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Mumbo Jumbo
Mumbo Jumbo is a 1972 novel by African-American author Ishmael Reed. Literary critic Harold Bloom cited the novel as one of the 500 most important books in the Western canon.
Text
Set in 1920s New York City, the novel depicts the struggles of "The Wallflower Order," an international conspiracy dedicated to monotheism and control, against the "Jes Grew" virus, a personification of ragtime, jazz, polytheism, and freedom. The Wallflower Order is said to work in concert with the Knights Templar Order to prevent people from dancing, to end the dance crazes spreading among black people (who are referred to in the novel as "Jes Grew Carriers" or "J.G.C.s").
Historical, social, and political events mingle freely with fictional inventions. The United States' occupation of Haiti, attempts by whites to suppress jazz music, and the widespread belief that president Warren Harding had black ancestry are mingled with a plot in which the novel's hero, an elderly Harlem houngan named PaPa LaBas, searches for a mysterious book that has disappeared with black militant Abdul Sufi Hamid (whose name reflects that of the Harlem streetcorner radical preacher Sufi Abdul Hamid, a.k.a Eugene Brown, an early black convert to Islam), as a group of radicals plans to return museum treasures looted from ancient Egypt to Africa, and the Atonists within the Wallflower Order are trying to locate and train the perfect "Talking Android," a black man who will renounce African American culture in favor of European American culture. One of the supporting characters, an ally of Papa La Bas, is Black Herman (Bejamin Rucker, 1892-1934), an actual African-American stage magician and root doctor. Another touch of realism is the inclusion of a mysterious ocean liner that is part of the Black Star Line, a shipping line incorporated by Marcus Garvey, who organized the United Negro Improvement Association. Portions of the action take place at the "Villa Lewaro" mansion built by Madame C. J. Walker overlooking the Hudson River and at the Harlem townhouse of her daughter A'Lelia Walker, known as "The Dark Tower", located at 136th Street near Lenox Avenue. Other famous people who appear in the novel include the dance instructor Irene Castle, and the Harlem renaissance authors James Weldon Johnson, Claude McKay, Wallace Thurman, Countee Cullen, W. E. B. DuBois, and a veiled reference to Malcolm X.
Background
Mumbo Jumbo draws freely on conspiracy theory, hoodoo, and voodoo traditions, as well as the Afrocentric theories of Garvey and the occult author Henri Gamache, especially Gamache's theory that the Biblical prophet Moses was black. The book's title is explained by a quote from the first edition of the American Heritage Dictionary deriving the phrase from Mandingo mā-mā-gyo-mbō meaning a "magician who makes the troubled spirits of ancestors go away."
MUMBO JUMBO by Ishmael Reed
Duke Ellington writes in his libretto to “The Drum is a Woman:”
Rhythm came from Africa to America.
Do you know what it does to you?
Exactly what it’s supposed to do.
The narrative of Mumbo Jumbo concerns itself with the ‘Jes Grew plague’ that sweeps the nation, putting the roar into the ‘Roaring 20’s,’ that giddy time when all the buttoned-up conceptions of the staid pre-war Western World came undone all at once, with a soundtrack of Ragtime. When asked about the origins of the sudden explosion of Ragtime music and dance, an unnamed witness shrugged and said “It jes grew!”
“The Jes Grew epidemic was unlike physical plagues. Actually Jes Grew was an anti-plague. Some plagues caused the body to waste away; Jes Grew enlivened the host. Other plagues were accompanied by bad air (malaria). Jes Grew victims said that the air was as clear as they had ever seen it and that there was the aroma of roses and perfumes which had never before enticed their nostrils. Some plagues arise from decomposing animals, but Jes Grew is electric as life and is characterized by ebullience and ecstasy. Terrible plagues were due to the wrath of God; but Jes Grew is the delight of the gods.” (6)
Needless to say, this alarming outbreak had to be put down, and quick. The forces of decency and sobriety and ‘Western Civilization’ turn to the Knights Templar to lead the covert countercharge. PaPa LaBas, a Harlem Houngan Voodoo Priest and proprietor of the Mumbo Jumbo Cathedral, foils them at every step. The protracted occupationn of Haiti by the U.S. during this period also plays an important part in the story.
At the surface of the narrative is a fast-paced comic thriller. But at its center is a brilliant and mischievous retelling of the suppression of humankind’s seed spiritual tradition from Africa, and the irony that slavery brought that sleeping serpent across the ocean and awakened her in new and surprising ways.
Ishmael Reed and the Psychic Epidemic
June 19, 2011
“In times of social turblulence men like you abandon reason
and fall back on Mumbo Jumbo.”
“I was there,” PaPa LaBas declares, “a private eye practicing in my Neo-HooDoo therapy center named by my critics Mumbo Jumbo Kathedral….I was a jacklegged detective of the metaphysical who was on the case, and in 1920 there was a crucial case.”
