Okay. I am now back in the conventional space-time continuum.
What are our parameters here on the interplanetary art thread?
I'm now in the middle of an intensive unscheduled course of Total Bowie Immersion, for which I totally blame you. Although I have taken that course electively a number of times over the years, and don't doubt that if you had not triggered it, sooner or later something else would have. I've also had Kubrick on my mind, actually, because I felt his spirit in so much of
There Will Be Blood, and...I'm not cinephiliac enough to notice the allusions one movie is making to another movie, typically, unless they're really there. So I feel fairly confident in saying it had some conscious allusions to Kubrick.
But only fairly. After seeing it, I went to see if the internet could enlighten me on the matter, and was surprised that there was quite a bit of discussion board consensus that the ending was an obvious reference to
A Clockwork Orange. Mostly because I had thought the ending was an obvious reference to
2001. And you can't get more interplanetary than that, so for the purposes of this thread, I am going to continue thinking it.
Those Saturn sounds were very trippy. It was like listening to God playing the theramin. Or maybe like waking up to find a day that broke up your mind and destroyed your notion of circular time. On the basis of the loose association that provides, I am going to posit the provisional premise that all interplanetary art is at least in part an exploration of whether the eye in the sky is evil or beneficent. I'm not sure I believe in it, but it's a starting point. Also an excuse to shove this onto the syllabus:
http://www.youtube.com/watch?v=XDm3qoDaGo8
Hey! The fan whose hands the devil engaged in idly putting together the video for the album track did me the favor of putting a planet image in there. Thanks, idle fan!
And, although there is almost certainly an earlier reference somewhere, I always think of this as the official opening theme for the All-American cheery, brisk All-American futurism part of the contemporary space age in popular culture. So I'm adding it.
http://www.youtube.com/watch?v=FOIIaGoGqHY
Hm. I've loved that song long, but never given it a moment's thought until just now. I guess the Tornadoes are counting on the Hollywood Western git-along, hee-ya, whip-crackin' rhythm to evoke "frontier," but listening to it in the here and now, it's a little eerie how much the rest of it sounds like their main influences were music-hall organ-via-Michael-Penn (via-the-Beatles) marries to the as-yet unheard the sounds of Saturn. Wormholes. The only explanation.
And, of course:
http://www.youtube.com/watch?v=D67kmFzSh_o
and:
http://www.youtube.com/watch?v=uhSYbRiYwTY
Wow. I wonder what prompted the pre-lapsarian playfulness to evaporate so totally in such a short amount of time. Though it's nice to see the mime training get a little work out in the first one. But seriously. The arorangement changes, and that's really all that does, except EVERYTHING.
I can't remember what commercial used the familiar version -- I think maybe Schweppes Ginger Ale -- but I do remember thinking: Why are they advertising their soda-pop with a song that could not be more drenched in suicidality and alienation? My point being: The first and original rendition doesn't have that vibe at all. The reverse, I'd say.
I'd also like to note for the record that in about a year "Space Oddity" will have been in a dead heat with "Satisfaction" for: Best song by a British artist of the '60s that refers to men's shirts in a commercial context for three decades. If it's still undecided in 2019, I say they have to go into sudden death overtime. Which used to be called suicide overtime, although I haven't heard that used in a long, long while.
I have one more Bowie entry that I think is essential. But I'll save it for later, and toss this into the mix:
http://www.youtube.com/watch?v=mSNvdLpLx-0
Because it naturally leads to this:
http://www.youtube.com/watch?v=I_ifm_Vg5uY
And that's what I hope my interplanetary travel feels like, if I ever do any.
I actually saw them on that tour. At the Spectrum, in Philly. Because that's just how tragically old I am.