A good short read on Mockingbirds....

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Postby gnosticheresy_2 » Thu May 15, 2008 6:21 pm

Hugh Manatee Wins wrote:
gnosticheresy_2 wrote:.....
...longer term I would be trying to get things to the point where these news organisations and media outlets would be perpetuating these goals for me in such a manner that required little or no interference on my part.


This is the same goal for governing the general population but it doesn't logically lead to independent self-governance.

70 years or so into a psy-ops culture where information control is considered key to national security WILL produce more and more people safely conditioned to operate within power-safe guidelines.

We were raised in psy-ops culture.
Our parents were raised in psy-ops culture.
Our grandparents saw psy-ops culture take root just before WWII.

But ships must be steered despite their tendencies to go where pointed.
So it is with organizations.


Not all ships need to be steered, far better to have the ships steer themselves (enthusiastically) for the most part, with attention being concentrated on the minority of ships that stray off course.

If I wanted to influence the direction of popular culture, I wouldn't be focusing on messing around with the minutiae of movie character names or titles, I'd be modifying the school curriculum and buying the media companies.
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The Big Machine

Postby vigilant » Thu May 15, 2008 7:31 pm

Anybody that doubts the depth to which our media has already been penetrated and compromised by the big machine should watch this ten minute video. http://www.youtube.com/watch?v=9E-5KivgwO4

This is a video of two former Fox News reporters that tell their story of harassment. They were harassed for trying to tell the people the truth about an important issue. The harassment finally ended with the termination of their employment with Fox.

Interesting video.
The whole world is a stage...will somebody turn the lights on please?....I have to go bang my head against the wall for a while and assimilate....
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Postby professorpan » Thu May 15, 2008 10:09 pm

No, I'm not wrong just based on your anonymous internet posting that may or may not be true or even relevant.


Ha! Nice way to twist yourself up into knots rather than acknowledge your lazy theorizing turned out to be just plain wrong.

And why is an anonymous Internet posting any less reliable than some half-witted association you pulled out of your ass?

Thanks for once again proving your inability to even consider that you might be wrong. Good work!
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Postby medicis » Thu May 15, 2008 10:43 pm

gnosticheresy_2 wrote:Not all ships need to be steered, far better to have the ships steer themselves (enthusiastically) for the most part, with attention being concentrated on the minority of ships that stray off course.

If I wanted to influence the direction of popular culture, I wouldn't be focusing on messing around with the minutiae of movie character names or titles, I'd be modifying the school curriculum and buying the media companies.


Richelieu can never count on a ship going where he wishes it to go.... the mechanism must always exist for redirecting it if the need arises... and it will. For the subtleties of nuance...

And to degree that can be... his hand must be invisible.

The state of perfect satisfaction is met by Goethe's quote (which he knows many know but that few consider the necessary mechanisms...: There are none so hopelessly enslaved as those who falsely believe they are free."

But is the veil lifting?
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Postby Hugh Manatee Wins » Thu May 15, 2008 11:10 pm

professorpan wrote:
No, I'm not wrong just based on your anonymous internet posting that may or may not be true or even relevant.


Ha! Nice way to twist yourself up into knots rather than acknowledge your lazy theorizing turned out to be just plain wrong.

And why is an anonymous Internet posting any less reliable than some half-witted association you pulled out of your ass?


So you are at once declaring that this anonymous posting proved something against me AND that it is essentially as worthless as you relentlessly portray me.

And you are calling this...logic? Does this self-contradiction escape you?
Oh, its Pan attacking me again and yet again declaring victory. Nevermind.

I think medicis last post was elegant and instructive as usual. I'm always glad to see medicis posting.

Power has long known the value of ruling without seeming to.
And this is precisely what makes covert psy-ops so effective, too.

I'm fascinated by the CIA's fear of 'Mosaic Theory' which is their justification for denying all FOIA requests in CIA vs Sims.

They think we can piece things together. And they're right.
8)
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Postby professorpan » Thu May 15, 2008 11:47 pm

When confronted with evidence that could contradict a theory, an honest person will give it consideration.

You, silly manatee, bristle at anything that might indicate you are wrong. You stick your fingers in your ears and hope it just goes away.

