
LilyPat
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LilyPatToo wrote:Thank's for the Cypher suggestion, justdrew--it sounds as though it's right up my dark, crime-ridden c'punk alley. And Lucy Liu tooAnother addition to my NetFlix list, for sure. The only way a person is likely to find out about movies like this is in a thread like this, it seems. So many really interesting themes are explored in films that most of us never hear of at all.
8bitagent, when you mentioned the wonderful The Contstant Gardener above, that elusive memory FINALLY popped into my mind, because it starred Ralph Fiennes too. It's called Strange Days and here's its IMDb plot summary. (what a relief! I feel like a cat that's taken 24 hours to cough up a particularly stubborn hairball)
LilyPat
LilyPatToo wrote:Wow--thank you! After wracking what's left of my memory for more titles, it belatedly occurred to me to Google "cyberpunk movies list" and look what popped up -- CyberpunkReview.com's list of c'punk movies by decade and each one links to a review![]()
I've never even heard of many of these--my NetFlix queue is going to enter epic territory
And BTW, a big thank you to Code Unknown for beginning this thread. It's difficult for me to find science fiction fen around here who are still enthralled by cyberpunk and will suggest movie titles. It's like it's somehow become passé...WTF?!
Even at the great Other Change of Hobbitt Bookstore in Berkeley (where we've known the owners for a quarter of a century), when I ask for suggestions for cyberpunk fiction, they just send me to the classic ones that I already own and have been rereading for years and years. Why IS that?! Is no one writing it in novel form anymore? Are screenplays the only living form of the subgenre?
LilyPat
8bitagent wrote:Now a LOT of "cyberpunk" from the 80's 90's and 2000's *is* quite cheesey. But there's a lot of good ones.
Adapted from “Simulacron-3,” a 1964 novel by Daniel F. Galouye, “World on a Wire” revolves around a cybernetics corporation that has created a miniature world populated with “identity units” unaware that they are being controlled from above. Toggling between dimensions, a researcher (Klaus Lowitsch) learns that what he has always known as the real world may itself be a simulation. This is the brand of existential horror that Philip K. Dick perfected (notably in “Time Out of Joint”) but that took off cinematically only in the late ’90s, in a subgenre that the writer Joshua Clover, in his book on “The Matrix,” terms “edge of the construct.” (Among the other movies in this cluster are “The Truman Show” and “The Thirteenth Floor,” another adaptation of “Simulacron-3,” for which Mr. Ballhaus was an executive producer.)
I think of CyberPunk and all those pen and paper campaigns from my youth.
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