The Dark Enlightenment

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Re: The Dark Enlightenment

Postby American Dream » Fri May 25, 2018 3:51 pm

liminalOyster » Fri May 25, 2018 10:13 am wrote:I have seen that anon piece previously. I like it more than some of the other public statements about Land. It appreciates the importance of engaging with him to understand an adversary and to some degree it (ironically) implies a certain anti-fascist value in the academy.

But it goes South for me the moment it points to the Dana Schulz painting. A new cultural revolution grounded largely IMO in the professional ascendance of 1990s college students unduly steeped in simplified Derridean principles and a disjointed moralistic critique of imperialism reduced to grating slogans is not much more of a way forward than now-Land's racialized filth. Perhaps in the feel good moments of the fallen statues and the utterance of long unspeakable moral truths, but not in the long run. Whether or not a painting like Schulz's should get made and/or shown and in what context is a very very important world-shaping question that speaks to what a futurist process of Truth/Reconcilation will actually look like. But this is simply not South Africa in the mid 1990s.

What about those of us on the "left" who now come to regret the popular diffusion of cultural studies for entirely diff reasons than Jordan Peterson and who see the war on symbols (charlottesville, monuments, the whitney) as millenarian grasping? Am I still on the Left? Do I become Pro-Fa for philosophical disagreement?

Take this:
there are left wing galleries that are far more complicit in gentrification, worker exploitation, misogyny, and racism?

I've been saying some variant of this line since I was like 15 years old, hopefully increasingly less pedantically as I mature. But wait, do I really agree with this as a succinct statement? Sure, yes, in some ways. But really? Do I really buy that, in general, the important critique of art galleries is how they become little nodes of systemic class exploitation, which are a dime a dozen-million? Rather than because of the perhaps unique way in which they appraise/invent value? The latter is really seriously worth taking on. The former? Not sure anymore. I don't think you can have universally agreed upon negatives like "Gentrification" because the forms of exploitation and subjugation named under that rubric then simply scurry away like rats to find new homes. Why is there little to no serious popular literature that challenges the vaguely unified strategy of removing symbols, exiling opponents and offenders, revivifying 50 year old cultural identity politics, etc? Or is that a weasely question that well conveys all my biases?


In my terms you are referring to a type of Privilege Politics, a poor substitute for more radical leftist practices. One gets the sense that many/most college administrators welcome the weaker stuff, as it is not much of a real threat. Quite the opposite, in fact: it is much more of a placebo.

The importance of countering fascist/far right organizing- especially as they aim for the gray zones and plausible deniability- is more to the point, in my view. Complicating things is the reality that "PC" is the Right's preferred straw man.


Just glanced at Land's twitter feed and vaguely chuckled at this line: "Marx is entrenched far less deeply in the Leftist mind than Lamarck" because Land (probably an abstruse troll at core at this point, but less so a two bit Milo variant than one who is, at least, exploring trolling as a political and philosophical possibility, maybe) is ribbing both the so called right and their absurdist Bolshevik fantasies and smears and the Left for it's relative intellectual laziness and magical thinking, as Land continues, "No one on today's left believes in the revolutionary destiny of the international proletariat, but they all hope the most recent piece of epigenetics bullshit promoted in approved media holds up."

It's a little bit funny. But do I appreciate coming into contact with this idea because I'm some sort of latent eugenicist who sees Land as a pol iconoclast speaking hard truth to a group that denies that Charles Murray was right because it hurts their feelings and sensibilities? Or because I am a fucking hard Darwinian?

Hell no.

The opposite.

Charles Murray is a shitbag. The Bell Curve is utter garbage. But I recognize in myself that I am indeed myself totally enamored with epigenetics and, while Marx (well, 2ndary source Marxists really) has had a huge impact on my meager intellectual life, he has next to nothing to do with any cogent political philosophy among most of those who would vote democrat, socialist, democratic socialist, etc.


Epigenetics are good by me though the Devil's in the details. I see more reason to make sure we minimize trauma in everyone's life, that there is good housing, food, medicine and education for all, that we support life affirming and sustaining cultures for all, etc. I believe in Genetics- it's Race that I question.


I really feel as if there is a cultural revolution underway that I deeply disagree with. For all that (on the surface) it aligns with some of my most deeply held ethical positions about colonialism, racialized violence, misoygny etc, so many of its tactics fall squarely into a kind of broader praxis I revile. Maybe it's a bit of a historical tragedy that I was born at a time when outrageous speech acts felt future-forward and iconoclasm felt revolutionary. Sincerely possible.


My concern much more generally is posing deeply reactionary agenda as the sole/best alternative to annoying SJW liberalism. I want to take things farther with left agenda, albeit in a thoughtful, measured and strategic way.



And maybe Land is a very dangerous fascist who interlocutes with those who would send me to a concentration camp and I am failing to take deadly serious the threat which anon here is looking squarely in the eye. My intuition says otherwise. I really dunno anymore.


