justdrew, hang in there--the pay-off comes in the pivotal episode I just (finally!) got to watch yesterday--
Man on the Street 
At long last, I felt as if I was watching a Joss Whedon show--fast and clever and no more like Standard American Dreck TV than a cheap rattletrap subcompact car is like a Lamborghini.
And yes, I've been reading SF since I could read, with post-apocalyptic and, lately, cyberpunk being my favorite subgenres. Thanks so much for the heads up about
Stand on Zannzibar--that's one I don't think I've read (though it may just be my aging memory failing me--wouldn't be the first time!). And no, I've never heard of the 2 books you name last above...I take it they're relevant?
Re: Joss Whedon's use of this subject (MC) as a framework for his
Dollhouse stories--I tend to give him the benefit of the doubt, simply based on his track record. And the sympathetic way in which he presented a mind control program survivor in
Firefly and
Serenity also failed to set off warning bells for me re: exploitation or psy-ops dissemination of disinfo (though I'm fairly sure Hugh and others here would disagree with me). I was left with the impression that he was making a genuine effort to expose the US public to the idea of MC and to make it mercilessly clear that the people who do this are terrifying sociopaths.
OTOH, when I saw the pilot of
United States of Tara, it left a very bad taste in my mouth.
Being a multiple myself who's been messed with by people who appeared to have knowledge that emanated from MKULTRA-era government mind control programs (and who possibly were actually part of one or more of them), I'm
very mistrustful of US media portrayals of victims. But I also constantly question my own (possibly compromised) ability to discern between accurate information and cleverly-spun disinfo.
So when I saw the first episodes' typical prime time TV lameness, I was terribly disappointed and wary myself. And perhaps that's a rational response, if you know anything about mass media disinfo ops. But I strongly encourage you to take into account the difficulties with Fox that Whedon had and the necessity to allow them to really fuck with his story line in order to get the show onto the air at all. If you read the interviews with him, you'll hear him say as much (though much more diplomatically!) and warn real fans to reserve judgement until the episodes that finally present his original ideas for the series.
It's worth the wait, believe me.
LilyPat