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Sounder » Mon Aug 11, 2014 8:30 pm wrote:it's bullshit, it didn't happen.
Tom Dobbs (Robin Williams) is a comedian and host of a satirical talk show who is able to tap into people's frustrations with the sharply divided, special interest-driven political climate. Specifically, he makes fun of the American two-party system. During his warm-up act, an audience member suggests that he run for President. At first, Dobbs laughs off the idea, but following a popular groundswell of support, later announces on the air that he will stand as a candidate. Through his efforts, he gets on the ballot in 13 states and participates in one of the national debates with the Democratic incumbent, President Kellogg, and Republican U.S. Senator Mills.
A parallel plot follows Eleanor Green (Laura Linney), who works at a voting machine company called Delacroy. According to a television commercial in the movie, the entire United States will be using Delacroy voting machines for the Presidential election. Shortly before the elections, Eleanor notices an error in the voting system, but the head of the company, James Hemmings, purposefully ignores her warnings.
Initially, Dobbs approaches the campaign seriously – perhaps too seriously, to the chagrin of his staff, especially his manager Jack Menken (Christopher Walken). That turns around the night of the Presidential debates, when, fed up with the other candidates' posturing, Dobbs shifts back into comedian mode, managing to keep the audience laughing and make serious points simultaneously. From then on, he resumes his showman persona, thoroughly shaking up the political landscape. Dobbs surges in polls after the debates, but remains a distant third to Kellogg and Mills.
Election Day arrives, and polls show Dobbs at 17% with Kellogg and Mills tied in the 40s. Early returns show Kellogg beating Mills everywhere. Eleanor says that this is part of the error in the voting systems. Suddenly, Dobbs starts winning states. He soon stands at 146 electoral votes, and the media report that if he wins the remaining states whose ballot he is on, he will become President. Soon afterwards, results show that Tom Dobbs has indeed won the Presidential race, beating out Kellogg and Mills. Dobbs is extremely shocked – like the rest of the world. While Dobbs and his crew move from shock to celebration, Eleanor remains unconvinced. She considers revealing the computer error to the public but is attacked in her home by Delacroy agents and injected with a cocktail of drugs. Upon going to work, she behaves extremely erratically and is hospitalized for drug abuse. The company uses this as a pretext to fire her. While recovering in the hospital, she realizes that very few people would believe her story but decides that if nothing else, she must tell Dobbs.
Though still suffering from the aftereffects of the drugs in her system, Eleanor eventually makes her way to Jack Menken's birthday party. There, she unconvincingly impersonates an FBI agent but manages to catch Dobbs' eye; the two dance through the evening and Dobbs gives her his telephone number. Eleanor cannot bring herself to tell Dobbs that he is not really the President-Elect. Later, Dobbs tries to get back in contact with Eleanor by calling Delacroy. This immediately raises the suspicions of Delacroy's leaders, and they redouble their efforts to silence Eleanor. Eleanor calls Dobbs, and he whisks her off to a paintball fight, followed by Thanksgiving dinner. At dinner, she finally gets him alone to tell him that the elections were a fraud, then leaves. Dobbs wrestles with the idea that he should not have been elected as President and finally decides to break Eleanor's news to the public in a major speech. Delacroy pre-empts his announcement with one of their own, stating that Eleanor was caught attempting to throw the election for Dobbs, but that her efforts had no impact on the polls. Eleanor becomes increasingly fearful for her safety, a feeling that is soon justified as Delacroy agents break into the hotel room where she is staying and confiscate her computer, which contained the only evidence she had.
Desperate, Eleanor first flees to a mall, where she is found by a Delacroy agent but escapes. She then drives to find a pay phone so that she can call Dobbs for help. She manages to reach him but is not able to communicate anything before the Delacroy agent's truck crashes into the phone booth on purpose; she escapes just before the collision but is injured and hospitalized a second time. Dobbs goes to the scene and, though he cannot understand what she is trying to say, is convinced that she was telling the truth about the election. During the Weekend Update segment of the sketch comedy TV show Saturday Night Live, he finally announces to the public that the elections were flawed and that he should not be President. Dobbs declines to accept victory in a phony election, and another election is held with Dobbs choosing not to participate. President Kellogg wins another term, though, perhaps chastened by the Dobbs phenomenon, is much more sensitive to the populace as a whole rather than the special interests, and Dobbs returns to his career as a talk show host, with Eleanor at his side as his producer and wife. The Delacroy executives are convicted of fraud. The last seconds of the film shows a mock TIME magazine cover with Dobbs chosen as Person of the Year.
82_28 » Mon Aug 11, 2014 7:20 pm wrote:The last guy I would ever detect suicidal tendencies. Wow. Just found out.