Land doesn't come up in my ordinary life with everyday people. I do think he is something of a dead canary for folks who take certain strains of Theory, Drug Culture, Conspiracy etc. too far and without adequate grounding in other areas.
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Re: The Dark Enlightenment

Postby American Dream » Tue Jun 19, 2018 5:46 pm

Stephan Trüby
Positioning Architecture (Theory)

What does “the right” or “the left” mean today in architecture? In the wake of a broad neoliberalization of social democracy and a liberalization of conservative positions, a simple left-right political model seems to be incapable of grasping the complexities of the present. Rather than seeking salvation and orientation in a labyrinthine multiperspectivism typical for the postmodern era, we can follow—and extend—Slavoj Žižek in duplicating the traditional polarity of left and right to draw a cruciform political model, with one axis charting notions of belonging between universality and patriotism, and the other marking economic beliefs between capitalism and anti-capitalism. Virtually all political options of the present and recent past can be entered into this model. In one quadrant on the anti-capitalist left there are anti-globalist, patriotic, anti-cosmopolitan, and at times also latently or openly anti-Semitic leftists, and in the other, universalists like Noam Chomsky and Immanuel Wallerstein. In one quadrant on the capitalist right there is the multicultural capitalism of Hillary Clinton, Emmanuel Macron, Angela Merkel, and in the other, capitalism with localism ethnic/cultural peculiarities such as in China, India, and far as things stand, Trumpism. Žižek sees a growing importance in this last position, from which he draws the conclusion that “global capitalism can ideally coexist with particular, cultural identities.” Žižek’s model of intersecting axes can also be extended to read many of the political coalitions of the last years and decades, which are as widespread as they are unlikely, such as the combination of the universalist left and multicultural capitalism, which Nancy Fraser once termed “progressive liberalism,” (epitomized by, for example, in the symbiosis of neoliberal financial elites and a “critical” art world). or Similarly, there have been combinations of nationalist and anti-Semitic leftists and nationalist rightists, commonly known as “Querfront” or the “Third Position.” Yet Žižek’s model is not only a map for political orientation, but also a valuable tool for understanding the political implications of ideological positions in architecture (theory).

Image
Political model, based on Slavoj Žižek’s cruciform model. Diagram: Stephan Trüby.

Architectural ideologies have a certain compatibility between left and right-wing positions, but hardly between universalist and anti-globalist, regionalist, or nationalist positions. The two main "camps" in architectural discourse are not the duplicated left or right, but Progressive Liberalism and Querfront.

Both the anti-globalist left and the patriotic right agree on an architecture that supports local or regional “identity.” This applies both to the neo-classicist architecture of Rob and Léon Krier and the late Hungarian architect Imre Makovecz, whose “organic” and expressionist architecture has been favored by the right-wing regime of Viktor Orbán. Drawing inspiration from National Romanticism, Makovecz became a fierce nationalist and anti-communist, a fan of Miklós Horthy—Hitler’s ally in Hungary—and an anti-Semite. As Eva S. Balogh once made clear, Makovecz repeatedly talked disparagingly about Jewish leftist liberals like Ágnes Heller and György Konrád. When a reporter once asked Makovecz whether his scathing remarks about “Heller and company” had anything to do with their Jewishness, his answer was: “I can’t leave it out, even if I stand on my head. They always have something to criticize the Hungarian nation for; they have a superiority complex; they live with the idea of being the chosen people.”






https://www.youtube.com/watch?v=YwZNjbaTxx4

Fascist architecture of my own design
Too long been keeping my love confined
You tore me out of myself alive

Those fingers drawing out blood like sweat
While the magnificent facades crumble and burn
The billion facets of brilliant love
The billion facets of freedom turning in the light
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Re: The Dark Enlightenment

Postby American Dream » Thu Jul 19, 2018 6:56 am

The “Intellectual Dark Web” Is Nothing New

By Jacob Hamburger

JULY 18, 2018



ImageTHE FIRST DISTINCT intellectual movement to have emerged during the Trump presidency is not the alt-right, which rose to prominence during the 2016 campaign. Nor is it democratic socialism, the egalitarian platform that many young progressives have embraced since the Occupy Wall Street movement.

Instead, this movement may well be what some are calling the “intellectual dark web.” It is a heterogeneous group, bringing together neuroscientists, biologists, and psychologists with entrepreneurs, comedians, and sports commentators. Some claim to lean to the left, others to the right. There is nonetheless a common enemy that unites them. Despite their various differences, all members of the movement believe their ideas are being stifled by an epidemic of “political correctness.”

Unlike the actual “dark web” of hidden online networks, this one requires no specialized software to be made accessible. Its ideas can be found in best-selling books and media channels with millions of subscribers. Mathematician and financier Eric Weinstein coined the term intellectual dark web, and he meant to point out not that this group is obscure — it isn’t — but that its figures all pride themselves on upturning conventional beliefs.

What exactly are the ideas that have made people like Weinstein, Sam Harris, Jordan Peterson, Joe Rogan, Dave Rubin, Ben Shapiro, and Christina Hoff Sommers into what a recent New York Times profile described as intellectual “renegades”? According to the Times writer Bari Weiss, most emphasize the biological differences between men and women, a feeling that free speech is “under siege,” and a fear that “identity politics” is a threat to the United States’s social fabric.

A listener of Harris’s podcast might add to the list a vociferous defense of the validity of genetic explanations for IQ differences between racial groups, a follower of Peterson’s videos might insist on the nefarious influence of “postmodern neo-Marxism” on college campuses, and a fan of Ben Shapiro might contribute a skepticism toward the reality of “transgenderism.”

The movement sees itself as an alliance that defies established political categories in order to defend these ideas against the creeping influence of thought control. This leads us to another important meaning of the term intellectual dark web, the suggestion that its ideas are not only controversial, but particularly innovative in our political moment. If the dark web arouses the anger of certain commentators in the media or the academy, it is for the same reasons that new technologies in the internet age are “disruptive.”

