
it was a time when I would come here....read...have fun...be entertained...never a dull moment ....never hateful....more fun.... less politics

I want to encounter that again...I want to encounter some RI majick.....bring it back...bring it back...bring it back hanshan....let's dance again
Oh, dance in the dark night, sing to the morning light
The magic runes are writ in gold to bring the balance back, bring it back
you put a spell on me professor...too bad the original thread's code is messed up
It's easy to dismiss such stories as drug-fueled delusions, but I find the wealth of similar entity reports compelling. I found this one while flipping through Esquire magazine in my doctor's office
WEDNESDAY, APRIL 27, 2005
Scott Weiland Entity Encounter
From an interview with musician Scott Weiland in the April, 2005 Esquire magazine:
At one point, over the Christmas holidays, I ended up slamming some coke. We were at this other couple's house, and the way it was put to me was: "You wanna experience something that you're not gonna believe?"
So we booted up, you know, we slammed-a solution of coke and water. And he was like, "Look right at that painting." And I remember the rush hit like a freight train. And out of this paintingcame this beautiful angel. It was just an average painting, you know, a cheesy picture of a flower basket, I think it was, or maybe a ship at sea. But out of this picture came this beautiful angel. And I'm looking at it and I'm like, oh... my... God.
And then, like, ten seconds later, the angel transformed into a beast. I was mesmerized. I couldn't believe it. I wasn't sure if what I was seeing was a hallucination or something real. I couldn't be sure. But I'll tell you one thing: I wanted to see more.
To me, the greatest question of all mankind is: Is there life beyond this mortal coil? And I felt that I had unequivocally found the answer to that question. The answer was yes.
For a while, there was a lot of positivity to it. But I started doing way too much cocaine. There was a period when I was shooting so much cocaine that I think I broke into another dimension. I opened a door, but I let some things in that were malevolent and aggressive. Sometimes it was just like a sort of dark almost presence. Sometimes I could see it a bit more. And the weird thing was, my dogs were totally aware of it. They would be aware of it even before I was aware of it, usually two to three seconds before I would sense it coming.
And my dogs, depending, would act in different ways. Either they would come to me and, like, try to make me feel comforted, sometimes almost molesting me, you know, trying to lick it off me or something. Or sometimes, if they felt threatened or felt that I was being threatened, they would bark or growl. Or sometimes, if it was something monstrous, they would just split. Or sometimes they would whimper. One of them was an English cocker spaniel. She would always just split the scene like immediately. But my big dog, a really big male golden retriever, he was a strong-willed dog. He liked to bark and protect me. But sometimes, even he was terrified. Like a couple of times, there was this thing that was huge. I couldn't
really tell the shape of it, but it was almost to the ceiling. It would pound on the wood floors as it would move forward.
I guess it lasted for a couple of months. I became so terrified that I didn't want to experience it anymore. Sometimes I still wonder if it was all hallucinations or something more.
You know I love you
I loved you
girl, I don’t care if you don’t want me
you know, I’m yours right now
I put a spell on you
because you're mine
you better stop the things you do
I ain't lyin'
I ain't lyin'
You know I can't stand it
You're runnin' around
You know better babe
I can't stand it cause you put me down
I put a spell on you
Because you're mine
Baby
Girl, I love you
I love you
And I don't care
If you don't want me
You know, I'm yours right now
I put a spell on you
Because you're mine
You know I love you
I loved you
Girl, I don’t care if you don’t want me
I put a spell on you
It's the same kind of story
that seems to come down from long ago
two friends having coffee together
when something flies by their window
it might be out on that lawn
which is wide, at least half of a playing field
because there's no explaining what your imagination
can make you see and feel
seemslikeadream
got me hypnotized
now it's not a meaningless question
to ask if they've been and gone
I remember a talk about North
Carolina and a strange, strange pond
you see the sides were like glass
in the thick of a forest without a road
and if any man's hand ever made that land
then I think it would've showed
they say there's a place down in Mexico
Where a man can fly over mountains and hills
And he don't need an airplane or some kind of engine
and he never will
now you know it's a meaningless question
to ask if those stories are right
cause what matters most is the feeling
you get when you're hypnotized
yes I got a black magic woman,
got me so blind I can't see
that she's a black magic woman
and she's tryin to make a devil out of me.
don't turn your back on me baby
stop messin round with your tricks.
cause you just might pick up my magic stick.
yes you got your spell on me baby
turning my heart into stone.
I need you so much magic woman
I can't leave you alone.
Former Fleetwood Mac guitarist/singer Bob Welch dead at 65
Beset by health issues, Bob Welch, whose departure from Fleetwood Mac preceded the group’s greatest success, apparently committed suicide in Nashville.
BY HOWARD COHEN
HCOHEN@MIAMIHERALD.COM
Bob Welch, whose mysterious and mystical Fleetwood Mac songs Bermuda Triangle, The Ghost and Hypnotized helped pave the way for his replacement, Stevie Nicks, and the group’s greatest success after his departure, has died at age 65 of a self-inflicted gunshot wound.
Welch’s body was found by his wife in their Nashville home Thursday afternoon, the Associated Press reported. He left a suicide note, and had been struggling with unspecified health issues.