Lazy, lazy, lazy. Wrong, wrong, wrong. Keep it up -- you're just digging yourself in deeper and deeper!
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Postby Hugh Manatee Wins » Fri May 16, 2008 1:00 am

The op article by Alex Constantine is a good overview of CIA media.
Alex Constantine has been studying CIA mind/culture control and writing about it for years. I recommend his books and his blog-
http://aconstantineblacklist.blogspot.com/

Also recommended is 'The Origins of the Overclass' by the late Steve Kangas-
http://www.huppi.com/kangaroo/L-overclass.html

professorpan wrote:When confronted with evidence that could contradict a theory, an honest person will give it consideration.
.....


I considered it. Thanks for drawing it to my attention.
And you're welcome for 'CIA vs Sims,' too.
8)

Can you imagine why (I'm quite sure) the movie, 'Mr. North' came out in 1988?
I even remember thinking at the time, "Hey, wait a minute..." Little did I realize how ubiquitous was this device.

Image

Or why we got the movie 'Sweet Lorraine?' in 1987?

There's even a Sirhan Sirhan character to tag onto the theme.
My favorite bogus dialogue to create image negation is about "removing the front balcony to modernize."

Image
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Postby professorpan » Fri May 16, 2008 12:52 pm

I considered it. Thanks for drawing it to my attention.


Yes, but are you willing to consider that the anecdote is correct, and that you are wrong about the use of the name Simms as a "keyword hijacking?"

Or do you simply dismiss the anecdote because you've already convinced yourself that you are right?
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Postby Jeff » Fri May 16, 2008 12:57 pm

Hugh Manatee Wins wrote:Little did I realize how ubiquitous was this device.


I love it when you talk like that, Hugh. I hear it in the voice of Hubert J. Farnsworth. Makes me smile.

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Postby professorpan » Fri May 16, 2008 1:31 pm

Can you imagine why (I'm quite sure) the movie, 'Mr. North' came out in 1988?


Well, lots of thing with the word "north" come out all the time. The film was based on an old Thornton Wilder (Our Town) novel.

Again, so what? What could this movie possibly do that would affect anyone's impression of Oliver North? Why would a movie studio waste its money adapting and producing a Thornton Wilder novel just to utilize the name "north" in its title, and what would that accomplish?

I guess "Far North," starring Jessica Lang, was also part of the hijacking? That film came out in 1988, too.

Here's how I can generate ("reverse engineer" in manatee-speak) my own keyword hijackings:

Think of something or someone bad the CIA might want to obscure. Let's say it's Gary Webb's investigation into contra/cocaine and the CIA.

Let's see.... type "Webb" and "movie" and "1998" into the keyword-hijacking-investigator's favorite search engine... Aha!

The film "The Leading Man" was released in 1998. The main character's name? Felix WEBB! He's a playwright who has a new play called.... drum roll, please... "The Hit Man!" And the tagline is "Indecent. Immoral. Irresistible. It's the role he was born to play" -- an obvious attempt to besmirch Webb's reputation.

But it gets much deeper than that.

Notice the character's first name -- Felix. Ring any bells?

How about Felix Rodriguez -- the CIA officer who not only captured and murdered Che Guevara, but who played a huge role in SMUGGLING CIA/CONTRA COCAINE!

http://www.afrocubaweb.com/felixrodriguez.htm#cbs

The spook director, John Duigan, has a long track record of PSYOP films, including:

The Mockingbird/BBC tv series "Vietnam" (1987), the militarist-glorifying "Fragments of War: The Story of Damien Parer" (1988), and the conspiracy-meme-jacketing "Paranoid" (2000).

See... I can do it, too, Hughie!
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Of all the...

Postby Hugh Manatee Wins » Fri May 16, 2008 7:47 pm

Jeff wrote:
Hugh Manatee Wins wrote:Little did I realize how ubiquitous was this device.


I love it when you talk like that, Hugh. I hear it in the voice of Hubert J. Farnsworth. Makes me smile.
.....


:oops: Caught me.
Actually, I was channeling Greg Palast's cheezy use of the film noire fedora and trenchcoat gumshoe persona in his documentary videos.

Which only shows how TV and movies are a language we all use.
CIA runs mainstream media since WWII:
news rooms, movies/TV, publishing
...
Disney is CIA for kidz!
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Postby gnosticheresy_2 » Fri May 16, 2008 8:46 pm

Why would I bother with keyword hijacking in 2008 when I can dictate the hiring policy of whichever studio I feel like buying and let hundreds of willing drones do it for me?
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Webb/CIA cocaine, Grange/Marcos, Felix/CIA vs Che

Postby Hugh Manatee Wins » Fri May 16, 2008 10:09 pm

professorpan wrote:
Can you imagine why (I'm quite sure) the movie, 'Mr. North' came out in 1988?


