It's tangential, but still interesting to me: I was told, not really
off the record, that Errol Morris's proposed documentary series based on O'Neill's research eventually morphed into
Wormwood after the two of them disagreed about the direction Morris wanted to go. There's evidence of their collaboration in the book. Maybe I should watch it again before commenting, but I recall thinking that
Wormwood had no guts, especially in the wake of
A Terrible Mistake. Some here might remember that stupid/lousy short Morris made about Umbrella Man for the NY Times a few years ago. Really soured me on the guy.
Now it seems that Legs McNeil and Gillian McCain are about to publish their 20 year Manson investigation:
https://www.rollingstone.com/culture/culture-features/the-follow-up-to-please-kill-me-is-an-oral-history-about-charlie-manson-869680/What did the musicians, poets and other cultural figures you interviewed bring to the story?
McNeil:We spent a lot of time with Peter Coyote, who was in the Diggers [an anarchist collective and offshoot of the San Francisco Mime Troupe], and a lot of people around San Francisco and the Haight, Carl Franzoni [performers and fixtures of the LA hippie freak scene], and the Byrds and Love.
For those who've read
CHAOS, I've wondered for many years if Peter Coyote might be a Reeve Whitson.