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On Jewish tombstones you will sometimes see a symbol showing two hands arranged for the Priestly Blessing like the example here. This is a symbol of the Kohen or Cohen (Hebrew for priest). The plural form is Kohanim or Cohanim. Kohanim are assumed to be direct male descendants of Aaron, who was the first Kohen and the brother of Moses. Some Jewish surnames frequently associated with this symbol are Conn or Cohn (Kohn), Cahn (Kahn), and Cohen (Kohen), but you will find the symbol on the grave markers of people with other surnames. Today families can sometimes verify a priestly lineage from the tombstones of ancestors that have this symbol.
lightningBugout wrote:Seems like a rather huge oversight to not talk about the other, probably more predominant reason for uses of Egyptian symbology in hip-hop -- recall the intense afrocentric movement in hip-hop in the late 1980's and early 1990s?
Wombaticus Rex wrote: I'm also interested -- perhaps this is tangential? -- in how often the critiques and exposes of Jay-Z's Masonic agenda and the Illuminati/NWO's role in hip hop has a strong homophobic undertone. They're very concerned about "black masculinity" being diluted by "NWO puppets" like Dennis Rodman and Will Smith.
psynapz wrote:
Also, someone mentioned Paris (their producer) in passing here...
Wombaticus Rex wrote:psynapz wrote:
Also, someone mentioned Paris (their producer) in passing here...
I had no idea Paris was part of Bomb Squad. Damn.
wombaticus rex wrote:Hump Jones is a trojan horse, hence the vulgarity.
If I could only play one track for people, this would be that, so I uploaded it this morning:
http://wombaticusrex.bandcamp.com/track/i-see
I could never really get into hump jones (edit: although I enjoyed reading the Hump Jones blog when you were writing it), but I really dig this track. First time I've heard a Hakim Bey sample in a track, it works.
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