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wetland wrote:5/30/12
Café, Seattle. 6 killed.
The doors reopened with volunteer help and generous contributions from the community. Cafe Racer responded in kind with [url]caferacerlove.org[/url], an online gathering place soliciting donations for the victims and their families. Also featured were links for counseling, and fundraising events.
Significance of the Trickster Figure and "Contrariness" in Plains Society
Psychological anthropologists, especially those oriented toward psychoanalytic theory and depth psychology, point to the Trickster figure as a sort of important cultural "release valve." He represents the "return of the repressed," the Dionysian aspects of life only temporarily held in abeyance by the Apollonian forces of civilization. The carnivals and feasts held in honor of fools in Europe, suggest some anthropologists, are "outlets," allowing people to invert the social order temporarily as a way of promoting its continuity in the long run (avoiding its ultimate collapse.) The ruler is dressed in peasants' clothes, and some ignorant serf is crowned king. Symbols of authority normally held in extreme reverence are mocked and desecrated.
Clowns and contraries in Plains societies do not just come out once a year, however. They are permanent parts of the society, and are seen as continual reminders of the contingency and arbitrariness of the social order. Long before French theorists came on the scene, the heyoka was reminding his own people about the social construction of reality. By doing everything backwards, the heyoka in a way is carrying out a constant experiment in ethnomethodology, showing people how their own expectations limit their behavior. Like a good performance artist, the shocking behavior of the heyoka is supposed to confront people and make them reconsider what they may have arbitrarily accepted as normal. It's to "jolt" them out of their ordinary frames of mind. (Steward 1991)
More importantly, as a representative of Thunderbird and Trickster, the heyoka reminds his people that the primordial energy of nature is beyond good and evil. It doesn't correspond to human categories of right and wrong. It doesn't always follow our preconceptions of what is expected and proper. It doesn't really care about our human woes and concerns. Like electricity, it can be deadly dangerous, or harnessed for great uses. If we're too narrow or parochial in trying to understand it, it will zap us in the middle of the night. Like any good trickster, the heyoka plays pranks on others in his culture not to make them feel embarrassed and stupid, but to show them ways they could start being more smart.
elfismiles wrote:Yesterday morning, on my way to work, I tuned into one of those morning shows which I never do and they were talking about a ticket contest giveaway for DARK KNIGHT. They were calling them Dick Passes, as they were joking about the idea of someone getting pissed off from waiting in the line and the ticket winners would be cutting in front of them. They may have even quipped about the possibility of violence. I certainly thought about that idea when I heard this little radio back and forth.
Last night my wife and I were contemplating watching MIDNIGHT COWBOY streaming on NetFlix but it wasn't available but we were going through all the movies that had come up under the search term MIDNIGHT and one of them we stopped on was:
Midnight Movie
2008 NR1hr 19m
Some grind house aficionados become the unwitting stars of an old slasher flick when the film's crazed killer leaps off the screen to hunt them down, drag them back into the movie and kill them.
https://movies.netflix.com/movie/Midnig ... e/70111363
At first I thought the above was referencing a movie that was synchronistically made around the time of a low-budget movie that my friends and I produced back in the late 1980s:
Midnight Movie Massacre (1988) - IMDb
A Martian begins to attack the patrons and staff of a movie theater during the 1950's as a low budget science fiction film plays on the screen.
http://www.imdb.com/title/tt0095630/
Our movie was called THE INCREDIBLE MIDNIGHT MOVIE MASSACRE and we discovered the other similarly titled film only after we had completed ours.
Anyway, last night we didn't watch that "Midnight Movie" but ended up watching an episode of the MADMEN tv series.
EDIT: Meant to say BREAKING BAD. Not MADMEN.
Dark Knight Shooting: 12 Dead, 50 Injured
by Loren Coleman at 5:35
...
Andrew Griffin's excellent overview, "Midnight Massacre in Theatre No. 9," at the Red Dirt Report is also worthy of reading.
http://copycateffect.blogspot.com/2012/ ... oting.html
Final Destination (2000)
Alex is boarding his plane to France on a school trip, when he suddenly gets a premonition that the plane will explode. When Alex and a group of students are thrown off the plane, to their horror, the plane does in fact explode. Alex must now work out Death's plan, as each of the surviving students falls victim. Whilst preventing the worst from happening, Alex must also dodge the FBI, which believes Alex caused the explosion...
http://en.wikipedia.org/wiki/Final_Destination_2
http://en.wikipedia.org/wiki/Final_Destination_3
Beautiful Boy (2010)
A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass shooting at his college, then took his own life.
ninakat wrote:Saw this linked in a comment at Cryptogon....
Colorado Batman shooting shows obvious signs of being staged
The story concerns a quiet insurance agent / Vietnam veteran, played by Tim O'Kelly, who murders his young wife, his mother and a grocery delivery boy at home and then initiates an afternoon shooting rampage from atop a Los Angeles area oil refinery. Several motorists and passengers are wounded or killed on the nearby freeway. When the police respond and start to close in on him he flees and resumes his shootings at a Reseda drive-in theater where an aging horror film icon is making a final promotional appearance before retirement.
The character and actions of the killer are patterned after Charles Whitman, the University of Texas sniper. The character of actor Byron Orlok, named after Max Schreck's vampire Count Orlok in 1922's Nosferatu, is patterned after Boris Karloff himself, who in fact plays the part in his last appearance in a major American film (although Bogdanovich states that, unlike Orlok, Karloff was not embittered with the movie business and did not wish to retire).
In the film's finale, which takes place at a drive-in theater, Karloff — the old-fashioned, traditional screen monster who always obeyed the rules — confronts the new, realistic, nihilistic late-1960s monster in the shape of a clean-cut, unassuming multiple murderer. He slaps the murderer into submission and the police arrive and affect an arrest. The murderer wonders aloud about the exact number of victims after his wounding or killing of several theater patrons,
8bitagent wrote:
But it had to be Batman, didnt it? I mean if this was a mall shooting, or a shooting at a park...would it really be seering as deep into the collective group consciousness?
jlaw172364 wrote:@Wombaticus
People by arms from black market dealers to avoid the scrutiny associated with legal arms dealers. This may mean they pay a premium on the wares they purchase, because the black market dealer raises his price to compensate for the added risks he takes.
mackwhite wrote:Another movie massacre movie: Peter Bogdanovich's "Targets" (1968)
if.... is a 1968 British drama film produced and directed by Lindsay Anderson satirising English public school life. Famous for its depiction of a savage insurrection at a public school or boarding school...
stars Malcolm McDowell in his first screen role and his first appearance as Anderson's "everyman" character Mick Travis...
won the Palme d'Or at the 1969 Cannes Film Festival.[2] In 2004, the magazine Total Film named it the sixteenth greatest British film of all time.
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