23, 2015 5:43 pm
I finally got around to watching it. I thought the whole movie was a metaphor for blindness. The character has such myopic tunnel vision, which is great for his specific military skill set, but bad for coexisting among fellow humans. Certainly that extends to the women in his life; girlfriend cheats on him, wife threatens to leave. But there's a political blindness implied through omission: he gets royally pissed seeing the 1998 embassy bombings and 9/11, yet goes off to fight in Iraq, which had nothing to do with either of those events. He can pick off a "savage" in Iraq 2100 yards away, yet is blind to the "savage" two feet in front of him when he gets home.
But I can see why the movie is such a hit with Murcans, and it has little to do with Cooper's excellent performance. I think most of the people embracing it buy into the simple-minded moralizing presented in flashbacks by Kyle's father. The whole sheep-wolf-sheepdog analogy is the kind of country witticism your average gun-nut would nod his head with in agreement. The irony is Kyle can't even follow this. You could make the argument that war perverts his noble intentions, that the PTSD threatens to turn him into the very wolves he's trying to fight, which definitely came across in the scene where he attacks a dog that he thinks is threatening but is really just playing around. But there's a casualness Kyle has with guns, at least in the movie, that I found disturbing. His father chastises him as a boy for throwing his gun in the dirt after making an excellent shot. But that lesson doesn't stick: on the very morning before heading off to the gun range to get killed, he's joking around in the kitchen with his wife ... by pointing a fucking gun at her. Again, blindness that may have contributed to fatal consequences.