Asta » Mon Aug 11, 2014 9:31 pm wrote:Humans like Robin Williams are so sensitive, they protect themselves with humor. At some point they can't take it anymore. I totally identify with Mr. Williams, but unlike him, I keep fighting to save my identity and soul. I am the same age as him. It gets very weary at times to continue on with all the bull shit in this world.
I am in tears writing this, because I really loved that man and his humor, and this world has lost a really wonderful, brilliant mind. May he find peace now and see how much he was truly loved by so many. I will miss his wit and intelligence.
8bitagent » Mon Aug 11, 2014 11:00 pm wrote:82_28 » Mon Aug 11, 2014 7:20 pm wrote:The last guy I would ever detect suicidal tendencies. Wow. Just found out.
My absolute, absolute favorite actor since I saw Popeye in the early 80's. So many special, strange movies. Got to meet and talk with him about 20 minutes in 2002, strangely calm guy behind the scenes.
Now my #2 favorite actor, and Ive been saying this since 2002, was Philip Seymour Hoffman. Also passed this year. I can't think of any actors right now that come close to the magic I felt when they were on screen...
Worldwide heroine supply has been on the rise since 2001 when the US invaded Afghanistan and allowed the production of the opium fields to resume. According to the New York Times, Afghanistan “accounted for 75 percent of the world’s heroin supply” in 2012 and was expected by UN officials to reach 90 percent by the end of 2013. Heroin production had been illegal in the country in the year prior to the US invasion. As a result of the booming supply, the drug is cheap, selling for as little as $4 a package, according to The New York Daily News.
There's a Suicide Crisis in America
By Stephen Marche
Two years ago, suicide became the leading cause of death by injury in America, surpassing car accidents for the first time. And the major reason for that change was a cohort shift: Men and women between the ages of 35 and 64 are increasingly committing suicide. The latest addition to these statistics is Robin Williams.
Since nothing ever happens in America until it happens to a celebrity, perhaps this will be the moment when we notice that we're living in the middle of a suicide crisis, and a suicide crisis that particularly affects middle-aged men.
Four years ago, there were 38,364 suicides compared with 33,687 deaths by car accident. In a sense, those numbers would not be so worrying if their acceleration were not so marked.
The group that has shown the highest increase in suicide rates is middle-aged men and women, for whom the number of suicides has risen by a horrifying 28.4 percent in a mere decade. The sharpest increase has been among men in their fifties, for whom the number has risen nearly 50 percent since 1999. Now nearly 30 per 100,000 American men in their fifties kill themselves. Suicides are increasing across the board, from college students to the elderly, but the increases for the middle-aged are shocking.
The reasons for this rise are unknown. The increased availability of prescription drugs may play some role. Suicide by poisoning was an increasingly common method. There have never been more guns in America and gun ownership also correlates to an increase in suicide. There has also been the brutality of the recession and the new reality of people in middle age taking care of elderly parents while they're also taking care of young children.
Obviously, economic pressures are the most compelling reason. Suicides increase dramatically during recessions. They increased during the Great Depression and during the Asian financial crisis. Across Europe, suicides increased by 3.3 percent after the crash. There have been significant increases in suicides for men across the world, at over 10 percent for the European Union countries. But not a 50 percent jump as for men between 50 and 59 in America.
But the more substantial (and more complicated and disturbing) answer may be cultural. Suicide is not connected to religious values or to traditional family structures. But suicide is one of the most media-sensitive of phenomena.
"The Werther Effect," as it is known in social science, explains how and why people emulate suicides when they read descriptions of them. The phrase derives from the wave of suicides that followed the publication of Goethe's novel The Sorrows of Young Werther in 1774, but the phenomenon remains in effect today. When Austria controlled the publication of the details of subway suicides in newspapers and on television in 1987, for example, the number of suicides and suicide attempts decreased 80 percent in six months.
More prevalent suicide in media, the studies say, does lead to more suicide in real life.
The suicides of cultural figures—and God it feels like there have been far too many this year, and the best people, too—are only a symptom. Individuals decide to take their lives for many complex reasons. But more so now than ever, those decisions emerge out of our culture. We live, as has been well-established, in an increasingly lonely, increasingly depressed world.
The number of children officially qualifying as "disabled by mental disorders" has increased 35 times between 1987 and 2007. It should come as no surprise that the most common way a life ends violently today is by choice. And that fact has very suddenly emerged only in the past 10 years. Depression is increasing markedly, while the stigma against depression remains in effect. One of them has to give, because in combination they kill tens of thousands.
What does it mean? What do we do about it? Every now and then, I read a backlash-to-the-backlash-style essay which basically runs like this: The idea that we are living in extraordinary times is wrong. There has always been technological change. There have always been recessions. ...And so on. But for the generational cohort to which Robin Williams belonged, in which suicide has been growing by 28 percent, the growth of suicide is not historically or in any other way the norm. That is the trend—the real trend, the indisputable trend—that we need to figure out most urgently.
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