His death seemed sadly foreshadowed by a lifetime of small victories and bitter disappointments. The singer/guitarist with the mellow voice and sophisticated air led Fleetwood Mac from 1971 until 1974 and, with Christine McVie, sang lead on most of the band’s material during that period.
His songs on albums like Bare Trees, Penguin and Mystery to Me, especially Sentimental Lady and the FM-radio classic, Hypnotized, helped establish Fleetwood Mac in the United States. Prior to joining the band as a replacement for iconic guitarist Peter Green, the group was known as a premier blues act in England in the late 1960s.
By 1969, Fleetwood Mac was outselling the Beatles and the Rolling Stones abroad with Green’s songs Black Magic Woman (a hit later for Santana), Oh Well and the instrumental Albatross.
But in America Fleetwood Mac was largely unknown and its brand of authentic blues was not in tune with easy-listening pop acts like Elton John, the Carpenters and Carole King.
Welch’s sound — polished, radio-friendly yet moody and bewitching on songs like Sentimental Lady, Future Games and Emerald Eyes allowed the band to sell a steady 250,000 copies per album, good enough to keep the members signed and on the college touring circuit. More importantly, Welch helped Fleetwood Mac develop its distinctive male-female vocal blend that would prove formidable when Nicks and Lindsey Buckingham replaced him on New Year’s Eve 1975, after he quit.
In that respect, Welch joined Peter Best as rock’s unluckiest man. Best, of course, was the Beatles’ original drummer who toiled in obscurity with the pre-Fab Four before Ringo Starr’s arrival. Within a year of Welch’s departure, Fleetwood Mac hit No. 1 in America in 1976 with an eponymous album.
From that Fleetwood Mac LP, Nicks’ signature smash Rhiannon, which she always introduced on stage as “a song about a Welsh witch,” was a clear extension of Welch’s fascination with the otherworldly — UFOs, strange disappearances in the Bermuda Triangle off the coast of Key Biscayne and ghosts.
Nicks agreed to join Fleetwood Mac, she said, only after listening to Welch’s albums with the group and finding a common mystical thread that she could hear herself fitting into.
Fleetwood Mac’s next album, Rumours in 1977, went on to become one of the best-selling releases in history. At the same time, Welch had formed Paris, a heavy metal band. It went nowhere.
His fortunes rose, however, when Mick Fleetwood became his manager later that year and Welch enjoyed an initially popular solo career.
His first solo album, French Kiss in late 1977, featured a remake of his 1972 Fleetwood Mac song Sentimental Lady, and it sailed into the Top 10. The more buoyant version was produced by Buckingham and also featured McVie and Fleetwood as guests. Welch also had Top 40 hits with Ebony Eyes, Hot Love, Cold World and the quasi-disco Precious Love through 1979.
Welch also continued his penchant for the bizarre by tapping into some South Florida lore. His second album in 1979, Three Hearts, featured The Ghost of Flight 401, an atmospheric tune about the aftermath of the Eastern Airlines flight that crashed in the Everglades in December 1972. Nicks lent her trademark wails to another song on the album that sounded like a Rumours outtake, Devil Wind.
“I had many great times with him after Lindsey and I joined Fleetwood Mac,” Nicks said in a statement to the Associated Press. “He was an amazing guitar player — he was funny, sweet — and he was smart. I am so very sorry for his family and for the family of Fleetwood Mac — so, so sad.”
Welch’s fame was short-lived. Subsequent albums didn’t sell, and he had a falling out with Fleetwood, later suing his old band mates for back royalties. Welch believes this was one reason for his omission from the Rock and Roll Hall of Fame in 1997 when Fleetwood Mac members who were in the band before and after him were inducted.
“The Rock and Roll Hall of Fame thing hurt my feelings, naturally,” Welch said in a 1999 online interview. “Mick (and John McVie and Chris) associate Peter Green with the high flying glory days of their youth, when FM was first breaking out in Europe. They associate Stevie and Lindsey, naturally enough, with the most glamorous, successful and exciting period in FM’s history. They associate my five years with the band, in contrast, with a very difficult time emotionally, which it was. Even though the band survived because of what we went through in that period, it’s not pleasant to think about for them, and so they don’t think about it and pretend it doesn’t exist.”
Yet Welch would never escape the connection. His final album, recorded in 2006, was titled His Fleetwood Mac Years and Beyond Two. The set featured re-recordings of songs he originally recorded with the band — and, ever out-there in the misty world of the supernatural, a cover of Nicks’ Rhiannon.
And when the sky is starless
Have you seen that girl on the corner
I'd like to take her out of her chains
Cause if I had my way with you baby
I would be chaging your life today
Your eyes got me dreaming
Your eyes got me blind
Your eyes got me hoping
That I'll be holding you close tonight
She was the same as a hundred ladies
But when my eyes looked at her I learned
That she was keeping a secret fire
And if I got real close I'd burn
And so it looked like I had to move slowly
Just like a cat at night in the trees
Cause I was waiting for her to show me
That way that she liked her love to feel
you invent the future that you want to face
I did a thing last night
You know those future games
I turned off all the lights
Oh, the future came
You were by my side