It would take a short memory, however, not to notice that these sorts of polemics over political correctness are anything but novel: they have been around for at least 30 years, ever since a strikingly similar set of media debates centered around college campuses took off in the late 1980s and early 1990s. Toward the end of the Reagan years, political correctness became a favorite bugbear of conservative intellectuals, who believed that college professors had latched onto illiberal or totalitarian notions of equality, and were indoctrinating their students with a subversive view of American society. Today’s “dark web” provocateurs rarely mention these predecessors, who not too long ago occupied a similar place in national media debates. But the comparison suggests that the “iconoclastic” ideas of these figures are actually a well-established institution in American discourse: an institution whose home is on the political right.

¤

The 1980s–1990s political correctness debates were in many respects debates over the legacy of the radical politics and counterculture of the 1960s. Allan Bloom kicked things off with his 1987 best seller The Closing of the American Mind, which argued that the influence of ’60s-era student, feminist, and Black Power movements led college students to reject traditional liberal arts curricula. Roger Kimball later upped the ante, alleging that the professors of the 1980s were former student protesters. Frustrated by the failure of their movements to destabilize American society, Kimball claimed, they channeled their discontent into “politically motivated” fields like queer theory or African-American studies, said to be inspired by “postmodern” Continental thinkers like Michel Foucault and Jacques Derrida. American conservatives of this era followed like-minded thinkers in France who had taken to associating these philosophers with the radical politics of Mai ’68 (though the historian François Cusset has argued persuasively that it was mainly in the United States that Foucault, Derrida, Gilles Deleuze, and Jean-François Lyotard came to be seen as forming a unified movement).

According to this emerging group of neoconservative writers — including Bloom, Kimball, Dinesh D’Souza, and David Brooks, as well as older stalwarts like Irving Kristol and Norman Podhoretz — the result of this influx of radical ideas into the academy was that students activists had begun to adopt a dogmatic and anti-democratic understanding of how to achieve equality and social justice. In the name of diversity, they claimed, students at Stanford rejected cultural excellence, demanding to remove “great books” written by “dead white men” from their general humanities syllabus. In the name of protecting minorities, went a similar argument, students at the University of Michigan abandoned the principle of free speech and sought to impose speech codes banning remarks that could be perceived as racist. It was in a flurry of reports over such campus controversies that Richard Bernstein helped popularize the term “political correctness” as we know it today.

This narrative had an immediate appeal to various segments of the conservative movement. Secretary of Education William Bennett rushed to join the critique of this supposed wave of radical professors and students, characterizing debates over university curricula and campus life as a struggle for the nation’s values. In his book The De-Valuing of America, the Reagan cabinet member also suggested that perhaps academics that questioned the moral superiority of the United States should not be entitled to taxpayers’ support. Future Second Lady and chair of the National Endowment for the Humanities Lynne Cheney ensured that fighting political correctness would remain a priority of the new administration of George H. W. Bush (who denounced this growing threat in a 1991 commencement speech). And though neoconservative opponents of political correctness were not outspokenly religious — they mostly appealed to secular values such as humanistic education or maintaining a coherent national culture — the historian Andrew Hartman has shown how their critiques appealed to New Right activists who believed that the 1960s had ushered in a wave of atheistic immoralism. In the 1980s and 1990s, opposition to political correctness helped stitch together the conservative coalition: a coalition that had always risked coming apart, but found unity in its aversion for anything that reeked of the 1960s.

¤

Today’s “dark web” enemies of political correctness mostly have little reason to associate themselves with the conservatives of these campus debates. Aside from Ben Shapiro, who calls himself a “sometimes Trump” Republican, it is hard to find a member of this movement who identifies in any respect with the American conservative movement of the last half-century (Jordan Peterson occasionally calls himself a conservative, but as a Canadian, he can plausibly distance himself from the GOP). Cultural liberals for the most part, they have little interest in reviving the conservative polemic against the 1960s. There is little reason to think that Sam Harris and the TV host Bill Maher — outspoken atheists who often promote drug use — seek a return to “family values” traditionalism.

What is apparently so novel about the “intellectual dark web” is not just its savvy use of Patreon or YouTube, but its claim to be eclectic and transpartisan. It has become typical for the members of this club when they appear in public — on Harris’s or Joe Rogan’s podcasts, for example, or on Peterson’s and Dave Rubin’s YouTube channels — to stress emphatically both their ideological divides and their respect for the intellectual virtues that they believe allow them to overcome them. In his preface to their discussion on his show, for example, the liberal Harris characteristically praised the conservative Shapiro at length for his willingness to debate him despite their disagreements on questions such as religion and “free will.” But this sort of collegial debate tends to be a sideshow for where members of the intellectual dark web almost unanimously agree. The main attraction of Harris and Shapiro’s conversation was not their philosophical sparring, but their show of solidarity against the left-wingers that had attacked them both. In the face of the politically correct left, and to a lesser extent the neo-fascist alt-right, these thinkers aim to present themselves as defenders of “reason,” “truth,” and “facts.” This attachment to rational principles — not to parties or tribes — leads them at times to characterize themselves as a new political center.

