Re: #OCCUPYWALLSTREET campaign - September 17
Posted: Mon Dec 12, 2011 7:01 pm
What you don't know can't hurt them.
https://www.rigorousintuition.ca/board2/
https://www.rigorousintuition.ca/board2/viewtopic.php?t=32630
Occupy Seattle
BREAKING NEWS
Terminal 18 at the Port of Seattle, owned by Goldman Sachs, is occupied. No more profit today
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Boots Riley
Ports update: Oakland shutdown. Vancouver shut down. Portland shut down. Longview shut down. LA/LB partially shut. SD: arrests.























A Largely Peaceful Police State
Sunday, December 11, 2011
NPR Check
On November 30th the LAPD cleared out the LA Occupy encampment with a massive police action that was hailed in most mainstream media outlets as being peaceful and well-conducted. Being a defiantly mainstream media organization - NPR jumped on the bandwagon of LAPD-love with two features on its November 30 Morning Edition.
One involved Renee Montagne interviewing Frank Stoltze a reporter at NPR affiliate KPCC. Stoltze described "a massive police operation" that was "a largely peaceful operation" and commented that the protestors were "quite well-disciplined." Stoltze also claimed that the police action was due to "concerns about public safety' and because "there was some drug use going on." At that point Montagne interrupted him to say "And drug dealing, I mean there were some stories of you know, you know homeless encampments that had encroached on the encampment." [Of course "some stories" is all the evidence Montagne produces to substantiate such a provocative claim].
The second story featured Inskeep interviewing Frank Stotlze who explained that "in the end there was very little force used...in part because this is a new LAPD." The interview covered much of the same material as the Renee Montagne piece.
BUT there were a few little problems with this Police State Theater propaganda from LA:
First, the coverage of the raid was restricted to 12 members of a media septic tank pool. Like the restrictive media pools of the US military these "pools" are meant to tightly control access to what is actually happening and to favorably tilt coverage toward those who set up the pool and grant/deny access to this "pool" - in this case the LAPD. You would think, just the very concept of the police media pool would raise journalistic concerns - unless your news organization is tiltled toward spinning press coverage in favor of police actions against dissidents.
Second, and most important, a lot of rough and very ugly police behavior occurred outside the coverage perimeter that the media pool had access to, and to those who were arrested once they were out of the range of media pool coverage. Ruth Folwer of Occupy LA reported on police "kettling," rough tactics, and arbitrary arrests that occurred on side streets around the main occupy crackdown. Lisa Derrick documented police use of "non lethal" weapons on non-violent, non-resistant LA protesters. The LA Weekly blog noted the brutal police attack on photojournalist, Tyson Heder. Patrick Meighan, one of the writers for the popular FOX cartoon, Family Guy, has posted a very detailed description of his first hand experience of the rough treatment meted out to those arrested at Occupy LA. A very similar picture emerged from Exiled editor, Yasha Levine's description of his treatment by the LAPD. The Brad Blog gathered evidence of both the deplorable conditions endured by arrestees and the use of police violence against protesters during that "largely peaceful operation" by the "new LAPD" that NPR's Frank Stoltze was so impressed with.
Any organization that claims to be doing journalism would recognize that it has a duty and responsibility to revisit a story/s which future events and facts have shown was so distorted, truncated, and false. It's bad enough that NPR considers it acceptable to adopt the servile role of reporting from a police-picked/ police approved "pool" - but even more disturbing is its utter lack of follow-up in correcting the misinformation conveyed in that report. Given that we are talking about NPR (which has a fondness for jack-booted police tactics and for the expanded powers of the surveillance state) it really is no surprise at all that NPR has purposely ignored the evidence that their two main feature stories on the police action against Occupy LA were nothing but pro-police propaganda filled with inaccuracies and spin.
If you want to get a sense of the "objective" and "unbiased" attitudes of the so-called journalists who work for NPR and its affiliates listen first to the Steve Inskeep interview story I mentioned above and hear the derision in Inskeep voice as he sneers "OK, so the tree fort is on its way out." [this link has great images and descriptions of that "peaceful" action.] Even more disturbing is KPCC's John Rabe's editorializing as he interviews pool reporter and colleague Frank Stolze and says [at about the halfway point of the interview]:
"There were a lot of protesters who were saying [Rabe imitates them with snarky intonation] 'This is what a police state looks like.' And it's not what a police state looks like. They may not like the lines of cops, but nobody was shot down like in say Syria, Egypt, Libya - these are police states; I don't think that helps the Occupy LA's cause by having people shouting dumb stuff like that."
In contrast to media coverage yesterday:Longshoremen are refusing to cross our picket line to enter the terminal.
Seattle PI:All of the truck drivers encountered were incredibly supportive, despite the delays. They understood we were fighting for their right to a fair wage. Currently they are paid at a level slightly above fast food workers, despite serving as the lifeblood of America's physical economy.
...
The makeshift barricade, at Klickitat Avenue Southwest and Southwest Spokane Street in the shadow of the West Seattle Bridge, was the sight of the only major confrontation between police and protesters. Police officers on bicycles and on horseback moved in and pushed the crowd out of the street. Officers tossed two or three loud smoke bombs into the crowd, which caused people to scatter and wafted a throat-stinging irritant into the air.
Police said protesters threw flares, paint and rebar. One officer was hurt after being struck with paint. A seattlepi.com reporter witnessed one burning flare lobbed at police during the confrontation, as officers ordered the protesters to move and began wading into the crowd.
Hundreds of people had marched from downtown to the Port of Seattle and targeted Terminal 18, which is operated by SSA Marine, a company largely owned by international bank Goldman Sachs, organizers said. Protesters swarmed around one entrance at 3:15 p.m. and blocked it, clogging the road to the port and lower Spokane Street bridge with tractor-trailers and cars.
...
(some great photos here)
Read more: http://www.seattlepi.com/local/transpor ... z1gRTydsRJ
On edit: holy hip dysplasia, that was a long walk yesterday!http://www.rawstory.com/rs/2011/12/12/p ... k.facebook
Port truck drivers thank ‘Occupy Wall Street’ protesters
Wow...As of about 1:00 a.m., the police had begun to push protesters out of the park and dismantle the set. "NYPD does not respect Law And Order," the crowd chanted cheekily. At one point, an occupier asked an officer, "Are these real barricades, or a set piece?"
Within about an hour police had cleared out the protesters, which was less time than it took clear the real Zuccotti, but probably more than they'd need on a TV show. "You guys just cleared a fake Zuccotti Park," the tweeter @NewYorkist told a police officer, who countered that they'd done no such thing: "We didn't clear a fake Zuccotti," he insisted. "They're taking the set down."

