It has made it possible that men no longer respect women.
Are you really going to blame that on NWA? Men "no longer" respect women? When did they respect women, generally? 30,000 years ago when everyone lived in Terence McKenna land?
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It has made it possible that men no longer respect women.
82_28 wrote:. . .
And wondered. . .
Was NWA a "psyop"?
Think of the things that one band was able to change about the world we live in now.
It has normalized the use of the word "n**ger"
It has made it possible that women no longer look after their "chastity" (not that it's my business anyways).
It has made it possible that men no longer respect women.
All pro athletes are either "gangsta" or hellaciously Christian now.
Many a corporate spinoff has been made possible. (GTA series, former Anti establishment rap stars going on to play police on TV, etc)
Then thinking of all this, I decide to do a little "research". What was Ice Cube's first band's name? Well, it is there in the thread title: Cru' in Action.
CIA
http://en.wikipedia.org/wiki/index.html?curid=1665623
There is doubtlessly much more to be said on this, but I thought I would just throw it out there to see what others have to say.
And for the record, lest anybody accuse me of racism or something, Paris, Public Enemy and De la Soul in da house!!!!
http://www.youtube.com/watch?v=I11w-rl6 ... PL&index=4
norton ash wrote:I'm thoroughly convinced that the industry pushed bling-n-hos get-paid gangsta style to the detriment and obfuscation of the activist/revolutionary.
But then they've always given the people what they want, and sex and partying and flash clothes and violent street drama tend to trump ideas.
Let's assume that the marketing study says you can make the same money either way with the same sound, whether it's pushing revolution or bling-n-hos. Which one is the record company going to prefer?
barracuda wrote:Whoa, 82_28, I think this guy here TOTALLY ripped off your OP. Like, thought for thought, almost. You oughta go hit him up for some royalties or something.
justdrew wrote:There is a strain of thought out there, well established, that political rap was intentionally killed by pushing the 'gangster' stuff. I don't have any links putting that forth atm tho...
JackRiddler wrote:justdrew wrote:There is a strain of thought out there, well established, that political rap was intentionally killed by pushing the 'gangster' stuff. I don't have any links putting that forth atm tho...
Political rap was killed? Someone didn't tell Paris and Immortal Technique.
Hollywood Reporter @THR · Paul Giamatti has closed a deal to star in Straight Outta Compton as the manager of rap group N.W.A. http://thr.cm/NgRLH3
kelley » Sat Dec 11, 2010 5:35 pm wrote:the first two schoolly d records, 'the adventures of schoolly d' and 'saturday night--the album', are the template for gangsta. he basically invented this shit, relying heavily on the blaxsploitation omnipotence fantasies of previous african-american writers like donald goines. this man is an incredibly important american artist. nwa did nothing that schoolly hadn't done years at least four years earlier.
by 1989, rap music had reached its creative peak. the west coast rappers like nwa et al were opportunists who recognized the commercial potential in the music of their east coast forebears. i don't see their success as a psy-op; i just see it as business. cube and dre, along with tupac, were fundamental in laying the groundwork that sold an aceptable version of this music to white suburban youth, which culminated in dre's record 'the chronic'. if anything, the real psy-op came when a terrified white corporate media pulled 'yo! mtv raps' off the air in favor of the fabricated phenomenon called grunge, and pushed hip-hop back into a cartoon version of 'the ghetto' from whence whites believed it sprang, a milieu characterized mainly by repetitive, humorless depictions of bitches and bling.
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