In principle, these dark web media stars are correct that reason and science belong to neither right nor left. But upon examination of the actual ideas put forward in defense of these values, these supposedly centrist crusaders against political correctness may have more in common with their conservative predecessors than they let on. Though opposed to political “tribalism,” as one writer put it in the online magazine Quillette — the closest thing there is to a party organ of the dark web — the movement does tend to think of liberals, progressives, and leftists as its primary adversaries. But not only do these thinkers oppose themself to “the left,” broadly speaking, they recycle the neoconservative indictment of “postmodernism” in order to explain why this left has been taken in by political correctness. Peterson has been the most fervent promoter of this idea, having stated on countless occasions that the contemporary left derives its ideas and tactics from a combination of poststructuralism and Marxism concocted in the United States’s universities: a theory of class struggle reimagined as a fight to the death between ethnic, racial, and sexual identity groups.

Unlike Roger Kimball, Peterson does not make much of an effort to link these academic trends to the radical politics of the 1960s. And not all of his allies adopt his analysis of “postmodern neo-Marxism” in full. But in various forms throughout the different public platforms of the “intellectual dark web,” one finds countless repetitions of the notion that leftist college professors armed with dangerous theories from the Old Continent are turning generations of young progressives into enemies of liberal democracy. In some versions of this refrain, the dark web goes further than the neoconservatives of decades past, whose paeans to traditional college curricula often had little implications outside the campus walls.

In one conversation between Peterson and Joe Rogan, for example — discussing the case of former Google employee James Damore fired for his public memo about gender diversity — the two appeared to suggest that not just elite colleges but the major corporations of Silicon Valley have been captured by the politically correct doctrines spouted by gender studies professors. The dark web frequently asserts that what may appear as trivial campus affairs have had a deep and dark influence on American society as a whole.

The intellectual dark web does not only recycle conservative theories explaining our supposed wave of left-wing irrationalism. The ideas they claim to defend from politically correct opponents of truth are themselves a longstanding part of the United States’s conservative tradition. A common refrain on the dark web is to debunk various left-of-center critiques by arguing that what appears to be systemic inequality is actually the result of individual choices or behavior. Christina Hoff Sommers argues, for example, that the gender wage gap is a result of women’s choices to work jobs that pay less, while Ben Shapiro believes the problem of police brutality could be solved by people — presumably African Americans — simply “avoiding interactions with the cops.” On many occasions, these sorts of arguments involve uses of social science statistics that political correctness is said to ignore; on other occasions the statistics are omitted and the left’s blindness to “reality” and “facts” is simply asserted or implied. In either case, the dark web’s impulse when confronted with claims of inequality is almost always to deny or justify it. Either the left is making up injustices where they do not exist, the argument goes, or they disregard evidence that social disparities are in fact grounded in scientific reality.

These sorts of claims are once again continuous with the decades-old conservative campaign against political correctness. Neoconservatives of the 1980s and 1990s did not always make the same appeals to statistical certainty. But that did not stop writers like Dinesh D’Souza from arguing that politically correct practices like affirmative action in college admissions were an affront to “equality of opportunity.” This latter term has long been part of the American right’s vocabulary, a central pillar of arguments against attempts at achieving greater social equality. Conservatives have tended to view democracy as a system that establishes equal rules for competition between private individuals; while liberals, progressives, and even many radicals have typically shared this view, the American left has historically supported interventions to guard against excessive inequality. During the campus wars at the end of the 20th century, “political correctness” joined the conservative conceptual arsenal to describe and fight against the left’s support for “equal outcomes” (it is perhaps no coincidence that this new term arose just as the Soviet Union was beginning to crumble). Today, the dark web picks up where they left off.

The intellectual dark web appears with each passing day to be earning itself a place in the American conservative tradition. The fact that many of these figures have no links to the conservative movement or denounce the Republican Party is hardly evidence to the contrary. Allan Bloom was a member of the Democratic Party, and the campus war debates he helped to start provided the opportunity for many younger writers to gain national notoriety as conservatives for the first time. Despite some of the novelty attributed to the dark web intellectuals, perhaps the signs of their belonging to the right have always been there. Dave Rubin’s YouTube show and Harris’s podcast, for example, have featured a number of mainstays of the old PC debates, including D’Souza and Charles Murray. And though Christina Hoff Sommers may appear to break with neoconservative opponents of the women’s movement such as Midge Decter and Gertrude Himmelfarb by calling her video blog “The Factual Feminist,” one should not fail to notice that the channel is hosted by the American Enterprise Institute, the think tank where both elder women were once affiliates.

One need not doubt that some of the dark web’s critiques are made in good faith and based on valid interpretations of social science data. Progressives and leftists can and should deal with these claims on their merits and faults, both in moral and empirical terms. But they should not indulge the intellectual dark web’s veneer of novelty or appeals to transpolitical reason. These thinkers ought not to be allowed to pretend that its ideas are, historically speaking, anything other than conservative.


Continues: https://lareviewofbooks.org/article/the ... thing-new/
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Re: The Dark Enlightenment

Postby American Dream » Sun Aug 05, 2018 9:24 pm

Eternity, nature, society and the absurd fantasies of the rich

Posted on August 5, 2018

ImageThe wealthier they are, the more they fear that others will try to take their wealth. No wonder the super-rich are building bunkers to escape the apocalypse.

Kurt Cobb is a freelance writer and communications consultant who writes frequently about energy and environment. This article is reprinted, with permission, from his excellent blog, Resource Insights.

by Kurt Cobb

Professor and author Douglas Rushkoff recently wrote about a group of wealthy individuals who paid him to answer questions about how to manage their lives after what they believe will be the collapse of society. He only knew at the time he was engaged that the group wanted to talk about the future of technology.

