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DrEvil » 21 Mar 2021 20:11 wrote:If you look at the data for Alabama it's trending downward from about the same time as that crowd, and then there is a small spike in cases about two weeks after, before it starts going down again.
Kirstie Allsopp
@KirstieMAllsopp
In the UK alone, 53 million masks are ending up in landfill each day. The scariest part is all the others that don’t make it into the bin. Masks are being found in streams, rivers and oceans. Imagine what is happening in countries with bigger populations?
Fatally for now, Covidian faith and anti-faith has merged fully with red-blue and culture-war schemata. Corporate-state-mediatech propaganda system has never been as complete as just in the last few weeks, but also never this shallow in reach. Full-on Covidian following is about twenty or maybe even two hundred times the paper tiger that Russiagate was, which still means: a paper tiger.
JackRiddler » 22 Mar 2021 16:09 wrote:.
Some notes and then I gotta be relatively inactive for a couple of weeks:
Seems U.K. is the standard-bearer for Great Reset. It will go furthest, first. It is seeking to merge worst elements of nativist right measures and appeal to the Hungarian social formula with Covidian surveillance-control state. It is also a chaotic shit-show.
U.S. regime is headed for retreat or backlash. It's outlived usefulness for many elements of it. Fatally for now, Covidian faith and anti-faith has merged fully with red-blue and culture-war schemata. Corporate-state-mediatech propaganda system has never been as complete as just in the last few weeks, but also never this shallow in reach. Full-on Covidian following is about twenty or maybe even two hundred times the paper tiger that Russiagate was, which still means: a paper tiger. "Variants" etc. will mean ever less as numbers continue to decline. They are on the edge of losing the script, and I think they know it and are retrenching. The Depression is going to move social movements and populace into a different view of the world, and bound to become the main issue. The danger in the next year is less a full-on Covidian totalism with universally mandated harsh measures for violators and phone passports, etc., but resort to WAR, which means global, along with civilian crackdown pretexts in 'extremism' targeting horseshoe phantoms, along with real right-wing terrorism campaigns, both stochastic and orchestrated.
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These are highlights from the 1979 German Sci-Fi psychological thriller, "The Hamburg Syndrome," or "Die Hamburger Krankheit", directed by Peter Fleischmann. The film's has striking similarities to the present-day COVID-19 global 'pandemic' storyline, and shows an eerily similar psychological manipulation waged by government and the medical/pharmaceutical industrial complex.
SEE MORE NEWS & ANALYSIS AT:
https://21stcenturywire.com
shows exactly what is happening now.I cannot believe this movie is still up.
This is a 9 min clip with english subs.
THE HAMBURG SYNDROME
aka Die Hamburger Krankheit
Dir. Peter Fleischmann, 1979
West Germany/France, 117 min.
In German with English subtitles
The film opens with a conference—a euphoric call to arms—on human longevity. A speaker bellows to a tired crowd, “Nobody denies that death is
something natural, but mankind has proven more than once that it controls nature!” Meanwhile, a contagious disease spreads through the streets of Hamburg, leaving its victims in the fetal position.
Helmut Griem (THE DAMNED, THE DESERT OF THE TARTARS) plays the charistmatic Professor Sebastian Ellerwein. While the bureacrats are quick to pull the trigger on some kind of grand scheme to assure the masses, Ellerwein cautions against fighting what one doesn’t understand. Yet he’s alone in this opinion. Pandemonium ensues. The State rushes in to impose
some semblance of order, desperate to pin the virus on anyone it can. The citizens react like mad hogs and turn on each other as earthquakes shake the city and men in white jumpers snag beautiful women off the streets.The mechanism of scapegoating thematized in HUNTING SCENES FROM BAVARIA returns on a vaster scale.
Jean Michel Jarre’s synth-laden soundtrack meshes seamlessly with this frenzied dystopia, and the cast is rounded out by the incorrigible, wheelchair-bound Fernando Arrabal in his last film apperance. The false promises of modernist utopian schemes have rarely been as effectively exposed as they are in THE HAMBURG SYNDROME.
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