Published in 1972, Ishmael Reed’s novel Mumbo Jumbo triangulates between New Orleans, New York City, and Haiti, with a long excursion into the mythology and history of ancient Egypt. Reed (born in 1938) takes aim at white cultural superiority and white cultural entitlement. As the novel opens, a “psychic epidemic” called Jes Grew is sweeping through the American South, headed toward New York. Originally a reference to the ragtime music of Scott Joplin and others (music that “jes’ grew”), Reed’s Jes Grew is an umbrella for all types of African-based art, including jazz, blues, and popular dances like the Cakewalk, along with the work of black painters and black writers.
Jes Grew, the Something or Other that led Charlie Parker to scale the Everests of the Chord. Riff fly skid dip soar and gave his Alto Godspeed. Jes Grew that touched John Coltrane’s Tenor; that tinged the voice of Otis Redding…
At the risk of gravely oversimplifying matters, Mumbo Jumbo is cast as an eternal struggle between Apollonian and Dionysian forces, between the empirical and the occult. It posits a lifeless, fearful white culture, based upon “the Classics, the achievements of mankind which began in Greece,” ruthlessly dominating a vibrant and sensual black culture originating in the northern Africa of ancient Egypt. In one of the book’s more amusing digressions, a small group of devotees make plans to liberate all non-Western art from American and European museums and repatriate the objects to their original countries. (The Metropolitan Museum of Art is referred to as the Center for Art Detention because of all the non-white art held in captivity there.) But just as Jes Grew threatens to overtake New York and the entire nation in with its contagious rhythm, a mysterious group called the Wallflower Order, descended from the Knights Templar, arises to defend white civilization against “the black tide of mud,” as Freud called such occultism.
Unfortunately, Jes Grew is lacking the one element required for its continued survival: a crucial text written in ancient Egypt, handed down through the ages, and now missing. PaPa LaBas’ job is to find this Text before Jes Grew is once again suppressed by the white man. His Grail-like search ultimately points to the Text being hidden beneath the dance floor of Harlem’s famous Cotton Club, but by the end of the novel we learn that the Text has been maliciously burned by its last owner.
Is this the end of Jes Grew?
Jes Grew has no end and no beginning. It even precedes that little ball that exploded 1000000000s of years ago and led to what we are now. Jes Grew may even have caused the ball to explode. We will miss it for a while but it will come back, and when it returns we will see that it never left. You see, life will never end; there really is no end to life, if anything goes it will be death. Jes Grew is life.
George Herriman, frame from Krazy Kat
What’s mine is mine, now give me yours: how the American mindset fuels the illegal organ trade
FEBRUARY 5, 2010 BY EMLUND
In “Life for Sale”, an aptly named seminar on bioethical issues, we’re discussing the illegal trade of human organs. Recently we read an article from the Journal of Human Rights written by Nancy Scheper-Hughes, a medical anthropology professor at UC Berkley. In her article “Rotten trade: millennial capitalism, human values and global justice in organ trafficking” she cited several modern trends that have converged to cause the unprecedented growth of the illegal organ trade. Recent improvements in communication and transplant technologies (most notably the anti-rejection drug, Cyclosporin) have allowed for the success of a globalized tissue-based economy. Illegal organ-traffickers, generally nicknamed the “body mafia”, have jumped at the chance to profit from the desperate demand for viable organs. Business is booming. Capitalist entrepreneurialism has succeeded in commodifying body parts in a highly lucrative fashion, but the operation has unacceptable ethical ramifications.
The insufficient supply of organs in America, in addition to the shocking cost of legally obtained organs (roughly $200,000) has forced many Americans to look elsewhere. On the black market, a kidney or partial-liver transplant are available for a fraction of the cost. But where do these life-saving organs come from? They come from people living in a level of poverty which is utterly unimaginable to Western minds. Out of desperation, these people agree to sell their organs for a nominal cost (from the Western view), but often times they never see a dime of it. This exploitation is possible because their stories are seldom told and even more rarely cared about.
Luckily for Americans who need a cheap(er) kidney, the “body mafia” is there to act as a the middle man in transaction. The recipients are saved from the gruesome details and can go on to live happy, healthy lives complete with the creature comforts that Americans not only enjoy, but feel entitled to. Ethical objectors to the illicit industry are quick to demonize the traffickers that run such operations and blame foreign governments that turn a blind-eye to these activities. Efforts to find a solution focus on shutting down unethical operations, but perhaps they should be directed closer to home. Scheper-Hughes and other vehement objectors don’t seem to see what I consider the obvious cause of this travesty against humanity. The illegal trade in organs is only profitable because there is such a high demand in affluent nations. If countries could meet the demand legally and within their own borders, the “rotten trade” would immediately dry up.