Rushkoff afterwards explained that the group assumed they would need armed guards after this collapse to defend themselves. But they rightly wondered: in a collapsed society how they could even control such guards. What would they pay those guards with when the normal forms of payment ceased to mean anything? Would the guards organize against them?

Rushkoff provides a compelling analysis of a group of frightened wealthy men trying to escape the troubles of this world while alive and wishing to leave a decaying body behind when the time comes and transfer their consciousness digitally into a computer. (I’ve written about consciousness and computers previously.)

Here I want to focus on what I see as the failure of these people to understand the single most salient fact about their situations: their wealth and their identities are social constructs that depend on thousands if not millions of people who are employees; customers; employees of vendors; government workers who maintain and run the law courts, the police force, the public physical infrastructure, legislative bodies, the administrative agencies and the educational institutions — and who thereby maintain public order, public health and public support for our current systems.

Those wealthy men aren’t taking all this with them when they die. And, while they are alive, their identities will shift radically if the intellectual, social, economic and governmental infrastructure degrades to the point where their safety is no longer guaranteed by at least minimal well-being among others in society. If the hunt for diminishing food and other resources comes to their doors, no army of guards will ultimately protect them against the masses who want to survive just as badly but lack the means.

One would think that pondering this, the rich who are capable of pondering it would have an epiphany: Since their security and well-being ultimately hinges on the security and well-being of all, they ought to get started helping to create a society that provides that in the face of the immense challenges we face such as climate change, resource depletion, possible epidemics, growing inequality and other devils waiting in the wings of the modern world. (In fairness, some do understand this.)

At least one reason for the failure of this epiphany to occur is described by author and student of risk Nassim Nicholas Taleb. Taleb describes how the lives the rich become increasingly detached from the rest of society as arbiters of taste for the wealthy convince them that this detachment is the reward of wealth. The rich visit restaurants that include only people like themselves. They purchase larger and larger homes with fewer and fewer people in them until they can spend whole days without seeing another person. For the wealthiest, neighbors are a nuisance. Better to surround oneself with a depopulated forest than people next door.

The rich are convinced by this experience that they are lone heroes and at the same time lone victims, pilloried by the media as out of touch and heartless. These self-proclaimed victims may give to the Cato Institute to reinforce the idea that the individual can go it alone and should. They themselves have done it (or at least think they have). Why can’t everyone else?

The wealthier they are, the more their fear and paranoia mounts that others not so wealthy will try to take their wealth; or that impersonal forces in the marketplace will destroy it or at least diminish it significantly; or that government will be taken over by the mob and expropriate their wealth through high taxes or outright seizure. And, of course, there are the natural disasters of uncontrolled climate change and plague, just to name two.

It’s no wonder some of the super rich are buying luxury bunkers to ride out the apocalypse. These bunkers come with an array of amenities that include a cinema, indoor pool and spa, medical first aid center, bar, rock climbing wall, gym, and library. High-speed internet is included though one wonders how it will work after the apocalypse.

But strangely, even in these luxury bunkers built in former missile silos, dependence on and trust in others cannot be avoided. The units are actually condominiums. And while they contain supplies and ammunition said to be enough for five years, it will be incumbent on the owners, whether they like it not, to become intimately acquainted with their neighbors in order to coordinate a defense of the compound should that need arise.

The irony, of course, is that this is precisely the kind of communal entanglement which their wealth is supposed to allow them to avoid. Society, it seems, is everywhere you go. You cannot avoid it even when eternity is advancing on your door. And, you cannot escape with your consciousness into a computer (assuming that will one day be possible) if there’s no stable technical society to tend to computer maintenance and no power to keep the computer on.

It turns out that we are here for a limited time and that trusting and reciprocal relationships with others are ultimately the most important possessions we have — unless we are too rich or too frightened to realize it.


http://climateandcapitalism.com/2018/08 ... -the-rich/





American Dream » Sun Feb 25, 2018 9:10 pm wrote:
Why Silicon Valley billionaires are prepping for the apocalypse in New Zealand

How an extreme libertarian tract predicting the collapse of liberal democracies – written by Jacob Rees-Mogg’s father – inspired the likes of Peter Thiel to buy up property across the Pacific

by Mark O'Connell

https://www.theguardian.com/news/2018/f ... ew-zealand
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Re: The Dark Enlightenment

Postby Elvis » Sun Aug 05, 2018 10:20 pm

Aristotle says that a state should have laws preventing people from becoming too wealthy, owning too much property, because that invariably leads to bad government. I'm not sure caps on wealth isn't a bad idea. "Now more than ever."
“The purpose of studying economics is not to acquire a set of ready-made answers to economic questions, but to learn how to avoid being deceived by economists.” ― Joan Robinson
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Re: The Dark Enlightenment

Postby American Dream » Mon Sep 24, 2018 1:24 pm

The Biennial of Very Fine People, On Both Sides

Image

In 2017, Shut Down LD50 encountered Daniel Keller as one of the prominent voices opposed to protests to shut down the LD50 gallery space after it was revealed to have hosted an extensive programme of talks by racists and activists on the extreme right. Keller is not himself a fascist, but he represents a tendency that is familiar in the contemporary artworld, of mediocre liberal ‘commentators’ who position themselves as experts in contemporary right-wing culture, appear in many ways to enjoy it, and who experience terrible convulsions of indignation whenever anyone tries to get it the fuck out of their face.

