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Follows the adventures of Paul Atreides, the son of a betrayed duke given up for dead on a treacherous desert planet and adopted by its fierce, nomadic people, who help him unravel his most unexpected destiny.
jingofever wrote:A lot of 'series' on that list, cop outs, every last one of them.
* In an attempt to find a stable defense against the planet destroying phenomenon known as "cultural fugue" (a state of terminal runaway of cultural and technological complexity that destroys all life on a world), many human worlds are aligned with one of two broad factions, one generally permissive (the Sygn) and one generally conservative (the Family) by today's standards.
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The two galactic factions, the Sygn and the Family, are representations of opposing modes of thinking as conceived in poststructuralist philosophy. Societies aligned with the Family take the human nuclear family as the basic template for all human relations, of which all variants are considered imperfect copies; the nuclear family plays the role of the transcendental signified, a universal concept from which all other concepts are derived. Societies aligned with the Sygn reject any transcendental signified and instead focus on the idea that all ordering principles are contextual instead of universal; the Sygn emblem, the cyhnk, symbolizes this through the fact that cyhnks from different Sygn groups share a similar underlying structure but always differ in detail, with no one version of the cyhnk considered the ideal form. Reflecting these philosophical orientations, Family societies tend toward hierarchical organization, while Sygn societies tend toward networks of exchange among equals.
jingofever wrote:Why always science fiction/fantasy novels? I would do science fiction/spy novels.
Jeff wrote:Of course I love lists like this, because I get to be pissed off by my cherished omissions (The Stars My Destination, The Three Stigmata of Palmer Eldritch for sci fi; The Gormenghast Trilogy for fantasy (or at least 2/3rds of it)). But yes to this:jingofever wrote:Why always science fiction/fantasy novels? I would do science fiction/spy novels.
Or let's really open it up, and just talk of imaginative fiction. If that even makes sense, since The Mayor of Casterbridge is also imaginative.
I suppose Lovecraft is allocated the category of horror, but why not horror/fantasy, rather than sci fi/fantasy? Fantasy and Horror, both the genres and the conditions, seem much more akin to me.
justdrew wrote:Jeff wrote:Of course I love lists like this, because I get to be pissed off by my cherished omissions (The Stars My Destination, The Three Stigmata of Palmer Eldritch for sci fi; The Gormenghast Trilogy for fantasy (or at least 2/3rds of it)). But yes to this:jingofever wrote:Why always science fiction/fantasy novels? I would do science fiction/spy novels.
Or let's really open it up, and just talk of imaginative fiction. If that even makes sense, since The Mayor of Casterbridge is also imaginative.
I suppose Lovecraft is allocated the category of horror, but why not horror/fantasy, rather than sci fi/fantasy? Fantasy and Horror, both the genres and the conditions, seem much more akin to me.
Speculative Fiction, that was what Harlen was always pushing. See the videos I posted a couple weeks back in the video only thread.
Skunkboy wrote:
10. American Gods, by Neil Gaiman
29. The Sandman Series, by Neil Gaiman
48. Neverwhere, by Neil Gaiman
52. Stardust, by Neil Gaiman
justdrew wrote:not sure what I think of this, but it's an interesting read...
Radisson confidential
By Jonathan Lethem, from The Ecstasy of Influence,
out next month from Doubleday.
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