Superbowl Halftime Show - M.I.A. Flips the Bird

[Stephen Morgan]

Madonna is essentially a controlled member of a rather dangerous and serious cult, and has been for many years.

A scarlet thread...

[Stephen Morgan]

3) I don't believe in Satanism, except for the sects that explicitly identify as such (e.g. LaVey's outfit). This is something much older, something that has no dire ct orientation to Christianity.

See the Occult Causes of the Present War.

[dbcooper41]

coincidence?
or does the mental intercourse continue?

http://www.huffingtonpost.com/2012/02/10/robert-hoskins-madonna-stalker_n_1267540.html

LOS ANGELES -- Police are asking for the public's help
in locating a man who was convicted of threatening to kill Madonna and walked
away from a Los Angeles-area mental hospital last week.
Los Angeles police say Robert Dewey Hoskins left the state hospital Friday. He
had been committed there last year.
Hoskins, 54, is "highly psychotic" and can be extremely violent and should not
be approached by members of the public, police said in a news release Thursday.
They urged anyone who sees him to call authorities immediately.
Hoskins served a 10-year prison sentence for stalking and threatening Madonna
after being convicted by a jury in 1996. The singer reluctantly testified
against the man, who was shot by her personal security after he jumped the fence
of her Hollywood Hills home.
Court records show he was convicted of vandalism in July 2011.
Police say they have searched areas where Hoskins may try to go, including the
city of Long Beach south of Los Angeles, but they have been unable to find him.

[LolaB]

Ckeck out the lizard eyes someone at LA Times photoshopped into this character.
This photo has been up on their site since yesterday.

http://latimesblogs.latimes.com/lanow/2012/02/madonna-stalker-escapes-mental-hospital-lapd-says.html

[smoking since 1879]

Ckeck out the lizard eyes someone at LA Times photoshopped into this character.
This photo has been up on their site since yesterday.

http://latimesblogs.latimes.com/lanow/2012/02/madonna-stalker-escapes-mental-hospital-lapd-says.html

... that's image compression artefacts, not photoshop manipulation.

[seemslikeadream]

[crikkett]

That shouldn't have been allowed.

[yathrib]

Well, Lavey's Satanists are just Objectivists who like to dress up and wear robes. But then if "satanic" in the common sense has any meaning at all, Objectivists fit.

3) I don't believe in Satanism, except for the sects that explicitly identify as such (e.g. LaVey's outfit).

[Elihu]

on edit: removed to proper thread for relevance. big ups to eyeno.

[Pierre d'Achoppement]

X3!

[JackRiddler]

.

So, to boil down the trend here:

Dangerous cult-puppet Madonna's nazi-satanist* performance at the highest-rated show in history was created by occult controllers specifically as an announcement or the actual birthing-spell of an imminent Collapse of Everything and subsequent Total World War.

* Note: Use your preferred label.

Oi, you Americans are so parochial. Seriously.

111 million viewers does not remotely make Giants-Patriots "the highest rated show in history." (I wonder if it was even the highest-rated Superbowl by percent rating rather than population.)

The highest rated show in history was 9/11, which was what a real birthing-spell for a new world looks like.

Every year, there is at least one scheduled US-produced program that dwarfs the Superbowl for viewership. But since most of the billion or whatever people watching the Oscar broadcast are Non-Americans, its US rating is lower than the NFL championship.

Most years feature a sporting event that has a couple of billion people watching, be it the final of the real-football Mondial or the Euro or Americas cup or the Champions League, or, this year, at least the opening ceremonies of the Olympics. (Put that on your calendars for a VC post and an RI thread. Expect triple the agitation, since it will be Live from London, and absolutely guaranteed to include designs that feature triangles, circles, figures with corners interpretable as stars and other geometric shapes.)

I have no idea what they watch in China. None. But it's a safe guess that on many days, 111 million Chinese (or Indians) have watched the same show at the same time.

.

[wetland]

Remember this?

http://eightiesclub.tripod.com/id135.htm

In December 1988, Coca-Cola announced that it had signed George Michael to sell its pop to the public, and the gears started to turn. On January 25, 1989, following eight months of negotiations, Pepsi announced that they had signed Madonna to a year-long endorsement contract, for which they would pay Her Virginness $5 million. In return, Madonna would appear in a series of television commercials and Pepsi would sponsor the singer's next concert tour, tentatively slated for later that year.

Pepsi was undaunted by Madonna's image in the tabloids. "Her appeal is in her music and her acting. That's where people's interests are," announced Pepsi spokesman Tod MacKenzie.

The truly unique aspect of Pepsi's deal with Madonna was its sheer marketing brilliance. The plan was clever, tasteful, and right on target, to begin with. When controversy emerged it only placed a huge magnifying glass over the whole campaign. The by-product was a hundred times more publicity than they could have ever hoped for.

