rigorousintuition.ca

In Latin, ludo means to play and ovis (ovum/ovis) can mean egg. The egg is a symbol of the potential, genetics, and of the soul.
Ovis can also mean sheep in Latin.
But in reality, Ludovic comes from a Germanic name meaning illustrious in combat.

Opposing courageously those who would enslave her.

That's YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!!

I, pet goat II: animation on conspiracy and the to awake cosmic
by LeeTorresC Close Author: LeeTorresC http://lamula.pe/members/harrylee66/
Other posts of this author (340) on 04. jul, 2012

"I, pet goat II" is a short film of animation that shows aspects and important events of the company in which we live since a very interesting viewpoint. The title of the work himself due to the children's story “The pet goat”, known by being the story that read George W. Bush when was reported of the attacks of September 11, 2001. In that sense, the short one peforma a critical look and surrealist of the events that shook the world it passed decade.

With headquarters in Montreal, Canada, Heliofant is a study independent animation centered in the creation of experimental content. In this, its last creation, strike a loaded speech of symbols that draw an initiation trip of death and renaissance toward the New Sun of the conscience. According to an article of Pijamasurf, “sus multidimensional images that speak us in different plans of meaning. Political conscience that becomes chamanismo, in sanación collective of an abundant secret injury”.

The animation situates us in a Masonic theater –with echoes of that space interdimensional of the end of Twin Peaks or the mind of the Dr. Parnassus– only that we are in a parlor of classes in Florida, September 11, 2001, in which George W. Bush is teaching to read to a group of Afro-American students, using the book “The Pet Goat”. This in reality happened and of way “sincromísticamente” strange the children repeated, as a pedagogical mantra the words: "Kite", "hit", "plane", "steel", "must". Which they can be orderly to say "kite-plane must hit steel" (airplane-comet should strike steel). Of course Bush is also the goat pet, we are also the goat pet, I, Pet Goat, (goat associated with the devil but also with Bread, the God-animal one that frees the instinct in the ecstacy of the body); in a turn of the puppeteer, Bush becomes Obama and we enter to an interpretation psicomágica/conspiranóica of what there are behind the political events that gave form to the last years. According to the study candiense responsible for this animation: "A history on the fire in the heart of the suffering" // the apple of Eris is the lotus.

The towers are knocked down in an ashen archipelago, the ritual of black magic initiates, we glimpse the thrones of the secret power, the extraterrestrial media control, the mental programming, the global witchcraft and we arrive upon Being planetarium, symbolized in the Christ Zombie-/Christ Cosmic. It is a festival of magic in which they dance you force opositorias, archetypes, personages of an epic drama of death and renaciemiento, an initiation trip, crossing the river of Anubis, the mystical history of the humanity, the caves as the body of the Land and the cameras of the old mysteries, the falocracia that imprisons the to awake of the wild eroticism of the goddess mother and that elevates the man to its flight Astral, connecting the cords of its DNA in a rocket-hummingbird of the sacred spiral, the fire of the cosmos, the sorcerer, the fire in the water, the third eye that is opened in the mind of I, Christ, the old civilization collapses and we advance toward the New Sun that emits rays of conscience.

From Montreal, Heliofant, "that that shows or brings with himself to the Sun", has created a brilliant animation, so much technically as in a symbolic plan, the language of the dreams, the language of the power and of the magic. Using the flow of the music of Tinoki Project, "Stream", to embed multidimensional images that speak us in different plans of meaning. Political conscience that becomes chamanismo, in sanación collective of an abundant secret injury. A microproyecto of evolution, of escape of the Matrix through the ritual of the image.

TANUKI Project 1 week ago
Thanks to Heliofant, we had this awesome opportunity to create this music perfectly intertwined with meaningful splendid images. One of our greatest adventures !
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Heliofant Plus 1 week ago
Outstanding original soundtrack guys!
The title of the song by the way is "the Stream".
We forgot to change the credits to include that.
Thank you Tanuki Project!

Dave Rand Plus 1 week ago
WOW WOW WOW I can't even begin to tell you how ...sorry I don't know how to say this in French but ......How fucking cool this is!!!! So proud to have worked with you... a true artist and an inspiration to all of us who feel trodden down and uncreative working for the man. This guy, this one man had a vision and did the impossible and spared no thought and no expense and took the time. Thank you !

Heliofant Plus 1 week ago
Thanks Dave for the superlatives! It was a tremendous joy to work with you.

Heliofant Plus 1 week ago
I think there are many different possible explanations within the many mini stories. Hopefully what comes across is a profound longing to be free.

Heliofant Plus 1 week ago
Perhaps it's just an invitation to go past the veneer of change, into that fire that every great religion speaks of. That divine knowledge that I and the "Father", "Mother", "Source"... are one! Thanks for mulling it over!

jesús olmo Plus 1 day ago
“He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer’s trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible – indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible. - therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise - well otherwise, the world was nothing but an editorial cartoon."
Steven Millhauser, "Little Kingdoms”

“…animation works best as an abstract form, where it fully demonstrates its intrinsic capability of moving non-representational lines and material which fall outside the orthodox domains of 'realist' constructions and agendas. Animation of this sort may be recognized as more specifically bound up with the desire to express profoundly personal, sometimes conscious, sometimes unconscious, aspects of human thought, feeling and experience. The liberating freedom of the medium has a direct correlation with the variety of work achieved by certain animators and artists, who are not merely seeking to find the most appropriate means by which they express their vision, but to progress the medium itself.”
Paul Wells.

... We're confronted with such massive, serious problems as a society, on a world level, that animation as a medium of communication can deal with the abstractions of these problems that a camera can't."
John Hubley

"...the ultimate test of what animation might be would be life that is created rather than just photographed... I always think that's the basic magic of animation: to see the naturally inert come to life. Even if it's alive. It just rivets. It shouldn't happen and we are just riveted by it. It's a form of magic, ....alchemy."
John Canemaker




Heliofant Plus 1 day ago
Very interesting quotes.