Well, lots of thing with the word "north" come out all the time.

1988, not "all the time." sheesh.
Oliver North and IranContra were a big deal at the time and 1988 was when the ring leader, GHWBush, was campaigning for president.

The film was based on an old Thornton Wilder (Our Town) novel.

Yeah, I can use a search engine, too. And did.

Hey, I even watched the movie which is a sentimental fluffy tale of a nice young college grad named Mr. North who is like a Jesus figure teaching children and healing the neuroses of rich people and freeing them from a quack doctor in Newport, RI ca. 1927.

Mr. North unites divided lovers, becomes a town hero, and everyone wears white all the time. Clean, optimistic, sacred, pure, INNOCENT white.

Again, so what? What could this movie possibly do that would affect anyone's impression of Oliver North?

I've been answering your same line of questioning for almost three years now.
It seems you start over from zero every time I post this psy-ops stuff. Gosh, why?

Many Americans, especially impressionable youth, have no or little exposure to news and are very susceptible to the many tricks of manipulating their views, of pre-biasing them to positive interpretations of keywords that might otherwise create negative attitudes towards US goverment institutions and values.

This is why there is counterpropaganda which the Pentagon defines as-
"Any action taken to minimize the effect of hostile information."

Most people's brains will follow a path of least resistance of association to avoid disturbing associations so CIA-Hollywood makes sure to build that mnemonic channel to safe harbors. Even actors with a useful last name will have the rails greased for them to exploit their keyword decoy value.

So the US government has specialists writing entertainment scripts that contain propaganda and counterpropaganda to exploit inoculation theory, interference theory, subliminal negative framing of whistleblowers, positive framing of scandals, and other perception management tricks.

Why would a movie studio waste its money adapting and producing a Thornton Wilder novel just to utilize the name "north" in its title, and what would that accomplish?


Movies almost always make tons of money. No risk there.
Digging up a Thornton Wilder piece to go 'Hollywood' in 1988 seems odd to me but given the value of mass marketing a 'Mr. North' that is an all-American Jesus figure wearing white and healing children, it makes perfect sense as a keyword hijacking and meme-reversal counterpropaganda device.

When making movies, playing ball with or just BEING the spooks who can guarantee publicity and positive reviews which make for riches and successful careers is a win-win for all involved.

The majority of Americans who just see the title of the movie as advertising (and certainly those few who actually bought tickets to the happy sappy movie) would then have a positive association for the keyword "North" to displace, compete with, or modify the negative association of Oliver North, the fall guy for VP Bush's narcoterrorist wars in Central America.

I guess "Far North," starring Jessica Lang, was also part of the hijacking? That film came out in 1988, too.


Could be. I haven't looked at it yet. This timing is right.
What are the names of the main characters, the positive or negative framing, and the themes?

Here's how I can generate ("reverse engineer" in manatee-speak) my own keyword hijackings:

Think of something or someone bad the CIA might want to obscure. Let's say it's Gary Webb's investigation into contra/cocaine and the CIA.

Let's see.... type "Webb" and "movie" and "1998" into the keyword-hijacking-investigator's favorite search engine... Aha!

The film "The Leading Man" was released in 1998. The main character's name? Felix WEBB! He's a playwright who has a new play called.... drum roll, please... "The Hit Man!" And the tagline is "Indecent. Immoral. Irresistible. It's the role he was born to play" -- an obvious attempt to besmirch Webb's reputation.


Good find. I think you're absolutely right that 'The Leading Man' is about Gary Webb even if you don't. But that's not all. Bill Clinton, too.
"Indecent. Immoral. Irresistible. It's the role he was born to play"

A 1996 movie full of sexual shenanigans about a charming American actor in London with a leading lady named..."Hilary Rule?" Yikes. How obvious is that?

Bill Clinton, American's "leading man," went to Londonas a student and he was criticized during his 1996 re-election for protesting against the Vietnam War while he was there.
'Course he was probably a CIA snoop at the time but he can't say that.

This movie is also about Zapatista "leading man," Subcommandante Marcos, because a guy named Grange wrote a book about him.
And the play within the movie, 'Hitman,' probably is because of the imminent declassification of a CIA assassination manual plus more evidence on JFK and MLK which was piling up on the internet.