As originally outlined, Pepsi's projected plan went something like this: 1. January 25, Madonna signs her contract, and the next morning the deal become front page news in USA Today. 2. February 22, Pepsi unveils a commercial on the Grammy Awards telecast announcing the forthcoming March 2 debut of Madonna's Pepsi commercial. The upcoming event is heralded as the satellite premiere of the song "Lika A Prayer." 3. A 30-second version of the commercial will air through the summer. 4. March 3, MTV debuts Madonna's own music video version of "Like A Prayer," getting a month-long exclusive on the clip. 5. March 21, the "Like A Prayer" video and singles hit the stores -- and both become instant hits. 6. Madonna tapes a second commercial for Pepsi, which announces her upcoming tour. 7. Madonna goes on tour, which features Pepsi logos on everything. 8. Everyone makes a fortune.

What happened in reality is even crazier yet. Madonna had already met with Pepsi representatives to come up with the concept for the commercial. As planned, Pepsi paid her over $5 million for use of the song in the commercial, and production began immediately.

The director that Pepsi hired to execute the tightly scheduled video/commercial presentation was Joe Phytka, who had masterminded the landmark Michael Jackson ads for the company. According to Pytka, when he first drove to Madonna's Hollywood Hills house to discuss the commercial, she had no idea that she was expected to perform in it. "Michael Jackson had always used a special sound system for his singing, so I asked Madonna where hers was. She said, 'What singing?'"

Joe claims that she was also startled when he asked her to dance in the ad. But he felt that dancing was important for the ad because it's one of the main things that the public associates with Madonna. When Joe hired an outside choreographer, and Madonna saw the steps he was teaching the other dancers, she immediately insisted on doing her own dance.

Unlike Michael Jackson and Whitney Houston, Madonna refused to insert the word Pepsi in her song for the commercial. "I wouldn't put Pepsi in any of my songs -- Pepsi is Pepsi and I'm me," she explained. "I do consider it a challenge to make a commercial that has some sort of artistic value."

When the Grammy Awards telecast rolled around, the planned "teaser" ad ran. In the ad, an Australian Aborigine is seen trekking for miles across the outback to get to a television in time to see the world debut of the forthcoming Madonna Pepsi commercial.

A commercial for a commercial? You bet. When you're dealing with Madonna, the first thing you have to do is throw out all the rules.

On March 2, as planned, Madonna's Pepsi ad ran on the Number One TV program in America, "The Cosby Show." It worked smoothly with the sitcom's wholesome family image. Elaborately produced, the ad presented Madonna in a sentimental setting that somehow successfully mixed Catholic Church imagery and Pepsi-Cola into the same two-minute clip.

The commercial, entitled "Make A Wish," opens on Madonna, lounging in her den, watching a black and white home movie of her eighth birthday party....Suddenly the images change, and it is the actress playing eight-year-old Madonna who is watching the screen, and it is adult Madonna in black and white up on the wide-screen projection TV. The little girl watches the images up on the screen -- a vision of what one day she will become.

On the video screen, adult Madonna is shown dancing in the streets, while eight-year-old Madonna and thirty-year-old Madonna examine each other's worlds. The little girl is shown touring the house that she will one day grow up to live in, and the adult Madonna tours her past....

While the gospel sound of the song "Like A Prayer" plays, Madonna dances up the aisle of a black church and joins the choir. Cutting back to the present, the time-traveling little girl walks into her adult bedroom only to find the same doll that she received for her eighth birthday....Suddenly the time travel is over for both of them, and the eight-year-old is back on the screen -- holding a glass spiral-twist Pepsi bottle from the sixties, and thirty-year-old Madonna looks on in approval with her eighties can of Pepsi in her hand. Both images toast each other with a Pepsi, and the adult Madonna says to her childhood image on the screen, "Make a wish." With that, the little girl blows out the candles on the birthday cake, and the Pepsi logo comes up on the screen with the words A Generation Ahead below it.

It was a clever spot. However, it was only to be broadcast once.

When the commercial ran that night in March, it was shown in forty countries around the world, giving it an estimated viewership of 250 million people. Not only was it the first time a hit record had debuted in an advertisement, but it was the first time a TV commercial had been given a special around-the-world satellite premiere.

So far, everything was going according to plan. However, the very next day, when Madonna's own version of "Like A Prayer" made its "heavy rotation" debut on MTV, all hell broke loose.

In Madonna's video she witnesses a murder, runs into a church in a brown slip, kisses a statue of a saint, makes love with a black man on a church pew, dances in front of burning crosses, sings with a church choir, and shows bleeding stigmata on both palms as though she had survived a crucifixion. Only Madonna could pull this video off -- it is stormy, mysterious, tragic, violent, dark, and exciting.

