Dreams End wrote: Actually, given my opinion of Bono, I'd be more than willing to see the band U2 as psyops...but they were a little late to deal with the shootdown. And there's a LOT more to the deep politics behind Bono than the name of the band, I feel certain.
U2, great example of how a keyword gets different meanings through time.
People still think Gary Powers was shot down even though Richard Helms admitted he wasn't to Congress. The May 1, 1960 U2 incident points at inside job sabotage of the Eisenhower-Kruschev peace talks according to some knowledgeable people. And that's worth diluting in American youth culture.
Recall that Hollywood advertized for guys to get the job being the safe pop group 'The Monkees' when MHCHAOS was mitigating the influence on youth of the Beatles and Rolling Stones and then murdering Hendrix, Morrison, etc.
And I think that efforts are made to move away from a meaning and seeing if another will stick. Sometimes things work out by themselves but if spooks want it so then someone will get a contract or good promotion or be made an award winner etc.
That 1953 pdf of letters from CIA mole at Paramount Luigi Luschari back to his Psychological Strategy Board handler indicated
he could affect titles, casting, directors, etc. LOTS of influence at the micro-glyphic level. So yes, hiring a guy named Oswalt/Oswald for a Disney flick has precedent when today these production companies aren't just massaged by CIA assets, they ARE CIA.
Meanwhile, and I swear I'm not making this up just to mess with you, my initial introduction to JFK conspiracy was in the film JFK. In fact, despite my lower opinion of Stone due to some of his films and having spent a few days with him one time in the jungles of Chiapas (long story), I have to admit that his film Salvador also was my first introduction into U.S. policy in Central America.
Examine more closely the psychology and net effect of film on the culture at large.
Even gestures to expose can act to forestall change by breaking tension. Arundhati Roy writes of how charities in disaster states can perpetuate the bad system by offering palliatives.
I think the palliative effect of film is a tremendous asset to spooks that they capitalize on relentlessly.
A fictionalization of realities can serve to polarize the audience between
>those who already know and thus no ground is lost plus they are given new images to process events with that can mitigate the horror and outrage even though this may seem counter-intuitive. (Examine that dynamic. "Coping allows status quo." False hopes from seeing topic covered, etc. The happy ending technique was used in 'Brubaker' after prison riots in the US. In the film the good guy warden sees the corruption and fixes it. Yaaay!)
>and those who don't know the reality and are now even deeper into myths through processing the topics solely throough the psy-ops device. 'X-Files' syndrome, so to speak.
It inspired me to start looking deeper...and it turned out you didn't have too look too hard to start finding the truth.
Was the fictionalization a net gain or net loss over the whole audience AT THE TIME?
Did it keep the director from an even more damaging topic?
Could the director then be discredited and used to damage his previous work?
Was control through Mockingbird sufficient that some obscure VHS is no threat?
-all to be considered.
You claim an incredible level of micromanagement in Hollywood and yet JFK was allowed to come out. Salvador was allowed to come out.
The history and documents of the "incredible level of micromanagement" exist independent of my claims about how they are deployed.
Did you read how to properly "insert a Negro" into the background as mandated by the Psychological Strategy Board in these documents from 1953?-
http://www.iamhist.org/journal/eldridge.pdfMeanwhile, the bad guys put out a whole movie just to deal with one WORD of Vietnam? Personally, I think the word "mine" would be most available in most people's minds...scuba + mine....
You are correct about "scuba."
"Scuba" certainly was getting friendlied-up through 'Sea Hunt' and then 'Flipper.'
Or were dolphins just the penguins for "scuba terrorism?"
Perhaps dolphins were getting weaponized at the time, too.
Bet they were because the 1973 movie 'Day of the Dolphin' was based on a 1967 novel which mirrored John Lilly's "dolphin intelligence" project which began in 1959 in the Virgin Islands. Looks like cover for US intelligence to train dolphins to be weapons, doesn't it?
So I think this scuba terrorism with limpet mines was going on when Lloyd Bridges was on TV training his sons to patrol as scuba divers and Flipper the dolphin was their family dog, Lassie with a blow hole who can also blow up ships.
In 1973 a George C. Scott movie very different from the book was made about
presidential assassination with LIMPET mines by dolphins...perhaps to woo-woo both dangerous topics.

Looks to me like the move to cloud DA Jim Garrison's work in snicker-factor was combined with fictionalization and re-defining of LIMPET MINES. "It's just a movie."
Check this out for leads:
According to wikipedia,
http://en.wikipedia.org/wiki/The_Day_of_the_DolphinIt was while Roman Polanski was scouting locations for 'Day of the Dolphin' in 8/69 (!) that his wife, Sharon Tate, was killed during the Charles Manson episode. Another director took over. Any connection? Polanski compromise the psy-ops, perhaps, and get used to put out a message to Hollywood?
Heck of a 'coincidence' of timing and juxtaposition of events.
I'd heard of those incidents but I would never have been able to remember "limpet" mine...but then again, I didn't know the name of the Knotts film either.
Context. I saw 'The Incredible Mr. Limpet' as a kid and listened to adults argue endlessly about whether or not the massive death was worth the price of containing Communism.
It would be a different argument if it was known as a war of aggression and terrorism.
Just like today.
You have to put the release of the movie into TIME and the corresponding events plus the evolution of media psy-ops which took a big uptick during the Kennedy years when things started going wrong just as the war hoax was being revved up.
The early post-Vietnam years are rich with psy-ops easily discerned.
DE, if you can pick up a copy of Disney's 1978 thin picture book for kids called 'The Black Hole' I will show you page by page multiple keyword hijackings and say-it-outloud pictograms that exonerate the CIA and justify the abuses exposed 1972-1977. Plus recruiting boys.
Even the Gehlen Organisation is in there. I swear to gods.
I love the use of the name of a mystery ship caught in the pull of the (commie) 'Black Hole,'Cygnus.' As in....Saigon/US. Cute, ay? The phonetics of different reading levels are built in to the space adventure.
There's a giant red killer robot controlled by Dr. Reinhart. The red menace and our Nazi ally. The good guys in space need parts for their ship and Dr. Reinhart provides them. They say "Thanks, Dr. Reinhart." lol.
((Again, the 'd' and 't' are interchangeable when seeing the word, like 'Oswalt' and 'Oswald.')
It is one of the most KH-heavy examples I've ever found and it reflects the atmosphere of those 'Family Jewels' days at CIA and perhaps the more-is-better application of the keyword technique already deployed in more subtle ways.
But the keyword hijacking device is so over-used that it shows the scam, just like 'The Incredible Mr. Limpet.'
Find a copy on ebay or whatever but those 19 pages are Langley KH high octane drug and a rune stone of techniques used in many products.