Here's how.

You got the dates partly right and left out the name of the other main character, "Grange" played by Jon Bon Jovi, which opens up the whole south of the border topic even more and tells us the intended audience, too-youth.

First some timeline.
The CIA can see some things coming down the pipes so realize they can prepare before an event happens and why I'll include events over a few years.

'The Leading Man' was probably written 1994-1995 although the names of characters can just be slapped in at the last minute and have even been changed by redubbing a movie after it's in the can. People only say names so many times, only so many frames to redub. That's to explain some flexibility between writing and distribution of product.

It was first released in 1996 and later in the US in 1998.

JFK records started to be released in 1994.
Mexico had an election in 1994.
IranContra was tumbling out of the closet in 1994.

>It was 1996 when Bill Clinton was running for re-election still with Mena in his closet.
>It was 1996 when Gary Webb's news story series on CIA-IranCotnra cocaine debuted.
>It was 1996 when 'The Leading Man' debuted in countries other than the US.

Why 'The Hitman' play within the movie?
>It was since 'JFK' in 1991 and the release of JFK documents starting in 1994 plus the new internet that suspicion of CIA involvement rose.
>It was 1996 that a black ex-FBI agent, Don Wilson, came forward with evidence tying the FBI to the murder of Martin Luther King.
...and afterwards...
>It was 1997 when a judge tried to get the alleged murder weapon finally tested in the King murder.
>It was 1997 when a CIA assassination manual was declassified.

>It was 1998 when Clinton was beginning to put together Plan Columbia and the CIA's c
cover-up from 1996 was coming apart even worse.
http://www.consortiumnews.com/archive/crack.html
>It was 1998 when 'The Leading Man' debuted in the US.

The whistleblowing of Terry Reed in 1994 and Gary Webb's research before his 1996 San Jose article series was opening up the CIA-cocaine can of vipers yet again. (Reed got his own hijacking along with L. Fletcher Prouty in 1997 with Jim Carrey's 'Liar Liar.' Not too subtle, ay?)

By 1998 Oliver North was definitely tied to cocaine smuggling despite a 17-month long CIA internal inquiry which first exonerated itself.

But it gets much deeper than that.

How right you are.

Notice the character's first name -- Felix. Ring any bells?

How about Felix Rodriguez -- the CIA officer who not only captured and murdered Che Guevara, but who played a huge role in SMUGGLING CIA/CONTRA COCAINE!

http://www.afrocubaweb.com/felixrodriguez.htm#cbs
[/quote]

You are right, that might well be dilution of the Felix Rodriguez-CIA terrorist association because this movie's keyword hijacking of "Grange" is about Mexican-Cuban revolutionary history.

"Felix" is also a non-macho anti-hero male name long associated with fussy neurotic "Felix" in 'The Odd Couple' which can be negative framing of Gary Webb (the movie plot does that heavily).

Here's the CIA-Felix Rodriguez path of association-
Jon Bon Jovi's character in 'The Leading' is named "Grange."

In 1996 Bertrand de la Grange was working on a book in gestation since 1994 and published in 1997 which denigrated a famouos "leading man," the Mexican Zapatista revolutionary, Subcommandante Marcos.
The book was called 'Marcos, La Genial Impostura
("Marcos, the Inspired Fraud").

http://www.organicconsumers.org/chiapas/chiapas_bishop.cfm

By no coincidence, this negative image of Marcos (and Clinton) is exactly the image presented in compounded duplicate in 'The Leading Man' which is about an immoral if charming actor (Grange as handle on the concept of Marcos) and immoral writer (Webb) in some love quadrangle of deception which becomes included in the script of the play within the movie they are both working on.
Confusion, discrediting, keyword hijacking, the Name Game....that's disinfotainment!
http://www.rottentomatoes.com/m/leading_man/

Notice the meme-reversal in this movie of Webb going from whistleblowing journalist to writer of fiction who keeps changing it to accomodate "the leading man," Gange.

Now I doubt that too many youth are going to read Grange's diss of Marcos.
Ah, but if they are studying to be a revolutionary, they might. And those few are who really matter to the CIA.

There is a rock-star fascination with Che Guevera figures and the CIA works hard against this iconic dynamic. They are still burying Lennon with dirt.