YES. Fucking brilliant. How many permits can The People be issued for an extended film shoot at Zucotti and/or Wall St. itself simultaneously? There are certainly enough cameras. If everybody's a film crew... Maybe all they need is an incorporated production company, ID badges, director's chairs, some lights, a box truck full of grip equipment, and a lot of power cables snaked around properly. Oh, and a jib arm, just to drive the point home. Put that fucker on the livestream.A few minutes later, the occupiers regrouped on a nearby set of steps for an impromptu general assembly. "This is beautiful, and this points out to us a more clever way to fight the struggle," someone said, echoed by the people's mic.
Can some of that overflowing occupation coffer go towards hiring whatever quantity of NYPD detail is required in order to operate such a large, exterior, downtown location for an extended period of principal photography?The Mayor’s Office of Film, Theatre and Broadcasting now accepts permit applications online at https://nyceventpermits.nyc.gov/film/. Productions will have the ability to apply for new project accounts and submit their location requests from any computer with internet access. Productions must submit their applications at least 48 business hours in advance to ensure that permits are processed and that all parking requests are granted.
NYC Mayor's Office of Film, Theater and Broadcasting wrote:Q. When do I need police assistance on a set?
A. You will need police assistance if your shoot involves any interruption of traffic, stunts, weapons or if your actors are wearing NYPD, NYFD, EMT or other costumes resembling uniformed services personnel in New York City.
Q. How do I get police assistance?
A. If you need police assistance, please contact MOFTB, 212-489-6710 and we will direct you to a TCD officer who can further assist you with your shoot.

The Commanding Office of the NYPD Movie & TV Unit wrote:The NYPD Movie/TV Unit was founded along with the Mayor’s Office of Film, Theatre and Broadcasting in 1966. In the four decades since, the Unit has worked in concert with the MOFTB to successfully balance the needs of New Yorkers and the production industry, facilitating the production of tens of thousands of films, television shows, commercials, music videos and still photography shoots across the City. When projects shoot at an exterior location which requires traffic control, or has a scene with prop firearms, weapons or actors in police uniforms, members of the Unit are assigned -- at no cost -- to be on set.


TIME's Person of the Year: The Protester
A year after a Tunisian fruit vendor set himself ablaze, dissent has spread across the Middle East, to Europe and the US, reshaping global politics and redefining people power.
'Mohammed suffered a lot. he worked hard. But when he set fire to himself, it wasn't about his scales being confiscated. It was about his dignity.'
—Mannoubia Bouazizi, Tunisia
Photograph by Peter Hapak for TIME
http://www.time.com/time/specials/packa ... %2C00.html