Prior to its airing, Madonna explained the difference between the Pepsi ad and her own video presentation: "The treatment for the video is a lot more controversial. It's probably going to touch a lot of nerves in a lot of people. And the treatment for the commercial is . . . I mean, it's a commercial. It's very, very sweet. It's very sentimental."

[slomo]

.

So, to boil down the trend here:

Dangerous cult-puppet Madonna's nazi-satanist* performance at the highest-rated show in history was created by occult controllers specifically as an announcement or the actual birthing-spell of an imminent Collapse of Everything and subsequent Total World War.

* Note: Use your preferred label.

Oi, you Americans are so parochial. Seriously.

111 million viewers does not remotely make Giants-Patriots "the highest rated show in history." (I wonder if it was even the highest-rated Superbowl by percent rating rather than population.)

The highest rated show in history was 9/11, which was what a real birthing-spell for a new world looks like.

Every year, there is at least one scheduled US-produced program that dwarfs the Superbowl for viewership. But since most of the billion or whatever people watching the Oscar broadcast are Non-Americans, its US rating is lower than the NFL championship.

Most years feature a sporting event that has a couple of billion people watching, be it the final of the real-football Mondial or the Euro or Americas cup or the Champions League, or, this year, at least the opening ceremonies of the Olympics. (Put that on your calendars for a VC post and an RI thread. Expect triple the agitation, since it will be Live from London, and absolutely guaranteed to include designs that feature triangles, circles, figures with corners interpretable as stars and other geometric shapes.)

I have no idea what they watch in China. None. But it's a safe guess that on many days, 111 million Chinese (or Indians) have watched the same show at the same time.

.

FWIW I was careful to state that the intended target was the American public.

Regardless of relative ratings, the chosen venue beats out a lonely Masonic temple ballroom by a wide margin.

[Project Willow]

.

So, to boil down the trend here:

Dangerous cult-puppet Madonna's nazi-satanist* performance at the highest-rated show in history was created by occult controllers specifically as an announcement or the actual birthing-spell of an imminent Collapse of Everything and subsequent Total World War.

* Note: Use your preferred label.

Yeah, this thread is pushing my buttons far more than the silly show. The assertions are somewhat nonsensical.

* Somehow the masonic satanist sects that managed to weave themselves into power circles over the past 5 decades set up the Kabalah cult and control its members.

* Madonna voluntarily joins a destructive cult as an adult but features the behavior of an ra/mc survivor and is used to transmit messages from different cults than the one she joined.

* The ritual affected millions of people, who all instantly understood the cult's destructive meaning rather than their own projected meaning, based on their own experience. IOW, for the first time in history an artwork managed to implant new knowledge and life experience into viewers, and then play upon it.

I think what has happened is that the features of one set of stories are being force fit onto a different situation because there are points on tangent, and people are scared.

[slomo]

.

So, to boil down the trend here:

Dangerous cult-puppet Madonna's nazi-satanist* performance at the highest-rated show in history was created by occult controllers specifically as an announcement or the actual birthing-spell of an imminent Collapse of Everything and subsequent Total World War.

* Note: Use your preferred label.

Yeah, this thread is pushing my buttons far more than the silly show. The assertions are somewhat nonsensical.

* Somehow the masonic satanist sects that managed to weave themselves into power circles over the past 5 decades set up the Kabalah cult and control its members.

* Madonna voluntarily joins a destructive cult as an adult but features the behavior of an ra/mc survivor and is used to transmit messages from different cults than the one she joined.

* The ritual affected millions of people, who all instantly understood the cult's destructive meaning rather than their own projected meaning, based on their own experience. IOW, for the first time in history an artwork managed to implant new knowledge and life experience into viewers, and then play upon it.

I think what has happened is that the features of one set of stories are being force fit onto a different situation because there are points on tangent, and people are scared.

I think you are conflating several different viewpoints in this thread. I can only speak to my own, which is this: mass media is used on a regular basis to conduct what I will call "magick" but could be called other names (even "keyword hijacking" I suppose); whatever the case, the effect is not felt consciously, but rather unconsciously. The same process, on a smaller scale, is present with any performance involving music (which is a well recognized method of psychological manipulation or healing, depending upon how it is used). As such, powerful persons/families/organizations will seek to achieve very precise psychological manipulations on a public using mass media, in particular heavily viewed events. Entertainment "stars" are used in these shows for a variety of reasons, and in fact, that is their primary job, to act as priests and priestesses in these rituals/performances.

Note that my position makes no specific mention of Masons, cult programming, or anything else. In fact, my proposition includes most of what would be accepted as ordinary/non-controversial business/logistics/procurement/design practice. My main contention is that someone at a high level directed the outlines of this performance (perhaps even so far as choosing "Like A Prayer", hence Madonna) in order to achieve a very direct psychological effect on the public. No cult brainwashing or masonic plot needed here.