This kind of 'just-in-case-cuz-every-little-bit-helps' planning is done on principle, not because every device by itself is a master stroke of social engineering.

I think the primary targets of 'The Leading Man' are Bill Clinton and Gary Webb and the other things, Grange and Felix, are secondary but reinforcing on principle. Like throwing left-overs into a soup.

That's CIA-Hollywood.

See... I can do it, too, Hughie!

That's the whole point. YES, you can.

There is a formula for counterpropaganda psy-ops.
Anyone can find it if they know the formula-
>negative framing of whistleblowers against the state and its goals
>positive framing of cover stories that hide state crimes and promote its goals
>keyword hijacking
>meme-reversal

Pan, you once joked (sneered) about 'It's a Mad, Mad, Mad, Mad World' (11/1963) being a hijacking of M.A.D., Mutually Assured Destruction nuclear war doctrine.

But you were right.

After the 1962 Cuban Missile Crisis it would make sense that an effort would be made to subliminally deploy some whistling-through-the-graveyard farce on the topic and then later some ham-handed slapstick like 'Dr. Strangelove' in 1964. Kubrick did consult with Herman Kahn and put a Pentagon-mandated disclaimer in the opening text crawl.

Lots of psy-ops energy after WWII went into keeping the public in a war mentality without scaring them away from it because of nuclear weapons.

Recently a movie came out called 'Delta Farce.' You can imagine why. Blackwater.
If I pointed out a few movies with funny pugs in them and brought up "Dyncorp," would you get the association?

Keep joking if this is what you come up with.
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news rooms, movies/TV, publishing
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Disney is CIA for kidz!
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Postby professorpan » Sun May 18, 2008 11:41 pm

Glad you liked my hastily contrived example of "keyword hijacking" and accepted it as legit -- once again proving beyond a doubt that you cannot differentiate between associations made in your head and objective reality.

Again, thanks for proving the point.
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Happy Lowell Thomas Day

Postby MinM » Fri Apr 06, 2012 12:06 pm

medicis wrote:From OpEdNews... A nice succinct compilation of info on the Mockingbirds and a bit on Hollywood...

I know you know all of this, HMW, but I thought it was germane.


Distracted and Manipulated - Operation MOCKINGBIRD

Diary Entry by SuicideKings


The Subversion Of The Free Press By The CIA


::::::::

MOCKINGBIRD The Subversion Of The Free Press By The CIA
"You could get a journalist cheaper than a good call girl, for a couple hundred dollars a month." - CIA operative discussing with Philip Graham, editor Washington Post, on the availability and prices of journalists willing to peddle CIA propaganda and cover stories. "Katherine The Great," by Deborah Davis (New York: Sheridan Square Press, 1991)
As terrible as it is to live in a nation where the press in known to be controlled by the government, at least one has the advantage of knowing the bias is present, and to adjust for it. In the United States of America, we are taught from birth that our press is free from such government meddling. This is an insideous lie about the very nature of the news institution in this country. One that allows the government to lie to us while denying the very fact of the lie itself.


The Alex Constantine Article Tales from the Crypt

The Depraved Spies and Moguls

of the CIA's Operation MOCKINGBIRD

by Alex Constantine

Who Controls the Media?

Soulless corporations do, of course. Corporations with grinning,
double-breasted executives, interlocking directorates, labor squabbles
and flying capital. Dow. General Electric. Coca-Cola. Disney.
Newspapers should have mastheads that mirror the world: The
Westinghouse Evening Scimitar, The Atlantic-Richfield Intelligentser .
It is beginning to dawn on a growing number of armchair ombudsmen that
the public print reports news from a parallel universe - one that has
never heard of politically-motivated assassinations, CIA-Mafia banking
thefts, mind control, death squads or even federal agencies with
secret budgets fattened by cocaine sales - a place overrun by lone
gunmen, where the CIA and Mafia are usually on their best behavior. In
this idyllic land, the most serious infraction an official can commit
__is a the employment of a domestic servant with (shudder) no
residency status.

This unlikely land of enchantment is the creation of MOCKINGBIRD.

It was conceived in the late 1940s, the most frigid period of the cold
war, when the CIA began a systematic infiltration of the corporate
media, a process that often included direct takeover of major news
outlets.