The latest victim of Keller’s litigious free-speech ass-scratching is the artist Luke Turner. Turner objected first to the artist Deanna Havas belittling him after he received anti-Semitic abuse online (which she seemed to endorse), and then to Keller’s upstanding attempt to leap to Havas’s defence, on the grounds that Turner has more industry visibility than she does. (The fact that this could have something to do with Havas’s deserved rep as a right-wing goon was bracketed in Keller’s account, presumably because he cares so deeply about class solidarity.) Turner then wrote to the curators of the Athens Biennale, at which both he and Keller were due to present work, and demanded that the curators disinvite Keller for facilitating the abuse. The curators refused to do so, and Turner published an open letter announcing his withdrawal. On 4 September the curators responded by declaring that ‘We will not participate in attempts to silence another anti-fascist Jewish voice, that of Daniel Keller, or other voices against anti-semitism’ and that ‘Turner’s public address is false, defamatory and contributes to the trivialization of the issues it purportedly addresses’.

By attacking a victim of anti-Semitic abuse, the curators accuse a Jewish artist of trivialising anti-Semitism by protesting it. This is as unacceptable as it is absurd. By reproducing almost verbatim Daniel Keller’s slanders against Luke Turner (‘trivialisation’, 'defamation’, etc.), ANTI are de facto defending a posture of constructive ‘engagement’ with the far right, while gesturing inanely towards the need to 'host’ opposition to it. Their merely verbal fence-sitting conceals a practical partisanship.

In support of Turner, SDLD50 would like to note the following:

· The curators’ attack on Turner, their refusal to take seriously his experience of anti-Semitic threats and provocations by online abusers, and the extraordinary upside-down logic of their self-representation as defenders of ‘anti-fascist Jewish voice[s]’, is totally continuous with the crushing stupidity of their pet project. The Biennial’s vision of ‘ANTI’ (the name of this year’s Biennial) as an ‘attitude’, as non-conformity detached from any definite political orientation, and of ‘marginality’ abstracted from social history, is presented as a daring transgression of rigidified political correctness. It is in fact a badly written celebration of the ‘pleasure’ of political centrism.

· This 'pleasure’ operates on many different scales. It is at once the ‘sense of humour’ that Daniel Keller says that Luke Turner should develop when it comes to getting attacked again and again and again by alt-right anti-Semites on the internet, and the general sense of relief that the ruling political class experiences when it clings on to political power by implementing stricter border controls. (The fact that the curators of the Athens Biennale are too distracted by their own verbiage to recognise this, is all part of the joke.)

· Anti-fascist culture begins with an acknowledgement of the situation we’re facing. Nazis attacking migrants in the streets in Chemnitz, African trade unionists gunned down in the fields in Sicily, British prime ministerial candidates publishing crude slurs against Muslim women, people living impossible, illegal and invisible lives, facing brutal hardship, fear and death, and managing nevertheless to organize, to form bonds of solidarity with working-class people in the communities to which they move, to create lives for themselves and organisations of self-defence. ANTI begins with a list of places where middle-class artists go to spend the money that they earn by making a mockery of all that, with a ‘migration office’ thrown in for good measure: ‘[T]he gym, the office, the tattoo studio, the dating website, the migration office, the shopping mall, the nightclub, the church, the dark room’.

· More important in this case than the issue of platforming or non-platforming is a basic strategic choice. Do we resist fascism by (i) 'engaging’ with its advocates, befriending them online, and winking at their abusiveness (as Deanna Havas patently does), perhaps while producing jocular 'summaries’ of their culture for publication in liberal arts magazines; or do we do so by (ii) fighting fascists, denying them access to our spaces and refusing to tolerate their provocations? A simple experiment for anyone who wants to answer this question: check out just how many fascists, misogynists and Trump supporters proliferate in the Social Media timelines of those who choose to fight the good fight by doing outreach in the fascist community.


Fascist tendencies thrive in cultural environments organized around the principle that there are some very fine pleasures on both sides. By reproducing Keller’s slanders against Luke Turner ('trivialisation’, 'defamation’, etc.), the curators of the Athens Biennale only prove how widespread in the artworld that principle is. They say that ‘ANTI is not a neutral discussion platform but an agonistic space hosting different approaches on how to deal with ominous tendencies in politics and culture. Diverse voices are essential to initiate a meaningful discussion on how to combat such issues. Dealing with these controversial issues is the exact core of the conceptual framework of the exhibition and denotes the urgency of ANTI’. But all that this amounts to is yet another confirmation of the disabling self-regard of the bourgeois arts professional for whom nothing is more urgent,or more terrifyingly under threat, than the ‘diverse’, ‘meaningful’, ‘controversial’, and ‘agonistic’ sound of their own voice, along with all of the vulnerable adjectives that they are paid by the word to say in it.

SDLD50 supports Luke Turner in calling out anti-Semitism where he sees it. We stand behind him, also, in rejecting the glib, ersatz ‘anti-fascism’ that sets more value on the perpetrator’s ‘experience of ambiguity, polarity and contrariness’, than it does on the victim’s unambiguous self-defence.


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Re: The Dark Enlightenment

Postby American Dream » Mon Sep 24, 2018 9:25 pm

Further Thoughts on the Athens Biennale

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The Athens Biennial states its intention plainly, its press release is an invitation for artists and viewers to participate in consideration of the concept ‘anti’. Here anti is detached from any context: site, time, history, politics, it is only an image of a word, one devoid of any substantive that would give that word some meaning or position.