The root of the problem is the capitalist philosophy of absolute, personal ownership. This “mine” mentality has such a strong hold on the American mind that we value our possessions more than we value human life. Sixty-two percent of licensed Americans would sooner let compatriots die on waiting-lists than check “Donor” on their DMV application. In fact, nineteen of them died yesterday (organdonor.gov). Another interesting (and frustrating) statistic about donor-ship in America: more than thirty-percent of voluntary donors never become actual donors because their families intervene and reverse the decision after the individual’s death. In effect, they would rather support the exploitation of underprivileged people than give up ownership of their loved ones organs after they die. As the pro-donation slogan goes; don’t take your organs to Heaven, God knows we need them here. American selfishness is a major cause of this ethical dilemma, not the “body mafia.” They are merely a mechanism; they’re taking advantage of a lucrative market. The more confounding part is that this “selfishness” is often defended (and accepted) as a a religious imperative, but I cannot imagine any formulation of the Divine who would endorse the privatization of flesh over humanitarianism. The American mentality is driven by an overwhelming sense of entitlement to life, liberty and the pursuit of happiness. Our “rights” ultimately deprive other people of theirs.
Response to:
Scheper-Hughes, N. (2003). Rotten trade: millenial capitalism, human values and global justice in organs trafficking. The Journal of Human Rights, 2(2), 197-226
[emphasis added]Unless we as social change agents come from a certain spirituality, we’re likely to create more harm than good…spirituality can be reactionary if we get people to just be so calm and accepting and loving that they tolerate the dangerous structures. The spirituality that we need to develop for social change is one that mobilizes us for social change. It doesn’t just enable us to sit there and enjoy the world no matter what. It creates a quality of action that mobilizes us into action. Unless our spiritual development has this kind of quality, I don’t think we can create the kind of social change I would like to see.
More likely, left-caused mass sabotage would result in wide-spread hatred of these "communists" who deliberately caused so much suffering. There would be a demand for a strong fascist state to provide "order."
A report from the American Dietetic Association says eating healthy foods may cost too much for many families. With only so much to spend on food, they buy what will fill them up. Often, that is not the foods that are healthiest. The report also says families would have to spend from 43 to 70 cents of every dollar to buy the amount of fresh fruits and vegetables they are supposed to have. That's OK for higher-income families. But poor families might not be able to do it.
In other words, he predicted that, because processed, mass-produced foods would become just as expensive as organic, locally produced foods, consumers would make better food choices. But even if nonorganic processed foods did become as expensive as organic foods ... Pollan still cavalierly overlooks the reality that price hikes on either type of food place severe pressure on struggling families.
Pollan, Barber, and Waters alike seem oblivious to the harsh truth that, for many Americans, rising food prices threaten their ability to afford food at all. Even though most food activists are well-intentioned and understandably disturbed by the trend of increasing domination by just a handful of food conglomerates, they often display glaring class bias.
But rather than worry about the effect of high prices on lower- and even middle-income consumers, Whole Foods has turned its attention to local farms, in whom, at the behest of Pollan and others, the chain is going to invest $10 million to make them "Whole Foods-ready." While this may strengthen local agriculture and bring the average Whole Foods shopper a wee bit closer to "local food," it will do nothing for the low-income mom who is riding the bus to the Wal-Mart on the outskirts of town. Given that there is a growing shortage of Farmers, Whole Foods' actions may even be harmful to low-income interests by causing what I call the "Greenwich effect." As soon as the housewives in very upscale Greenwich, Connecticut, organized a farmers' market, farmers left the hard-pressed urban markets faster than spinach bolting in July. In the same way, the continual push by affluent shoppers and the nation's retail bastions of naturalness to procure local and organic food will only increase prices and widen the food gap between them and lower-income shoppers.
From Whole Foods to Wal-Mart, retail giant ethics can only be paid from their excess profits and, no matter what the public relations department says, it is the shareholders who pay the piper. Supermarkets, like all corporations at the waist of the food system hour glass, oblige consumer desires only so far as they are profitable. They operate on the strict market principle one dollar, one vote. They won't, therefore, address needs where there are no dollars to be found. ... And this is where a retail vision of ethical shopping falls short of the vision of food sovereignty. In the US, the supermarket chain that has put itself at the forefront of corporate social responsibility has been Whole Foods. The company's executives tout their mission as 'No. 1, to change the way the world eats, and No. 2, to create a workplace based on love and respect'. It's certainly true that more and more of the world finds its food in supermarkets — and that Whole Foods is contributing to this global transformation. But to change the way the world eats requires not just a commitment to providing local food, but also the empowerment of society's poorest members to be able to afford to eat differently. Whole Foods, other wise known as 'Whole Pay Check', certainly encourages us to pay more for our food, but it's far from clear that the extra charge makes its way to those who need it most. For this to happen would demand a profound and political change all along the food system.
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