
om bhūr bhuvaḥ svaḥ
tát savitúr váreṇ(i)yaṃ
bhárgo devásya dhīmahi
dhíyo yó naḥ prachodayāt
My dyslexic reading of the thread title
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om bhūr bhuvaḥ svaḥ
tát savitúr váreṇ(i)yaṃ
bhárgo devásya dhīmahi
dhíyo yó naḥ prachodayāt
Harvey » Fri Sep 23, 2016 9:12 am wrote:I remember the braces. If not alternative realities colliding, could this be something to do with the woman appearing unduly young in the original scene including braces?
If so how might the scene (and it's alteration) be read in the context of the time, with rampant paedophilia going on across the entertainment industries?
And LOL @ Rory.
Belligerent Savant wrote:^^^the most logical explanation, surely.
dada wrote:If I heard a close friend or a family member died again, that would be something. But it's never that, the feeling that "someone that just died was already dead" only happens with celebrities, media figures, persons with mass popularity. So maybe it's only an effect of the consumer mind.
One of the principal uses of media manipulation is to continuously undermine the people's sense of what is real and to neutralize their natural capacity to discern false from true information, thereby making them more and more reliant on external, official sources. To control the present depends largely on an effective, continuous rewriting of the past. The less people are connected to the past, the more susceptible to control in the present they become. Hijacking the faculty of memory -- and/or people's trust in their own memories -- is essential to this process, which is less about establishing a specific, useful narrative for the past than about constantly disrupting established narratives to create a sense of instability, unreliability, extreme subjectivity, and "cognitive vertigo." To this end, media-narratives are created, established, and then subverted, refuted, or altered on a regular basis, until the people's capacity to trust their own perceptions is completely compromised. This method is to be applied on both macro and micro levels, from global events to the most seemingly trivial of details, until it fully pervades the media-sphere.
Silent Weapons for Quiet Wars, third version (1996)
Agent Orange Cooper » Fri Sep 23, 2016 4:14 pm wrote:but it still feels a cheap interpretation, as if a time-traveller wouldn't have better things to do with their Time than fuck around with the production of cereal boxes.
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