The remit of the Biennale proposes to viewers both a consideration of the concept anti and of the concept of opposition: but here ’opposition’ is redefined, as post-possibility, now merely an ‘attitude’, non conformity - now detached from any sustaining criticality, and ‘marginality’ which is to be considered without social history, without the mention of the real life effects of the contemporary context of ever rising fascism. It offers no solidarity. Contemporary fascist iconography adorns the website, talk of reaction peppers the press release as a vague oscillating prop constructed to disorientate the participants in some bullshit larping exercise that attempts to pass as a sincere cultural event grappling with the alt right, a bit.

The designs of the curatorial management team state brazenly that they will produce the intimate proximity of a lubricated ‘embodied pleasure’ which will be mediated through their convenient equivocation of revolt with reaction. In this art space, by design, there is no possibility for anti fascism, for a politics of solidarity that is informed by its active political opposition to fascism, for anti fascist cultural praxis, for the desire to recognise and so then challenge the real effects of an ever faster re-consolidating global far-right.

Its remit sustains a total refusal to recognise those immediately effected, in the here and now, by fascism’s rise - minorities: the racialised, the poor, migrants , people living impossible, illegal and invisible lives, facing brutal hardship, fear and death. The migration office is listed as just another space for viewers to indulge in, in non opposition, likened to a dating website or a tattoo parlour. Or a gym or some other irrelevant site. No difference.

Its impossible not to see the political stances, ambitions and effects of this middle management middle class curatorial vision, a badly designed cultural exploration into the living hell of live action far right reactionary apologism and cultural production (at best) even despite its pathetic assumption of a very thin disguise of principled anti censorship. The curatorial team purports to challenge bigotry and intolerance: they do this by offering a platform to and rushing to the defence of an artist who has consistently aligned himself with anti-Semites, fascist trolls and alt right groups online, and has consistently baited anti fascist campaign groups, arguing that his efforts are to be considered as both art and as useful research, further that they should be defended. The curators claim to take the threat of fascism seriously, have claimed their to opposition to fascism in their defense of Daniel Keller, yet all they do is play with fascist culture, act as its detached administrators and defend its apologists. They have smeared those under real threat resulting from public opposition to fascist cultural projects as a trivialisation.


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Re: The Dark Enlightenment

Postby American Dream » Sun Oct 07, 2018 3:07 pm

Grungy “Accelerationism”

Posted on October 3, 2015 by edmundberger

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At a crucial turn in William Gibson’s Neuromancer, we’re introduced the Panther Moderns – a guerrilla subculture in a world where subcultures flicker by like disconnected frames of some montage film. The Panther Moderns specialize in hallucinatory simulations – in a world dipping into the “consensual hallucination” of cyberspace, they build hallucinations on top of it, subverting a reality that is already subjected to constant reconfiguration through digitalization, genetic body modification, and psychotropic drugs. If cyberpunk, as Lewis Call insists, picks up where Baudrillard’s delirious hysteria over the becoming-simulation, becoming-simulacrum of reality leaves off, figures like the Panther Moderns show the escape route. They embody the old ‘Mao-Dadaist’ slogan of the Autonomists rallied around Radio Alice: “false information produces real events.”

The political ramifications of the Panther Moderns, beyond the literary depiction of our very real world, did not go unnoticed. A group of theory-heads involved with ACT UP, a direct action/political advocacy group dedicated to revising awareness over the AIDs epidemic, read Neuromancer and took inspiration from the Panther Moderns. They christened themselves the Critical Art Ensemble, and began making waves with their elucidation of “tactical media” and their provocative stance that “as far as power is concerned, the streets are dead capital!”Better to contest power right in the heart of its new ambiguity – the electronic flows that replace former sedentary masses. By being plugged into strange and wonderful history of tactical media, William Gibson finds himself embedded in a rhizomatic sprawl running back to the Dadaist and earlier and up to Occupy Wall Street and beyond – with a whole host of avant-gardes, freak scenes, reality hackers, and anonymous revolutionaries kicking around in between.

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The Panther Moderns, in Gibson’s world, are something of an avant-garde. With an array of practices and/or tactics hanging hazily between political action, artistic expression, and general trouble-making, their nihilistic surroundings finds their real world compliments in the industrialized Paris that so inspired the Decadents and the later Surrealists, the Saint-Germain scene that spewed out not only existentialism but the Situationists, or the avant-political networks that gave the world urban guerrilla commandos as much as it did Krautrock. What is it about the thin lines that exist between art, radical politics, and criminality? What makes these birds, seemingly of different species, flock together? And what do we make of the general atmosphere of radical urban transformation, encroaching poverty, and industrial ruination that spark them?

For now, I’d like to leave that up for others to untangle, and turn now to Accelerationism, that term so debate, celebrated, and reviled in equal terms. By two, some two years after Srnicek and Williams simultaneously equated accelerationism with left-wing technological development and dragged Nick Land and the CCRU out of the shadows that they hoped to resign them to, nearly every militant political moment has been brought together under the ‘Accelerationist’ label – almost to the point where the term hardly holds any meaning whatsoever. Marx encouraged technology’s ability to open up free time? Accelerationist. The Soviets looked towards computer automation to eliminate the traces of capitalist labor relations? Accelerationist. The Situationists wanted to turn cybernetics over to worker’s councils? Accelerationist. The ambiguities of communization theory? Accelerationist. Deleuze and Guattari, Lyotard, Baudrillard, Hardt, Negri – Accelerationism all the way down.