In this period, the American intelligence services competed with
communist activists abroad to influence European labor unions. With or
without the cooperation of local governments, Frank Wisner, an
undercover State Department official assigned to the Foreign Service,
rounded up students abroad to enter the cold war underground of covert
operations on behalf of his Office of Policy Coordination. Philip
Graham, __a graduate of the Army Intelligence School in Harrisburg,
PA, then publisher of the Washington Post., was taken under Wisner's
wing to direct the program code-named Operation MOCKINGBIRD.

"By the early 1950s," writes formerVillage Voice reporter Deborah
Davis in Katharine the Great, "Wisner 'owned' respected members of the
New York Times, Newsweek, CBS and other communications vehicles, plus
stringers, four to six hundred in all, according to a former CIA
analyst." The network was overseen by Allen Dulles, a templar for
German and American corporations who wanted their points of view
represented in the public print. Early MOCKINGBIRD influenced 25
newspapers and wire agencies consenting to act as organs of CIA
propaganda. Many of these were already run by men with reactionary
views, among them William Paley (CBS), C.D. Jackson (Fortune), Henry
Luce (Time) and Arthur Hays Sulzberger (N.Y. Times). ...

Activists curious about the workings of MOCKINGBIRD have since been
appalled to f__ind in FOIA documents that agents boasting in CIA
office memos of their pride in having placed "important assets" inside
every major news publication in the country. It was not until 1982
that the Agency openly admitted that reporters on the CIA payroll have
acted as case officers to agents in the field.

"World War III has begun," Henry's Luce's Life declared in March,
1947. "It is in the opening skirmish stage already."
...

No one ever turned a suspicious eye on Walter Cronkite, a former
intelligence officer and in the immediate postwar period UPI's Moscow
correspondent. Cronkite was lured to CBS by Operation MOCKINGBIRD's
Phil Graham, according to Deborah Davis.

Another television conglomerate, Cap Cities, rose like a horror-film
simian from CIA and Mafia heroin operations. Among other
organized-crime Republicans, Thomas Dewey and his neighbor Lowell
Thomas
threw in to launch the infamous Resorts International, the
corporate front for Lansky's branch of the federally-sponsored mob
family and the corporate precursor to Cap Cities. Another of the
investors was James Crosby, a Cap Cities executive who donated
$100,000 to Nixon's 1968 presidential campaign. This was the year that
Resorts bought into Atlantic City casino interests. Police in New
jersey attempted, with no success, to spike the issuance of a gambling
license to the company, citing Mafia ties.

In 1954, this same circle of investors, all Catholics, founded the
broadcasting company notorious for overt propagandizing and general
spookiness. The company's chief counsel was OSS veteran William Casey,
who clung to his shares by concealing them in a blind trust even after
he was appointed CIA director by Ronald Reagan in 1981...

Friday, April 6, 2012
Image
LOWELL THOMAS DAY

He signed on this day in 1892 with a cry. And then, beginning in 1930 and for fifty more years, he would sign off with, “So long until tomorrow.”

Lowell Thomas, one of America’s most respected newscasters was born in Woodington, Ohio and grew up in Colorado. With degrees from the University of Colorado, New York University, and Columbia University, he became one of the best educated newsmen in the business. And he started in the business at the age of 19 as a reporter for the New York Daily News. Thomas gained notoriety when -- as cameraman Harry Chase filmed -- he reported his eye witness account of author T.E. Lawrence’s 1917 escapades. Lawrence was the British military liaison to the Arabs in their revolt against the Turks. Lowell Thomas’ romantic and adventurous tales of the Brit he referred to as “Lawrence of Arabia,” played to audiences throughout the world, making Lawrence a movie star and Thomas a millionaire.

Lowell Thomas began his long broadcasting career in 1930, as a replacement for NBC’s Floyd Gibbons. His career spanned over five decades and three networks. The first sixteen years were spent at NBC where his broadcasts became so important that the network placed two microphones in front of him -- just in case one failed. Thomas would scoop the other networks and the newspapers wielding a clout and influence never before heard on the airwaves.

After NBC, Thomas moved to CBS, where he stayed for thirty years. His travel adventures made for good news stories and he incorporated them into his nightly news program in a feature called the Tall Tale Club.

Then, in his last years (Thomas died Aug. 29, 1981), he hosted Lowell Thomas Remembers, a series on National Public Radio.

We remember Lowell Thomas as the consummate news broadcaster, and the first to broadcast at one time or another from a ship, an airplane, a submarine and a coal mine.

So long, until tomorrow.

http://www.440.com/twtd/today.html
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