professorpan wrote:This Jerry Lewis movie, 'The Patsy,' was filmed from January 6–February 28 1964, a mere six weeks after Lee Harvey Oswald claimed to reporters that this was all he was.
.....
If you knew anything about film production (and you've proved, again and again, that you haven't a clue) you'd realize that any film which began shooting "a mere six weeks after" Oswald's use of the word "patsy," was written FAR in advance of the actual shoot.
Much of it WAS written far in advance and simply adapted, scenes added, and named with the Keyword as the final product, a common process for movies.... I already lined out the history of this film in another thread. I'll find it.
Peter Lorre looks truly pained to be in this movie for six year-old kids.
He walks through it as though he's obligated but hates it.
If the State Department's rep office in Hollywood is tasked with throwing together some pscho-pamphlet for the nation's kids after Our Great Loss of the National Father During Time of War to function as a way to safely channel American kid's normal traumatic reaction to violent loss away from becoming a very dangerous negative attitude about shooting people in the head as an economic system....
...and channel INSTEAD towards 'getting back in the game' and soldiering bravely on with the help of experts pulling together behind a New Likeable Father Validated by Your Giggles........then you'd go to the
biggest box office draw for kids at that time, Jerry Lewis, and you (the State Department rep tasked with etc.) would go to a buncha actors and appeal for participation in a combination mental health pamphlet/sympathy card to the nation's kids, and just like a hospital visit, a traditional 'angel of mercy' public service image actors have done for ages with the government, the actors pitch in by appearing in something they otherwise wouldn't touch for any reason, a Jerry Lewis film for six year-olds.
All the signs... of a post-11/22/63 request by the USG (which had State/ CIA moles in Hollywood calling shots since really WWII when OWI did it) to
some name actors to cluster in this top box office draw for America's kids (Lewis' status at the time) as a 'there there'
comforting device... are there-
>heavy emphasis on
the female figure who reassures child-like Jerry Lewis and
>dances with him in
Jackie Kennedy's pink outfit from Dealey Plaza in a dream sequence over
a bullseye-like figure on a school gym floor.
You have to see it to believe it. When I saw it existed I ran out and bought it and watched with amazement.
Just like Lewis' most controversial production, 'The Day the Clown Cried' about Auschwitz which looks like a psy-ops script pawned off on Lewis in the scary-for-the-Gehlen-org early 1960s which was then not deployed but wouldn't die and was then briefly revived in 1971 when columnist Jack Anderson and others were outing Nixon's Nazis in the GOP heritage groups. Lewis was frustrated to yet again find the rug pulled out from under him when the financial support fizzled but Lewis finished it anyway and nearly killed himself with exhaustion on the process. Yet again he was used as a pawn.
Actors are just paid pawns in productions they have no idea are
statist propaganda with nested keywords, memes, values and beliefs. Some of them are complicit, like John Wayne and Tom Hanks and Charleton Heston and Ahnuld and Reagan.
But mostly not. For instance, Robert Vaughn, even while he starred in the mock-James Bond tv show, 'The Man From U.N.C.L.E. which equated the CIA with a policing unit of the United Nations (which had to hire employees to deal with the public's belief it was real).... was one of Hollywood's most out-spoken liberals ala Sean Penn and he was friends with and an inner-circle organizer for Senator Robert Kennedy's presidential run.
After RFK was killed, Vaughn came to hate his TV role and couldn't stomach the violent scenes anymore even as he continued to do them.
Perhaps due to Vaughn's public association with RFK, the U.N.C.L.E show went off the air in 1968.
This highlights the disconnect an actor can have from the show he's in and what it takes to change one's working gig in the Hollywood economy of mock-human trafficking.
The show boat is boarding and no actors like to be left behind when they have a ticket for a luxury class cabin.
So pan's effort to focus on pawns to induce disbelief is, well, misdirection and distortion.
Jerry Lewis wrote and directed the film, so he would have had to have foreknowledge of the assassination and Oswald's role, and would have been complicit.
Your strawmen are regular visiters to this topic. Nice try, nope.
I've already gone into the film in a previous thread in great detail.
If you knew anything about the opportunistic use of existing products and the inject points for adapting the product on the way to delivery, you'd understand spook media but you've "proved, again and again, that you haven't a clue."
If you've seen the film, it is rediculously simple and was a sequel to a previous box-office smash that looks like it had some scenes added and the title tacked on. It would make sense for
FEMA plans ala REX84
regarding 'national security events' to include a USG film psy-ops contigency plan for certain possible national events, like loss of leader, and would have already thought of
useful devices easily deployed in existing films, like a dream scene. Going in and out of it helps sequence having and loss in a comfortable artsy haze and can be slapped into 'bout anything as
a tension-releasing cathartic narrative journey.Like the dream scene where 'the Patsy' dances with a woman who is always reassuring him (after a death shared by the unusually large group of guest name actors) and she is dressed in almost the same pink outfit Mrs. Kennedy famously wore at Dealey Plaza complete with hat substitute to keep it subliminal.
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