So ultimately, it’s not my goal to go indulge the adding of another name to the ever-expanding roster. That said, that’s precisely what I’m going to do – albeit with a little different spin.

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Continues: https://deterritorialinvestigations.wor ... rationism/








American Dream » Wed May 16, 2018 10:11 am wrote:
The neo-fascist philosophy that underpins both the alt-right and Silicon Valley technophiles

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Before the alt right, there was Dark Enlightenment.


The philosophical masters of a popular movement
US president Donald Trump, Land says, is a “symptom of crisis” and sign that the West is broken. But Land views White House chief strategist Steve Bannon as, “an unusually interesting politician.”

Dark Enlightenment proponents see themselves as “the philosophical masters” of the alt-right movement, says Noys. “Land sees himself as above all that, as a Philosopher King of a movement that’s too populist and grubby for this liking,” says Noys. “He’s part of this continuum, that’s pretty clear. But he’s fighting to distinguish himself from the more populist end of things.”

Golumbia agrees that “He probably thinks he’s smarter than all of them [the alt right], or they haven’t gone far enough. But they are definitely fellow travellers.”

Land himself is dismissive of the alt right, which he calls “a predictable (and predicted) development of mass democracy, as it enters its collapse-phase” in an email to Quartz. Still, he says, “Insofar as it marks the end of global governance on the basis of evangelical egalitarian-universalism, it makes space for more realistic political conversations, which have notably begun to happen.”

Land also rejects the idea that Dark Enlightenment has fascist elements, writing that “Fascism is a mass anti-capitalist movement, when the word isn’t (more usually) simply a childish insult.” As for racial divides, he says the science is “an empirical question” but “that human population groups are significantly distinct, however, is a matter so self-evident to ordinary people that it makes for a natural default.”

Land’s theories sound easily dismissible, and Nick Land is still largely unknown, but his neo-fascist ideas are finding niches where they flourish.. “I think there’s this emergent fringe,” says Noys.

Golumbia notes that Land’s work attracted plenty of impressionable graduate students decades ago. It undoubtedly helps that offensive ideas are masked with references to respected writers and philosophers: Land has his own idiosyncratic reading of the German philosopher Nietzsche, for example, and the French 2oth century thinkers Deleuze, Guattari, and Bataille. And as far as accelerationism goes, Noys traces its intellectual heritage to the Italian futurists (who had their own ties with fascism).

Despite their long lineage, the ideas fall apart under scrutiny. “To those of us who were more skeptical, it looked like it had the seeds of a disturbing belief in a superman: This kind of digital hybrid cyber-being who was a lot better than the ordinary weak people,” says Golumbia. “His writing is more and more obsessed with race, Islam, echoing the things that people like Nigel Farage say. He sounds like a visionary but really he’s nothing but these reactionary clichés about how minority people are to blame for all of our problems.”


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Re: The Dark Enlightenment

Postby liminalOyster » Sun Oct 07, 2018 8:34 pm

“It is a worship of corporate power to the extent that corporate power becomes the only power in the world,” says


Golumbia, quoted in the longer piece. Alot of this stuff misses Land's basic conceit - he is (was) not prescribing a social order but seemed to believe he had communed with and submitted to some kind of alien agency - some reverent Cthulhic thing. At his best, he takes the overdetermined cosmos very seriously. At his worst he reads like a Nietzsche fanboy studying for his GED. As usual, I am not defending Land, but the intellectual poverty (and relative laziness) of his Left critics is getting tired. Classic labor activism is going to need more than a tiny, prophylactic dose of 1980s media studies to save us. We need a total reboot of our most influential stories of civilization and their is nothing adolescent or "impressionable" about that IMHO. I'd love to see his influence spread to a more compassionate new humanism but sci-fi prognostication is not the problem with Land or the Dark E.
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Re: The Dark Enlightenment

Postby American Dream » Sun Oct 07, 2018 9:43 pm

Are there any left critics you feel were able to take on such a task? Mark Fisher seemed capable of it, to name just one example.
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Re: The Dark Enlightenment

Postby liminalOyster » Sun Oct 07, 2018 10:47 pm

American Dream » Sun Oct 07, 2018 9:43 pm wrote:Are there any left critics you feel were able to take on such a task? Mark Fisher seemed capable of it, to name just one example.


Mark Fisher was wonderful. But he's much less a "Left" critic than a collaborator come productive antagonist to Land. He's a great example of someone who still assumed philosophy is not a reform movement. I still can't believe he's dead. Thankfully he left a lot of good seeds including this/.
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Re: The Dark Enlightenment

Postby liminalOyster » Sun Oct 07, 2018 10:56 pm

ps. Do you not think this feels like fascism? I really do.

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Re: The Dark Enlightenment

Postby American Dream » Mon Oct 08, 2018 12:45 am

I don't love it, but why do you say "fascism"?
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Re: The Dark Enlightenment

Postby liminalOyster » Mon Oct 08, 2018 8:12 pm

Two rich white men, both with very wealthy and very beautiful celeb girlfriends, smirk at one another about some black guy who, they say, really ought to stick to singing and dancing and stay out of politics. This black guy, one of the white guys ( the one who celebrates his own ignorance of politics) says, has offended "all black people." This same white guy suggests he should have "bullied" him and then tells him to "take his meds."
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Re: The Dark Enlightenment

Postby American Dream » Mon Oct 08, 2018 11:37 pm

I see your point but also that is perfectly compatible with neoliberal discourse to me.
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